The two tools had hand-drawn nibs that didn't match the Pen tool's icon and read as distorted
next to it. They now use Lucide's pen-tool (the Pen tool's own icon) with a plus or minus badge,
so the Pen group reads as one family; the Remove Anchor Points buttons pick up the minus one.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Presentation Mode hides the menus and panels, had no Escape and was saved with the
preferences, so it came back on every restart with no way out. Escape now leaves it (as in
Illustrator), F from it goes back to Normal Screen Mode, and the screen mode is no longer
saved: the app always starts in Normal Screen Mode, and preferences saved in Presentation
Mode by older versions open normally. ui.inspect reports `screenMode` on its own.
Desktop file drags carry no pointer position or modifiers (winit 0.30 on Windows, macOS
and X11), so every drop on a window with a document open was taken for the middle of the
canvas and placed. Where the platform doesn't say, a dropped document (native, SVG, PDF,
.ai, EPS, DXF, EMF/WMF) now opens as a tab of its own and a picture or text is placed in
the middle of the view; pictures dropped together with documents are placed first, so the
last document opened is shown. The web, whose drag events give the position, keeps
Illustrator's choice: placed on the canvas, opened off it (the tab bar).
Illustrator's PDF-compatible part leaves out art outside the artboards (it lives in the
private data alone, which isn't read), so it can't open; importing a file with that
private data now says so in a note. Off-page art a PDF does draw already opens on the
pasteboard; a test keeps it so.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- The Paragraph panel menu's Burasagari submenu reads None / Regular / Force, as the reference
app's help names them (`text.setFormat` keeps "none"/"standard"/"forced", its scripting names);
Reset Panel goes back to new type's Regular.
- The full-width ，．and half-width ､｡ hang too; Latin commas and full stops never do, so Latin
text keeps its breaks and composer with new type's default (tested). The spaces after a hanging
mark stay on its line.
- docs/mcp.md: a Burasagari section. ROADMAP: wording, Last updated.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- New type (the Type tools, `text.create`, area type and type on a path) takes Standard
burasagari, Illustrator's default (observed in its Paragraph panel menu). Documents from before
it and imported text keep None.
- Only a paragraph with a Japanese comma or full stop is composed line by line, so Latin text keeps
the every-line composer with the new default (tested).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Paragraph panel menu › Burasagari › None / Standard / Forced (with the East Asian options) and
`text.setFormat {burasagari}`:
- None: a comma or full stop that doesn't fit goes to the next line with the character before it.
- Standard: one that doesn't fit hangs outside the line; one that fits stays inside.
- Forced: one ending an area type line always hangs, and the rest of the line fills the measure.
Only 、 and 。 hang (closing brackets don't), in the width their mojikumi gives them. Horizontal
and vertical. Saved only when not None; new type keeps None. Paragraphs with burasagari are
composed line by line.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Discord feedback: Alt with the Pen didn't move a direction handle on its own, and there was no
way to break a path at an anchor and pull the ends apart.
- Pen: Alt held over a handle end or an anchor of a selected path (the one being drawn too) hands
the gesture to the Anchor Point tool, with the convert cursor: dragging a handle moves it alone,
clicking a smooth anchor makes it a corner, dragging an anchor pulls out symmetric handles.
Drawing goes on afterwards. Handles hidden by a partial anchor selection aren't grabbed.
- path.cutAtAnchors cuts at the direct-selected anchors in one undo step: a closed path opens
there, an open one becomes one path per piece, and one anchor of each cut stays selected so a
drag pulls the path apart. It answers {ids} and refuses (no undo step) when only open ends are
selected. path.convertAnchors checks `to`, skips stale anchor refs instead of indexing past
them, and keeps a smooth anchor's handles when converting to smooth.
- SubPath::cut_at and SubPath::smooth_anchor (geom) now back path.split, path.cutAtAnchors,
path.convertAnchor and path.convertAnchors, replacing three copies of that logic.
- Control bar and Properties panel: "Convert:" corner/smooth and "Anchors:" remove, connect
(Join), cut buttons when anchors are selected; Cut Path on the task bar and the context menu.
New original icon dc-anchor-smooth.svg (ASSETS.md row).
- ja, zh-hans, zh-hant and es strings (cs for the context menu item), es @msg rows; docs/mcp.md
section; ROADMAP.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Discord feedback: Image Trace and the other image options were hidden when an image was
selected; copy, paste, Image Trace should work from the Control bar as in Illustrator.
