Opening a PDF whose fonts aren't installed keeps the text live in the fallback font (as
Illustrator substitutes and highlights missing fonts), and opening said so, but every export
then wrote the fallback font silently ("warnings": []), so a headless convert re-set the type
without a word.
- Exports that draw type now say so in their warnings, naming the missing families and the
fallback font: PDF (outlined or real text, also .ai and Save As), EPS, EMF/WMF, raster images
and SVG with outlined or embedded fonts. Live SVG text, DXF, text and native files name the
font itself and don't warn. Replacing the font (Find Font) clears it.
- The fonts a document uses (text.fonts' scope, Package's font list) come from one helper.
- textAs: outlines already keeps the glyphs the PDF draws (its embedded font program, installed
or not): now covered by a test with an embedded serif font that isn't installed, checked
against the installed font's and the fallback's outlines.
- docs/mcp.md and ROADMAP describe the warning.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
A PDF's DeviceCMYK image opened as RGB (the interpreter's pixels as a PNG),
so every export wrote it as DeviceRGB or ICC RGB, silently. Images now keep
their CMYK samples, as CMYK colours already did:
- Model: CMYK images are blobs holding CMYK samples, a four-component JPEG
(Adobe's inverted samples) or a Deflate CMYK TIFF. vectorcraft-doc's cmyk
module reads their ink amounts (ImageBlob::is_cmyk, ::cmyk, capped at 64
megapixels) and writes the TIFF (ImageBlob::cmyk_tiff).
- PDF import: DeviceCMYK, CalCMYK and four-component ICC images keep their
samples. A JPEG with Decode [1 0 1 0 1 0 1 0] is kept byte for byte; any
other is decoded (8 or 16 bits, its Decode array applied) and stored as a
CMYK TIFF. Masked CMYK images and 1/2/4-bit ones open in RGB with a warning.
Placing a CMYK TIFF keeps it CMYK too.
- PDF export: CMYK images are written in CMYK (DeviceCMYK, or ICC-based with
the CMYK profile when colours are tagged: PDF/X-3, PDF/X-4, PDF/A). A CMYK
JPEG neither resampled nor recompressed passes through unchanged; others are
resampled in CMYK and compressed as ZIP or as a CMYK JPEG (jpeg-encoder,
which also replaces the ZIP fallback and its warning for images converted to
CMYK). Output conversion treats them like CMYK colours: Preserve Numbers and
PDF/X-1a keep their numbers, Convert to Destination converts them to another
CMYK profile or to RGB through a 17^4 lookup table (cms::CmykLut, now also
behind the renderer's ink table). A CMYK image that can't be decoded is
reported in the warnings.
- Canvas: CMYK images show through the working CMYK profile, as CMYK fills
do, and paint their own inks in ink planes (CMYK raster exports, CMYK
blending). SVG export writes TIFF images as PNG.
Illustrator's Output › No Conversion keeps colour data as it is
(https://helpx.adobe.com/illustrator/using/pdf-options.html).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
A PDF-compatible .ai paints the editor's page (an opaque white rectangle the
size of the page) before its first optional-content layer and outside every
layer. It came in as art: an extra "Page 1" layer with a page-sized white path
behind the artwork, which hid white art and gave SVG/PNG/PDF exports an
opaque background.
For pages with the editor's private data (the way the importer already tells
a .ai from a PDF), the first art outside every layer, painted before any
layer, is dropped when it is a plain fill-only rectangle in an opaque,
non-spot white, with normal blending, equal to the crop box (0.5 pt
tolerance). Plain PDFs keep such a rectangle as art (as the reference app
does when opening a PDF), and so does anything else: grey, smaller or larger
rectangles, strokes, translucency, white inks, fills over the layers.
The white-cover test the soft-mask reader used is now a shared helper.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Adds a Spanish catalog (crates/ui-egui/src/i18n/es.tsv) covering the whole
interface like Japanese and Traditional Chinese: every menu string, every
tl! literal, the hint-bar fragments, plurals and the runtime strings the
other complete catalogs carry. It is written from the meaning of the
English labels in neutral, international Spanish (Latin American usage)
with the vocabulary users of vector illustration software know (Mesa de
trabajo, Muestras, Trazo, Relleno, Trazado, Pluma, Selección directa,
Buscatrazos, Motivo, Preajuste); no other application's localisation was
copied. Like Japanese it keeps the product, OpenType, the built-in
workspace names and the perspective grid preset names in English.
