Adds Korean as an interface language: Edit ▸ Language ▸ 한국어, Settings ▸
General ▸ Interface Language, and System Language for ko / ko-KR locales.
- crates/ui-egui/src/i18n/ko.tsv: 3,573 entries, the Spanish catalog's sources
plus the macOS Settings item, written clean-room from the plain meaning of
the English text (sidecar ko.tsv.attribution, ATTRIBUTION.md row).
- Hangul is drawn with the installed system face cjk.rs already adds (Malgun
Gothic, Apple SD Gothic Neo, Noto Sans CJK KR…); switching is refused with a
message when there is none, like Chinese.
- Test: korean_covers_the_menus_and_has_no_dead_entries.
- Docs: localization-parity, ROADMAP, ui-egui README.
Native-speaker review welcome.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Claude-Session: https://claude.ai/code/session_013XWUReif4gqcjU5GsjYioc
Problem: Indonesian, one of the 12 key languages in
docs/localization-parity.md, had no catalog (0%), so Indonesian users got
the interface in English and System Language never picked Indonesian.
Fix: add crates/ui-egui/src/i18n/id.tsv, clean-room translations of every
entry in the Spanish catalog plus the native macOS Settings menu (3,541),
with a glossary in its header. Language::Id ("Bahasa Indonesia") is
persisted as `id`; it appears in Edit > Language (also the native macOS
menu), Settings > General, and System Language picks it for `id-*` locales
and the legacy `in-*` code older Java/Android runtimes report. Tests cover
the core menus, reject entries without a Spanish counterpart, check glyph
coverage with the bundled fonts, switching/persistence and locale
matching. Attribution sidecar, ATTRIBUTION.md row, docs (gaps.md G14,
localization-parity, ROADMAP, ui-egui README) updated.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Problem: the Portuguese (Brazil) catalog, one of Premiere's interface
languages and one of the 12 key languages in docs/gaps.md G14, covered
only the menus (348 of ~3,540 strings); panels, dialogs, Settings pages,
effect names, the Keyboard Shortcuts dialog and status messages showed
in English.
Fix: pt-br.tsv now has every entry Spanish has plus the native macOS
Settings item, written from the plain meaning of the English text with
ordinary Brazilian video-editing vocabulary (infinitive commands,
polite imperative instructions, sentence case); the header records the
conventions and a term glossary. Like Japanese and French, tests
require only the menus (now every menu label, not just the core set),
so later strings show in English until translated; a Portuguese entry
without a Spanish one fails, and a new test checks the bundled fonts
cover every Portuguese letter. The core-menu set that Ukrainian,
German, Russian and French must cover moves from pt-br.tsv (no longer
menus-only) to the menus-only Ukrainian catalog, unchanged in content
for those tests. Attribution sidecar and ATTRIBUTION.md entry added.
Docs: G14, localization-parity, ROADMAP language row, ui-egui README.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Problem: French, one of Premiere's interface languages and one of the
12 key languages in docs/gaps.md G14, had no catalog; #498 asked for it.
Fix: a new fr.tsv catalog with every entry Spanish has (menus, panels,
dialogs, Settings pages, the Effects / Effect Controls registry, the
Keyboard Shortcuts dialog, status messages) plus the native macOS
Settings item, written from the plain meaning of the English text with
ordinary French editing vocabulary (infinitive commands, "vous", French
sentence case and spacing). Language::Fr is persisted as `fr`;
app.language.french joins Edit > Language (checkmark, native macOS menu),
Settings > General offers Français, and System Language picks French for
any fr-* locale. Like Japanese, tests require only the core menus, so
later strings show in English until translated; a French entry without
a Spanish one fails. A new test checks the bundled fonts cover every
French letter (the glyph check is shared with Ukrainian). Docs: G14,
localization-parity, ROADMAP language row, ui-egui README.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Translate all 347 Spanish/Portuguese menu keys plus Clip, Audio and Settings.
Add the Ukrainian language command, serialized UI state, native macOS
menu updates, and coverage and Cyrillic glyph tests.
Co-Authored-By: Codex <[email protected]>
The DMG opened as a plain Finder window. It now shows the app icon's figure on
the FilmCraft colour, with FilmCraft.app and the Applications link side by side.