- Control bar, one image selected: Linked File/Embedded, file name, colour mode and PPI, then
Embed (+ Edit Original) or Unembed…, an Image Trace split button (click: Default preset;
arrow: trace with any preset), Mask and Crop Image, in place of Fill and Stroke.
- Control bar, one Image Trace object selected: "Image Tracing", its Preset (choosing another
traces it again), the Image Trace panel and Expand.
- Properties panel: Image Trace (split), Crop Image and Mask in Quick Actions for an image; an
Image Trace section (Preset, Expand, Release) for an Image Trace object. Embed/Unembed buttons
are shared with the Control bar (place::link_buttons).
- New engine command object.maskImage ("Mask"): clips the selected image with a clipping path
on its outline (rotated with it) and selects that path so its handles crop; one undo step.
- widgets::split_button (flat button with a menu arrow).
- Translations for the new strings (es, ja, zh-hans, zh-hant; "Mask" also pt-br, cs).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
The "no log file" message went through eprintln!, which panics when
standard error is a broken pipe; log::warn! reaches standard error the
same way (the file sink has already given up) and never panics.
ROADMAP: the log file in "Shipped so far" and "Last updated".
Co-Authored-By: Claude Opus 5.5 <[email protected]>
The desktop app installed no logger, so every log::warn!/log::error! in
the workspace was discarded: the graphics adapter in use, a lost graphics
device, the engine guard's report of a recovered panic. A launch from a
desktop menu has no terminal either, so there was nothing to attach to a
bug report.
apps/vectorcraft/src/logging.rs (no new dependency):
- standard error plus logs/vectorcraft.log next to the preferences
(~/.config/vectorcraft/logs, or under $XDG_CONFIG_HOME); each launch
rotates the previous log to vectorcraft.1.log and .2.log, so the log of
a run that crashed survives the next start; the file is capped at 16 MiB
- records logged before the settings directory is known are buffered
(bounded) and written once the file is attached
- default levels: info for vectorcraft*, warn for everything else;
RUST_LOG replaces them with env_logger-style directives
- never panics: an unusable directory or a failed write leaves standard
error as the only sink
- runs with VECTORCRAFT_NO_PREFS (agents' test runs) log to standard
error only, so they don't rotate away the user's own logs
The logger is installed first in main and the file is opened after
argument parsing (--version leaves no file). Log messages of this crate
drop their "vectorcraft: " prefix, which the record's target now shows.
vectorcraft-cli keeps its own MCP logger (vectorcraft_mcp::logging).
Documented in docs/development.md (Logs, Environment variables).
Legacy PostScript .ai files (Illustrator 3-8, and their EPS) open through
the EPS interpreter, which only recorded what was drawn: every group came
in flattened. In a file in Illustrator's format (its %AI comments, or
Illustrator named as the creator) the `u` ... `U` it writes at the top
level now open and close groups, whatever its prolog defines them as, so
groups come in nested as they were, between and inside clipping groups.
clipnest's Clip carries an optional region: without one it is a plain
group, nested in the same chain as the clips (ids given in opening order,
so a chain of clips and groups sorts by id).
Clips nested without end used to nest clipping groups past the stack
(a stack overflow in EPS and EMF/WMF import): clips and groups now nest
at most 128 deep with a warning, and each object's chain counts against
the EPS reader's drawing budget.
PDF-compatible .ai (Illustrator 9+) can't get the same: its PDF content
draws each object on its own and doesn't mark plain groups (only layers,
clipping groups and groups with opacity, blending or a mask, which
already come back); the groups live only in the private data, which is
out of scope. Documented in ROADMAP and docs/mcp.md.
Addresses Discord feedback.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Discord feedback: type in a frame dragged with the Type tool could not be resized or switched
between area and point type the way the reference app allows.
- The Selection tool shows the type widget beside a single selected point or area type object:
a small circle outside the middle of its bounding box's right side, hollow on point type and
filled on area type (vectorcraft_tools::typewidget, drawn by the canvas from the same geometry).
Hovering it shows the arrow with a type badge; its clicks neither drag nor deselect, and a
double-click runs type.convertToAreaType / type.convertToPointType (the Type menu's commands),
keeping the text and its styles in place, one undo step, reachable over MCP.