The language is registered with complete_menus (so the completeness
tests enforce it) and the one/other plural rule; every es-* system locale
(es-ES, es-MX, es-AR, es-419 ...) resolves to it.
Tests: es locale tags, Spanish vocabulary and plurals, Spanish letters in
the bundled UI fonts, and a new check that catalogs written with spaces
keep the leading/trailing spaces of joined fragments. ROADMAP, README and
docs/development.md list the language.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- Drop the workspace [patch.crates-io] and restore windows-link's crates.io
source and checksum in Cargo.lock, so every normal build keeps the
checksum-verified crate. windows7.ps1 now applies vendor/windows-link with
--config, checks that only windows-link's lock entry moved, builds and tests
with --locked, checks the patched crate is the one in use, and restores
Cargo.lock afterwards.
- windows7.yml runs on demand and weekly instead of on every PR, pins every
action by commit SHA, and leaves the dependency check and host tests to the
script (-Test) so the Cargo arguments live in one place.
- ROADMAP, README, NOTICE and docs: experimental, unsupported, not verified by
maintainers.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
With Alt down at the press, the four transform tools opened their
dialog at once, so an Alt-drag did nothing: no transform and no copy.
They now decide on release: a click made with Alt still sets the
reference point and opens the dialog, and a drag made with Alt
transforms a copy about the reference point, as it does in
Illustrator.
Co-Authored-By: Claude Sonnet 5.5 <[email protected]>
The Up/Down stepping of #357 now serves every numeric field through one
helper: num_field (lengths, in their unit) and plain/mixed fields
(degrees, percent, counts, at their precision: a count ignores the
Ctrl/Cmd tenth), as in Illustrator's panels and dialogs. After a step
the new value is selected, so typing replaces it. The select-all code
the dialog focus and focus/double-click already duplicated becomes one
helper, and the tests move to tests_numfields.rs with its field harness
(which can now run with the window unfocused). ROADMAP.md notes it.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
With Alt held, a press on a path's stroke selects the whole path and
an Alt-drag copies it, as before #363 and as Group Selection does in
Illustrator; only a plain press on a segment selects its anchors and
reshapes it. Records the segment drag in ROADMAP.md.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Tab is the Panels shortcut (show/hide all panels), but egui's own
focus navigation read the same Tab press at the start of the frame and
moved the keyboard focus on to a field. The shortcut handler returns
early while a field has the keyboard, so after one Tab a second Tab,
tool letters and Ctrl chords did nothing until a click or Esc, and in
the Type tool the letter typed after a Tab was lost. When no field has
the keyboard, the handler now cancels the focus move for that frame;
in dialogs, the command palette and panel fields, Tab still moves
between fields.
Co-Authored-By: Claude Sonnet 5.5 <[email protected]>
Panel number fields (num_field: X, Y, W, H, corner radius, stroke
weight, font size...) only parsed their text on Enter or focus loss,
so the arrow keys did nothing. With the field focused, Up/Down now
step the value by one of the field's unit (Shift: ten, Ctrl/Cmd: a
tenth), from the value shown, and apply it at once, as in the
reference app.
The field's focus is read from egui's memory, as its highlight and its
typing do: Response::has_focus also needs the window to report
keyboard focus, which the running app's window doesn't always do.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Co-Authored-By: Claude Sonnet 5.5 <[email protected]>
Any hit on a path's stroke took the "select the whole path" branch, so
dragging a segment moved the whole path. Now a press on the stroke of
a path that isn't selected as a whole selects the segment's two
anchors (unless they already are), and the drag bends the segment
with path.reshapeSegment when it's curved, else moves the selected
anchors (a straight edge moves, the rest stays), as in the reference
app. The fill, Shift-click and a path selected as a whole keep their
behaviour.