Same approach as PhotoCraft's and VectorCraft's (storytold/photocraft#1201,
storytold/vectorcraft#493).
- packaging/macos/dmg/: background.svg (source; text outlined, no paper grain,
the figure an <image> of assets/app-icon), background.tiff (1x + 2x HiDPI,
16-colour palette, Deflate, sRGB; ~106 KB)
and dmg-layout.DS_Store (Finder view settings: window, icon size 128,
positions, background).
- generate.py writes the TIFF and the layout on any OS, byte-for-byte
reproducible, with nothing from the machine that ran it (no paths, users,
disk names or volume UUIDs).
- package.sh copies them into the staging folder; the image is still built with
hdiutil makehybrid. Nothing extra runs in the signing job.
- The volume name drops the version: the layout finds the background through
an alias that includes the volume name. The DMG file name keeps the version.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
HDR sequences export as real 10-bit HEVC Main 10 through NVENC where the GPU
reports 10-bit HEVC: float BT.2020 R'G'B' -> rgbf_to_yuv420_10 -> P010 input;
VUI BT.2020 + PQ/HLG; HDR10 mastering-display / content-light as SEI on every
IDR (PQ); colr/mdcv/clli in the sample entry. New register_hdr_probe /
hdr_available in the export crate; macOS and GPUs without 10-bit keep
tone-mapping HDR sequences to 8-bit SDR HEVC. ABI asserts extended and
re-verified against nvEncodeAPI.h 12.1 (0 drift). 8-bit SDR HEVC unchanged;
the two #328 tests that asserted HDR is declined now expect Main 10.
Co-Authored-By: Claude Sonnet 5.5 <[email protected]>
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Play source video and audio, drag marked ranges as video, audio, or a linked pair, and route Source commands to clip marks and markers. Add shared draggable In/Out handles and range movement, preserving scrubber priority and explicit-only Program marks.
Include original code-drawn controls, documentation, attribution, and regression coverage for playback, placement, routing, undo, cancellation, and hostile parameters.
Assisted-by: Codex
One NVENC session, ring and NV12 path now serve H.264 and HEVC (Codec enum,
Profile::HevcMain). HEVC Main 8-bit 4:2:0 SDR BT.709, MP4/MOV hvc1, parameter
sets only in an hvcC built from the SPS the encoder wrote. The H.265 format is
available through a cached NVENC probe; choosing it is the opt-in, declines are
counted errors. ABI asserts regenerated from nvEncodeAPI.h 12.1 (no drift) and
extended for HEVC; tests, docs and roadmap updated.
Co-Authored-By: Claude Sonnet 5.5 <[email protected]>
Merge origin/main into the NVENC branch. #183 already provides the
HardwareEncoding enum, ExportSettings.hardware_encoding, the
hardwareEncoding export param and the Export > Video > Hardware Encoding
checkbox, so the duplicates from this branch are dropped and NVENC uses
them. filmcraft-export is now an all-platform dependency of
filmcraft-platform (VideoToolbox and NVENC both register encoders).
Never-crash fixes in the NVENC backend:
- submit() rejects a driver input pitch narrower than a row (and unlocks
the buffer); fill_nv12 uses get_mut instead of slicing rows.
- composition offsets use saturating math and i32::try_from; frame-rate,
size and timestamp casts are checked; sizes above u16::MAX decline.
- Annex B scanning and NAL type checks use get()/first().
- A failed nvEncOpenEncodeSessionEx that returns a handle destroys it.
ffi.rs carries NVIDIA's MIT notice for nvEncodeAPI.h, listed in
ATTRIBUTION.md under a new "Third-party source code" section.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
crates/text/build.rs embeds the fonts of a storytold/craft-fonts checkout
named by CRAFT_FONTS_DIR as filmcraft_text::fonts::CRAFT_FONTS (native:
all of them; wasm32: only BIZ UDPGothic Regular). Unset, CRAFT_FONTS is
empty and nothing changes. A bad CRAFT_FONTS_DIR is a warning, or an
error with CRAFT_FONTS_REQUIRED=1. Never a Cargo dependency, no network.
- UI: the Japanese faces are the last fallback of every egui font family
(BIZ UDPGothic first, Bold first in the semibold/medium families).