- Resizing area type made by dragging already works on main (#252): the bounding box resizes the
type area and the text reflows. A regression test now covers the reported flow.
- docs/mcp.md and ROADMAP.md describe the widget.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Discord feedback.
- Properties panel: the Appearance section's Fill and Stroke rows now use the
Control bar's widgets: the chips with their chevron and swatch/mixer
popover, the underlined Stroke link that opens the Stroke panel as a
popover (stroke::link, shared with the Control bar) and the weight spinner
with its presets (stroke::weight_field, which also follows the Type tool's
selected characters). With nothing selected the Document view shows them
too, as the Control bar does: they set up the next object drawn.
- Window menu panel keys as in Illustrator: Brushes F5, Layers F7, Align
Shift+F7, Transform Shift+F8, Info Cmd+F8, Pathfinder Cmd+Shift+F9,
Symbols Cmd+Shift+F11, Character Cmd+T, Paragraph Cmd+Alt+T, Tabs
Cmd+Shift+T, OpenType Cmd+Alt+Shift+T (beside the existing Color, Color
Guide, Appearance, Graphic Styles, Stroke, Gradient, Transparency and
Attributes keys). The dock's tabs (Properties, Layers, Libraries) join the
panel shortcut table and the Keyboard Shortcuts editor through
state::all_panels, which window.panel's name lookup and the catalog's
label list use too.
- Alt-wheel (Option on the Mac) zooms about the pointer whatever General >
Zoom with Mouse Wheel says: egui spreads a notch over a few frames, and the
rest of an Alt turn scrolled once Alt was up (also over the control
channel's ui.wheel); the turn's own modifiers now decide. Pinch zoom is
covered by the test too.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
A screenshot on the clipboard didn't paste everywhere:
- macOS: the Paste menu item (which takes Cmd+V there) was enabled for text
only, so with nothing copied in the app Cmd+V did nothing; and arboard
reads the pasteboard's TIFF only. The pasteboard's types now enable Paste,
and its PNG, else TIFF, pastes as it is.
- Windows: bitmaps came through CF_BITMAP and GetDIBits, which drops alpha.
Paste now reads PNG, else CF_DIBV5, else CF_DIB, decoded with their colour
masks and tables (a BMP file header in front, which image's headerless
decoder gets wrong for masks after a BITMAPINFOHEADER), opaque when the
alpha is zero throughout as screenshots leave it, capped at 32768 px a side.
- Web: only SVG text pasted. The page's paste event now hands the first
picture or file that is art to the app (VectorcraftApp::paste_from_host),
pasted with the chord held, like the desktop's paste keys.
- Linux reads image/png already; its Paste menu item still waits for text
(no cheap way to ask arboard for a bitmap), the paste keys take one.
Bitmaps paste as embedded images at the view centre, as before.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
The Properties panel's Font Size and Leading were plain typed fields and the
Control bar had no type controls. All three places now use the shared
editable combo (`widgets::spin_field`: typing, arrow and spinner stepping,
label scrubbing, a preset dropdown in the type unit):
- Character panel: the size and leading grid is shared with the Properties
panel (`character::metrics_grid`), which now shows the font style, Font
Size, Leading, Kerning and Tracking as combos and applies them to the
Type tool's selected characters as the Character panel does.
- Control bar: with type selected or edited, a Character link (the Character
panel in a popover), the font family and style menus and the Font Size combo.
- Presets as Illustrator lists them: sizes 6-72 pt; Leading has Auto first
(`widgets::spin_field_auto`, `text.setStyle {leading: "auto"}`) and then
the size ladder instead of 120% values; Kerning and Tracking -100...200.
- Font Size, Leading, Kerning and Tracking show blank where the selected
text's values differ (`character::shared`); the spinner does nothing on a
blank field instead of jumping to the step size.
Each pick is one `text.setStyle` / `text.setRangeStyle` step, so MCP and the
control channel are unchanged. Translations for the two new strings.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- `Targets::align_rects` tells `snap_point_with` an axis lined up even when
nothing moved or Alignment Guides hide the line, so the "align" label stays.
- Free Transform's move offset is a measurement label (as the Selection
tool's), its scale/rotate readouts Transform Tools; slice move/resize
readouts follow Measurement Labels.
- Snap to Point (Smart Guides off) keeps the default look for moves too, as
for drawn points and guides.