Co-Authored-By: Claude Sonnet 5.5 <[email protected]>
Finder, Open With, a drop on the Dock icon and `open -a` failed with "VectorCraft cannot open
files in the PDF document format":
- The release Info.plist declared no document types, so Launch Services refused the files before
the app saw them. Info.plist.in now declares every format File › Open reads (the engine's
OPEN_EXTS; a test keeps them in step): VectorCraft owns its own documents and templates and is an
alternate for the others, so it takes over no other app's files. `cargo xtask bundle` now fills
in the same template instead of its own, shorter plist.
- macOS delivers such files as open-document events, not arguments. winit 0.30's application
delegate has no `application:openURLs:`, so AppKit fell back to NSDocumentController, which
refuses every file of a non-NSDocument app (the error in both issues). The new
`open_documents` module adds that method to the delegate's class when the app is about to finish
launching (before AppKit delivers launch files), queues the paths and wakes the UI, which opens
them with `io::open_path` like command-line files; errors go to the status bar too.
New direct macOS dependencies `objc2-foundation` 0.3 and `block2` 0.6 were already in Cargo.lock
(through winit, muda and rfd). The module allows `unsafe_code` for the Objective-C runtime call.
Fixes#354
Co-Authored-By: Claude Opus 5.5 <[email protected]>
The web reads dropped files asynchronously, and the place inbox only kept
the drop point, so a file dropped on document A was placed into whatever
document was active when its bytes arrived. A drop on a canvas now carries
place::DropAt (the document's uid, the point, embed), and drop_files makes
that document active again before placing; when it has closed meanwhile,
nothing is placed and the status bar says so. The native drop path is
synchronous and goes through the same code, so it is unchanged in effect.
Test: a drop pending while another document opens lands in the first one
at the drop point; one whose document closes is not placed anywhere.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Simplified Chinese is a complete catalog, so the strings added the same day need rows: Delete
Anchor Points, Edit Selection and the 25 Saved Selection slots, Paragraph Direction and the
Mojikumi Set. Remove Anchor Points reads 移除锚点, apart from Delete Anchor Points (删除锚点), as in
Traditional Chinese.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Add a linked Star History chart at the bottom of the README so readers can see the repository star count over time. Use the date view with a top-left legend.
- Taiwan vocabulary left over from the zh-hant rows #303 started from is
replaced with the mainland's, about 560 rows: 档案 → 文件, a Taiwan 文件
(document) → 文档, 工作区域 → 画板, 笔画 → 描边, 色票 → 色板, 遮色片 → 蒙版,
渐层 → 渐变, 偏好设定 → 首选项, 快速键 → 快捷键, 按一下 → 单击, 描述档 → 配置文件,
品质 → 质量, 汇出/汇入 → 导出/导入, 连结 → 链接, 点阵 → 栅格, a row 列 → 行,
「」 → “”, half-width parentheses; tool names that collided or were wrong
are fixed (Selection Tool 选择工具, Scale Tool 比例缩放工具, Warp 变形,
Puppet Warp 操控变形, Divide 分割, Exclude 差集, the 直排 type tools).
- 42 rows for strings that landed after #303 (Layers panel, graphics
processor preference, panel collapse, the font menu's filters).
- A catalog header documenting the format and the vocabulary, and a test
that zh-hans has no Traditional characters or Taiwan terms.
rows were the better base (hand-adjusted mainland terms in the menus and
dialogs), so no rows were taken from #316.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
The zh-hans catalog, registered as 简体中文: zh-CN, zh-SG, zh-Hans-* and
a bare zh locale resolve to it (tested), and it claims complete menus.
NOTICE lists the craft-fonts faces of the current manifest (Noto Sans CJK
SC and Noto Sans Arabic were missing).
Landed from #303 (catalog, registration, locale tests and the NOTICE
line only). Its horizontal CJK composition, UI font fallback by weight,
dock, New Document, Brushes panel and preference-migration changes are
left for separate pull requests.