- Text engine: registered after the bundled faces; fallback_for picks
them after the bundled faces and before system faces (Mincho for serif
text, Gothic otherwise, nearest weight).
- Tests: Japanese glyphs (no tofu) in the UI and title paths, skipped
without craft-fonts; the theme works with CRAFT_FONTS empty.
- Release: every build job checks out craft-fonts at a pinned commit and
builds with CRAFT_FONTS_DIR + CRAFT_FONTS_REQUIRED; packages carry
OFL-<family>.txt. NOTICE, ATTRIBUTION.md (optional build input), AGENTS.md,
CLAUDE.md, README and docs/contributing.md describe it.
FilmCraft main bundles no Japanese font, so no font files move.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- LICENSE-MIT / LICENSE-APACHE from the Crafting Apps standard (copyright "ArtCraft Team and the
FilmCraft contributors"; Apache text in the canonical apache.org layout)
- NOTICE (new): license, brand carve-out, third-party list from ATTRIBUTION.md
- docs/brand/LICENSE-brand.txt (new): ArtCraft brand terms; brand sidecars, ATTRIBUTION.md and
AGENTS.md §1.8 point to it (owner "ArtCraft Team"; forks and modified versions remove the marks)
- README: "## License and credits" section per the standard (absorbs "Credits and clean room"),
badge anchor #license-and-credits, alt text "License: MIT OR Apache-2.0"
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- Lumetri grades PQ / HLG working spaces in their own signal normalised to
HDR White (Basic Correction) / HDR Range (Curves) in cd/m²
(filmcraft_color::GradeSpace): exposure in stops of light, highlights above
HDR White kept, HDR Specular scales them; Rec. 709 unchanged.
- HDR static metadata (mdcv/clli, Matroska MasteringMetadata/MaxCLL/MaxFALL)
on VideoStreamInfo::hdr; PQ media use MaxCLL / mastering peak as the
BT.2390 source peak; media.colorInfo reports it.
- HSL Secondary Refine: Denoise (median of the key) and Blur (Gaussian).
- Lumetri Presets (18 original looks in 4 folders) with thumbnails rendered by
our Lumetri on a procedural preview picture; Effects panel rows and a
thumbnail grid when wide; lumetri.presets / applyPreset / presetThumbnails.
- Color Match: Comparison View toggle; Apply Match uses its reference frame.
- Goldens lumetri_hdr_pq and lumetri_presets_grid; D-Log M stays unsupported
(no published formula).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- assets/app-icon/: canonical SVG + light SVG, 1024 PNG, macOS runtime PNG, .icns, .ico,
hicolor theme, LICENSE.txt and README (palette, geometry, provenance, regeneration).
- packaging/icons.sh regenerates everything with resvg, iconutil and the new `cargo xtask ico`.
- Native app sets the window icon (with_icon) and the Wayland app id; build.rs embeds the .ico
and VERSIONINFO into filmcraft.exe on Windows (winresource, Windows-host build-dep only).
- packaging/linux/ai.storyteller.filmcraft.desktop with Icon=ai.storyteller.filmcraft.
- Web app: favicon.svg replaced by favicon.png from the same artwork; sidecars and
ATTRIBUTION.md updated.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- crates/speech (L2): Transcriber trait, FixedTranscriber, Whisper model catalogue (pinned,
SHA-256 verified) with optional downloader (feature `download`: ureq + rustls + RustCrypto),
pure-Rust Whisper inference on candle with word timestamps (feature `whisper`), log-mel, VAD
word tightening, MFCC speaker clustering. Both features off by default and for wasm.
- project: per-media-item transcripts (Project::transcripts); schema v9 with a no-op v8->v9
migration and a v8 fixture.
- edit::transcript: sequence transcript derived from clip transcripts, search, paragraphs,
word ranges, pause/filler detection, ripple delete of many ranges, caption layout.
- engine: transcript.* commands (generate, set, delete, inspect, search, select, extract, lift,
renameSpeaker, removeFillers, removePauses, createCaptions, models, downloadModel);
Session::transcriber for hosts/tests; features `whisper` / `speech-download` (also on the
desktop and CLI apps). Without whisper, transcript.generate fails with a clear error.
- ui: Text panel Transcript tab (Transcribe button, speaker paragraphs of clickable words,
Shift+click selection -> In/Out, extract/lift/remove fillers/create captions, search) with
text.transcript.* automation ids; headless UI test.