- Test: guides dragged out of a ruler (#451) follow Snapping Tolerance,
Anchor/Path Labels and Measurement Labels; docs/mcp.md.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Color, Alignment Guides, Anchor/Path Labels, Measurement Labels,
Transform Tools, Object Highlighting and Snapping Tolerance are read:
- tools: `guides::GuideStyle` on `Targets` (`styled(cx)`) colours the
lines and labels and leaves them out when their option is off, the
snap itself unchanged; `ToolContext` gains the six fields and
`snap_tol()`, replacing the 5 px literal for every smart guide snap
(drawn points, moves, bounding-box handles, ruler guides, artboards,
reference points). The tools gate their `Overlay::Measure` readouts on
Measurement Labels (drawing, moving, ruler guides, artboards) or
Transform Tools (scaling, rotating, Free Transform, transform tools).
- engine: `with_tool_cx` fills them from `Prefs` (the colour parsed, magenta
as fallback); the colour's default is `#ff3dfc`, what the tools drew.
- ui-egui: the hover outline needs Object Highlighting and Smart Guides.
- Tests in tools (guides, select), engine (tests_prefs) and the canvas;
docs/mcp.md and ROADMAP.
Co-Authored-By: Claude Fable 5.1 <[email protected]>
The toolbar went to two columns whenever the window was shorter than the
single column (about 990 pt for Basic, more for Advanced), so on most
screens it was always double and the double arrow and the Window menu item
flipped a flag nothing read. The column count is now the user's choice
alone; a window too short for the tools scrolls them (#84).
- window.toolbarColumns takes {double?: bool} (set or toggle, returns the
new state) and reports `checked`; the double arrow runs it.
- The Window › Toolbars item reads "Double Column" with a check mark;
catalogs updated (cs, es, ja, pt-br, zh-hans, zh-hant) and an es @msg row
for the new error.
- Headless tests: the arrow and the command toggle the column count in a
700 pt window (both fail on main).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Guides dragged out of a ruler did not snap at all (only Shift to the ruler's
ticks): they now go through the engine (`Session::ruler_guide`, a
`NewGuide` previewing `guide.add`, one undo step) and snap as a moved guide
does: with Smart Guides to the edges, centres (so the sides' midpoints) and
anchors of the art and of the artboards, labelled; with Smart Guides off,
View > Snap to Point pulls new and moved guides onto anchors. Moving art
with the Selection tool already snapped flush to artboard edges and centres
with Smart Guides on; a test now covers it.
Artboard guides: `Guide.artboard` holds an artboard id (written only when
set, so canvas guides save as before and older files open unchanged).
`guide.add {artboard}` makes one, `guide.list` reports it; a guide dragged
out of a ruler with the Artboard tool belongs to the active artboard. It is
drawn, picked and snapped to across its artboard only, moves with it
(`artboard.move`, a pure move in `artboard.setProps`, `artboard.rearrange`),
is copied with it (`artboard.duplicate`, Alt-drag copy) and deleted with it
(`artboard.delete`, the guide selection kept in step).
Guides as Layers rows with their own lock and hide (part d) stay open: ruler
guides are not layer nodes; Lock Guides locks them all, and Make Guides
paths are Layers rows already. Listed in the ROADMAP parity row.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
With the Artboard tool chosen, Copy and Cut take its artboard together with
the art fully inside it (when Move/Copy Artwork with Artboard is on), and
Paste brings both back in one undo step: Paste right of the last artboard,
Paste in Place / in Front / in Back where it was, into this or another
document, the art going back into the layers it came from (Paste on All
Artboards pastes the art alone). The clipboard carries the artboard
(Clipboard::artboard); a pasted artboard keeps its name when it is free.
Duplicate Artboards (the Artboards panel menu, and now a row dragged onto
New Artboard) copies the art too: artboard.duplicate {index?, art?} defaults
to the Artboard tool's artboard and moveArt option and reports the copies.
It shares copy_artboard with the Alt-drag copy (artboard.move {copy}).
New commands reachable over MCP: artboard.copy and artboard.cut
{index?, art?}; edit.copy / edit.cut run them while the Artboard tool is
chosen (and are enabled then with nothing selected). Docs (mcp.md), the
tool and panel docs, translations of the new labels and the ROADMAP follow.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Over the canvas the window hid the system cursor and painted the tool's
cursor glyph into its own frame. That glyph reached the screen only after
the frame was rendered, queued (two frames by default) and composited, so
on Windows it visibly trailed the real pointer, on any GPU: the "sluggish
mouse" of the report. Frame times were not the cause (0.4 ms empty,
1.5 ms median on a 20 000-path document, and no repaints while idle).