New type's Auto alignment is saved as the alignment it has in the
paragraph direction (Right for right to left, else Left) plus an
optional `justify_auto` flag, so builds without Auto parse the file
and lay it out the same; this build reads Auto back. Paragraph styles
keep Auto as one `justify` attribute.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Illustrator sets a paragraph's direction (Left-to-Right / Right-to-Left
Paragraph Direction in the Paragraph panel, with the Middle Eastern
options) and keeps its alignment buttons physical; it has no automatic
alignment toggle. So:
- ParaStyle.direction (None: from each paragraph's first strong
character, as before; written only when set), the Paragraph panel's two
direction buttons with Show Indic Options (original icons), and
text.setFormat {direction: "auto"|"leftToRight"|"rightToLeft"}. The
layout uses it as the base direction.
- The Automatic alignment check box is gone. Justify::Auto stays as the
start of the paragraph's direction, set on new type only (text.create,
the Type tools, with the mojikumi default in one new_type_para()):
TextObject::point is Left again, so importers (PDF, SVG, DXF, EMF) keep
their own alignment. The alignment buttons show what Auto resolves to.
- Bidi only where there is something right to left: plain paragraphs skip
the algorithm (no per-layout allocation), it runs once per paragraph
(shaping takes the paragraph's levels instead of recomputing them; path
type computed it four times), and the shaper keeps Han, Hiragana,
Katakana and Bopomofo in one segment (splitting at every change of
script cost Japanese text a shaper call per kana-kanji switch).
- Vertical type keeps its logical order, so its glyphs and lines are not
marked right to left (the caret no longer runs backwards down a column).
- PDF import puts Hebrew and Arabic, which PDFs (and VectorCraft's own
export) draw in visual order, back in logical order with the direction
that shows it as drawn; with bidi layout it came back mirrored.
- SVG import pins the direction SVG implies (left to right unless
direction: rtl); SVG export also outlines right-to-left paragraphs.
- Docs (development.md), ROADMAP (folded into the Type entry, Type core
row) and README updated; catalog rows for the new labels.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Laying out type (show, stringwidth, cshow) costs about 300 operations plus
64 a character, measured, and now counts that much against MAX_OPS: a
300-byte file running cshow over a 4 MB string took 60 s, and
{ (a) stringwidth pop pop } loop ran for over 5 minutes (already the case on
main); both now stop with "the program runs too long" within seconds.
Tests: executable filters run inside themselves stop at the nesting limit
(directly, mutually and under stopped), currentfile cvx exec runs nothing
twice, cshow over a long string is refused; the hostile PostScript fuzz
tokens gain self-recursive filter execution, currentfile filters, cvlit and
cshow.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- Unicode bidi (unicode-bidi, unicode-script, unicode-general-category):
each paragraph's direction from its first strong character, Hebrew and
Arabic shaped right to left, embedded Latin and numbers keep theirs,
lines wrapped in logical order and reordered per line by whole
clusters; source text, undo and style ranges stay logical.
- Caret, hit testing, selection and the arrow keys follow the visual
order.
- New text aligns automatically: right-to-left paragraphs right, others
left (Justify::Auto, text.setStyle {justify: "auto"}); the Paragraph
panel highlights the resolved alignment and has an Automatic alignment
toggle. Explicit alignments, and older documents', are kept.
- SVG export outlines bidirectional text (with a warning) until it can
be written as directional live text.
A file's saved selections are untrusted: on load at most 25 are kept, names
are trimmed, capped at 255 characters and unique, and ids the document
doesn't have are dropped (after fix_next_id such an id would select whatever
object is drawn next). Save and Edit Selection cap names the same way. The
limit, the name cleanup and the default "Selection N" live on
SavedSelection, shared by the engine, the Save Selection dialog and the
Select menu's slot table. docs/mcp.md documents the select.save /
savedList / recall / editSaved commands; ROADMAP counts 13 stubbed menu items
and names what's still missing (Update Selection, the Layers panel menu).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
normalize_panel walks DockTab::ALL and ICON_PANELS instead of repeating the
dock tab ids. vectorcraft://object/{id} turns only a missing object into
-32602; no document or an unreachable app stay backend errors, as before.
docs/mcp.md documents document.node's summary flag and the panel names
open_panel takes; control-protocol.md the window.panel names. The ROADMAP
states the measured speed-up (a leaf read on 2,000 objects: ~20 ms to ~0.06 ms).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- A preview whose menu has gone (the panel isn't drawn: text deselected,
panel closed) or is closing (Escape, a press outside the menu) is undone
at the start of the frame, before the canvas sees the input: a canvas
drag no longer runs inside the preview's interaction and gets rolled
back with it. The menu also ends the preview in the frame it closes.