- docs/transcripts.md, crates/speech/README.md, architecture and project-files updates.
whisper-tiny measures 12.2% WER over 797 words on local samples.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- eframe web runner on WebGPU (WebGL2 fallback; GPU compositor on WebGPU, CPU on WebGL2).
- fs: virtual file table of File/Blob handles, 1 MiB chunked async range reads with an
LRU cache and read-ahead (pending + retry instead of blocking), downloads for written
files, /opfs/ paths written to OPFS.
- import: File System Access picker / <input type=file>, drag-and-drop anywhere,
container index prefetch (moov wherever it is), retried imports; project open/save.
- recovery: OPFS auto-save snapshot while dirty, media copies, reopened on next visit.
- audio: AudioWorklet output fed ahead from the UI thread; played-frame audio clock.
- webcodecs: H.264/HEVC/VP9/AV1 MP4/MOV decoded by the browser VideoDecoder via a
reader opener (fallback to our decoders on any error), probed with isConfigSupported.
- api: window.filmcraft (execute/request/commands/screenshot/importFiles/importUrl/
openProject/files/readFile/info).
- cargo xtask web [--dev] [--serve PORT] (wasm-bindgen CLI); xtask wasm also checks
filmcraft-ui-egui and filmcraft-web; layer L6 for the web app.
- Original web icon (favicon.svg) with attribution sidecar; docs/web.md; headless-Chrome
smoke test (tests/smoke.mjs).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Replaces the Night of the Living Dead trailer screenshot with a real job: a 3:10
documentary cut of NASA's Apollo 11 film (images.nasa.gov, US Government works) built
through the control channel — 49 picture cuts with dissolves, B-roll, lower-third titles
set by the text engine, subtitles from the NASA air-to-ground transcript, mission audio,
a CC0 Chopin bed ducked by Essential Sound, a Lumetri grade with keyframes, markers and a
rendered section. Sidecar lists every source and the reproduction steps; NASA does not
endorse this project.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- model: SequenceSettings::color (ColorPipeline: working space, wide gamut, Auto Tone Map Media;
serde default Rec. 709) and Interpretation::color_space (override; None = metadata)
- render::colorman: source colour space from the override or VUI/colr/MKV metadata, decode tables
(camera log with super-whites, PQ, HLG + OOTF), gamut matrix, tone mapping into SDR working
spaces, gamut mapping; working → SDR monitor transform at the top level
(RenderOptions::working_output keeps working values for HDR export and scopes). Plain Rec. 709
media in a Rec. 709 sequence keeps the old fast path and stays on the GPU; managed layers and
HDR/wide-gamut sequences composite on the CPU
- export: H.264 and ProRes of a PQ/HLG sequence encode BT.2020 PQ/HLG and signal it: VUI / ProRes
header, colr (nclx/nclc), and for PQ mdcv + clli boxes and H.264 SEI (payloadTypes 137/144);
`sdr: true` (and render previews) export tone-mapped SDR. isobmff reads/writes mdcv and clli
- commands: sequence.colorSettings (Sequence ▸ Color Management…), clip.interpretFootage
(Clip ▸ Modify ▸ Interpret Footage…, Project panel context menu), color.spaces,
media.colorInfo; dialogs with automation ids colorDialog.*
- scopes: HDR sequences show a cd/m² waveform on a PQ scale (203 marked) and a BT.2020
vectorscope from the working-space render (scopes.hdrWaveform)
- display-referred wide-gamut input is desaturated into gamut keeping in-gamut colours exactly;
the soft compression is reserved for camera gamuts
- tests: colorman unit tests, engine (interpret/undo, PQ working space values and display),
goldens log_to_rec709 and hdr_tone_map (own renders + sidecars), export PQ/HLG × ProRes/H.264
read back by our demuxer and ffprobe (color_transfer/primaries/space, mastering display and
content light side data), headless UI (dialogs, HDR scopes)
- docs: architecture §5.2 (pipeline, HDR export, display colour management: no macOS EDR yet)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- Program monitor overlay for graphic clips: Type tool click creates a text layer (in the
selected graphic under the playhead or a new clip) and edits it in place with a caret,
selection highlight, arrows/word/line navigation, Shift-select, Cmd+A/C/X/V, Return,
Backspace/Delete, Esc; typing is one undo step. Selection tool selects, moves and scales
layers (bounding box, handles, anchor); double-click edits text. Rectangle/Ellipse tools
drag out shapes; Pen tool places a closed path. Automation ids program.layer.*.