- cursors: the glyphs are collected as shapes, tessellated by egui and
rasterized into straight-alpha RGBA bitmaps (anti-aliased, hotspot on a
pixel corner), cached per cursor and display scale so the same Arc is
handed over every frame and egui-winit keeps its OS cursor.
- canvas: on Windows and Linux the tool cursor goes to the OS through
ctx.set_cursor_image; the system moves it itself. macOS (bitmaps sized
in points) and the web (no bitmap cursors in eframe) keep painting it.
- app: the wgpu surface queues one frame instead of two (LOW_LATENCY):
the GPU only composites the CPU-rendered canvas, so everything drawn in
the window follows the pointer a frame sooner.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Live rectangles drew elliptical corners after an uneven scale in v0.4.0;
inconsistent on a rectangle that isn't square:
- doc: LiveShape::fold_scale moves an uneven scale left in `xf` (files
saved before #291) into the size and radii; `transform` uses it, and
`folded()`/`corner_style` give Live Corners document units.
- engine: object.setLiveShape folds that scale first, so setting a radius
or kind (fields, dialog, widgets, MCP) gives circular corners on such
shapes instead of keeping the ellipses.
- geom: max_corner_radius/fitted_corner_radius are the one limit every
corner shares (half the shorter side).
- tools: corner widgets sit at the centres of the corners as drawn (a
radius past the limit put them off the arc, further in along the long
side), drag in document units on stretched shapes, and outline the
edited corners in red at the limit, as the reference app does.
- svg: CSS export writes the drawn radii (CSS would draw a radius past the
limit when its neighbours leave room).
- docs: mcp.md Live Corners, ROADMAP.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
The scan read only the platform's font folders, once per session (or on
Character panel menu > Refresh Font List). Fonts Windows registers outside
its font folders (installed as shortcuts, or by programs into their own
folders) never listed, nor did fonts installed while the app was open.
- Windows: the font files registered under the local machine's and the
user's Fonts registry keys outside the scanned folders are scanned too
(windows-registry, the windows-rs project's safe registry API).
- Linux/BSD: the XDG data folders' fonts (XDG_DATA_HOME, XDG_DATA_DIRS:
Flatpak, Snap, NixOS, Guix) and a Flatpak sandbox's host fonts
(/run/host/fonts, local-fonts, user-fonts); macOS: /Network/Library/Fonts.
- The global database looks the platform's paths up again at each scan,
and a scan's roots may be font files as well as folders.
- FontDb::installed_fonts_changed compares the folders the last scan read
(their modification times, and the paths it started from); the app
checks it when its window comes back to the front and rescans
(text.rescanFonts) only when fonts were installed or removed meanwhile.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Alt already deleted regions and pieces of open lines, but erase mode had
no edges of closed shapes, no distinct pointer, highlighted regions in the
merge-mode grey, only noticed Alt on a mouse move, and an erase drag could
flip mode at release. Like the reference app's erase mode:
- pathops::shape_builder(shapes, edges) returns a BuilderArrangement; with
`edges` it also cuts the outlines of closed (and filled open) paths
wherever other paths meet them. pathops::cut_out removes such a piece
from a path: a closed subpath opens there, an open one splits or
shortens, a piece all the way round takes its subpath, and a filled open
path's invisible closing edge never comes back as a visible segment.
Specks where paths only touch cut nothing; a zero-length input is no
longer the source of edges running through it. encloses_area is shared
with the tool's closing of filled open paths.
- BuilderMap (with_edges) hit-tests edges like line pieces (nearest wins);
an erase gesture that crosses an edge into a region deletes the region,
not the edge (erased_edges).
- shapeBuilder.merge {erase}: deletes the edges touched within tolerance
(from every shape along them), after the regions; returns `edges`.
shapeBuilder.regions lists `edges` (bounds, source). One undo step.
- Shape Builder tool: Alt held switches to erase mode and back on release:
red mesh/edge highlights of what will be deleted, a minus pointer
(Cursor::ShapeBuilder / ShapeBuilderErase, a plus in merge mode); a drag
keeps the mode it started in. The canvas re-hovers the tool when a
modifier changes, so the highlight follows Alt without a mouse move.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
BFlat