- The list fits the popup (it was taller than the popup, which then
scrolled too), so the current family is centred in view on opening;
↑/↓ scroll only as far as needed.
- Type › Font (in-window menu bar): each item keeps room for its sample
after the name, so long family names no longer run under it.
- Rows are listed again only when the query, filters, expanded families,
favourites or font list change, not every frame.
- Samples: one budget per frame across every menu (Type › Font gave each
item its own), at most 8 rendering at once, the worker asks for a
repaint when it is done instead of polling, the cache holds 512, and
one function draws a sample for both menus.
- Font menus use menu_family_list (the hidden-family rule lives there);
FontClass::label is gone (the menu's translated labels are the only
ones).
- Tests: a preview left by a menu that is gone is undone; a press
outside the open menu ends the preview in that frame.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- 28 rows for strings that landed on main after #317 was written (Layers
panel menu and options, Release to Layers, the Graphics Processor
preference), so the Japanese catalog stays complete.
- Fixes: Live Paint Bucket is ライブペイントツール (was the selection
tool's name), the File Info rating stars read {n} つ星 (were "rays"),
Flare Tool Options and Symbol Sprayer match their tool names, Rectangular
Grid matches its tool (長方形グリッド), recovery data is 復帰用データ
throughout, (今後対応予定) for every roadmap note.
- Consistent spelling: フォルダー, 切り替え, Web サイト, 英語 (米国), and
a half-width colon after every field label, as in the other 200 rows.
- tests: KEEPS_MENU_NAMES gets its own doc comment instead of taking
MENU_KEEP_AS_IS's.
- ROADMAP and docs/development.md: Japanese ships complete, Czech covers
the menus.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
The Paragraph panel's mojikumi control is one of the panel's options
(hidden with Hide Options) and appears when Preferences > Type > Show
East Asian Options is on, as Illustrator shows its Mojikumi and Kinsoku
sets; it is labelled Mojikumi Set. ROADMAP notes where it lives.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Add Snapping to the Artboard Tool
Merged with the Artboard tool's Alt-drag duplicate (#348): a copy snaps too, and to the artboard
and art it leaves behind (a move skips them).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- Text in fonts that aren't installed comes in as live type in the fallback font again, named as
before (Helvetica-Bold → Helvetica Bold), not outlines plus pink copies on a non-printing layer.
- The installed face that matches a PDF font is decided once per font from its first comparable
glyph, not per glyph (loading up to 64 faces each time, and switching style mid-line).
- Kangxi radicals are unified only for text from Adobe's CID tables, not ToUnicode maps.
- A line is laid out again only when tracking changed it.
- CidText::of is tested on data that isn't a CID-keyed CFF (embedded fonts are untrusted).
- NOTICE: Adobe CMap resources (BSD-3-Clause) bundled through hayro-cmap.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Add the crates/ui-egui/src/i18n/pt-br.tsv catalog (Brazilian Portuguese):
every menu label, every tl! literal of the shell and the plural messages
(2533 strings + 13 plurals), written clean-room in ordinary Brazilian
Portuguese computing vocabulary, placeholders and trailing ellipses kept
in lockstep with the English source.
Register the language in i18n::LANGUAGES (code pt-br, native name
"Português (Brasil)", one/other plural rule) so the Language menu, the
preference and the system-locale match (pt_BR → pt-br) pick it up.
Extend the menu-label test to pt-br: it covers every menu label like cs
and ja, and keeps the MENU_KEEP_AS_IS strings (product name, language
names, workspace names, perspective grid presets) in English.
Update docs/development.md and ROADMAP.md accordingly.