- Properties (when a graphic is selected) and Essential Graphics: Layers list, Align and
Transform (align / distribute), Text (source text, font family + style incl. system fonts,
size, paragraph alignment, tracking, leading, baseline shift, box width, faux bold/italic,
caps, underline, kerning/ligatures), Shape, Appearance (fill, 2 strokes, background,
shadow). Automation ids graphics.*.
- Headless UI test (egui_kittest) drives the whole flow through the control channel; with
FILMCRAFT_UI_SHOTS it renders PNGs via wgpu (works with a locked screen).
- docs/graphics.md; architecture, ROADMAP, ATTRIBUTION (code-drawn glyphs) updated.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- project: ItemKind::Graphic (transparent canvas source, hidden from the Project panel,
unlimited duration); graphic layers are hidden effect instances graphic_text /
graphic_shape on the clip (serde for free, keyframes on every animatable property,
Source Text holds), with appearance (fill, two strokes outer/centre/inner, background
box with radius, drop shadow) and transform (position, anchor, scale, rotation,
opacity); eval_layer gives a plain LayerSpec. No schema migration: all additive.
- render: graphic_clip rasterises each layer straight to the output transform (crisp at
any Motion scale/rotation), caches layer rasters, composes a tight image for the GPU
plan; standard effects on a graphic run at source resolution first.
- engine: graphics.newText (Cmd+T) / newShape (new clip above the footage at the playhead
or a layer in an existing clip), setText (typing coalesces into one undo step), set,
selectLayer, deleteLayer, arrangeLayer, align (frame / selection), distribute,
graphics.list, fonts.list. EditorState.graphic_layers holds the layer selection.
- goldens: graphic_title, graphic_shapes (CPU and GPU parity).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- New L1 crate filmcraft-text: fonts (bundled Inter Regular/Medium/SemiBold/Bold/Italic,
JetBrains Mono, Noto Serif; DirectorySource scans system font folders reading only name/OS2
tables; family/style resolution with synthetic bold/italic; per-char fallback), layout
(harfrust kerning/ligatures, unicode-bidi, unicode-linebreak, alignment incl. justify,
leading, tracking, baseline shift, all/small caps, underline, carets/hit-test/selection,
cached), raster (moved from captions; active-edge list, shapes, emboldening), render
(outline + sub-pixel glyph-mask caches; transformed-outline path for rotation/skew),
mask (distance-transform strokes, blur).
- Captions burn-in now shapes and kerns via the engine (font.rs/raster.rs removed).
- Timecode / Clip Name effects draw real text (full clip names, not seven-segment digits);
text_burnin golden re-blessed.
- UI takes its font bytes from the text crate (no duplicate copies in the binary).
- New fonts: Inter Bold, Inter Italic (OFL-1.1, rsms/inter v4.1), Noto Serif Regular
(OFL-1.1, notofonts) with sidecars, ATTRIBUTION.md rows and licence text.
- Perf: 3-line 96 px title at 1080p ~1.6 ms cold / 0.15 ms warm (release).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
crates/golden (test-only, L3): nine procedural 320x180 scenes (transform
and opacity, blend modes, Gaussian Blur, Lumetri basic, Crop, Cross
Dissolve / Dip to Black / Wipe mid-transition, timecode/clip-name text)
rendered on the CPU and compared with committed goldens (PSNR >= 45 dB,
max <= 12, p99 <= 2); FILMCRAFT_BLESS=1 regenerates them with
attribution sidecars. testkit::golden adds PNG I/O, diff metrics and
failure images. The same scenes are composited on the GPU and compared
with the CPU.
GPU parity exposed a real bug: GpuCompositor cached uploads by
pixel-buffer address without owning the buffer, so a new frame
allocated at a freed frame's address was drawn with a stale texture
(whole wrong frames, PSNR ~12 dB). The cache now keeps the buffer
alive; regression test upload_cache_keeps_buffers_alive.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
