Merge pull request #751 from dmatviichuk/i18n-ukrainian

Add Ukrainian (uk) interface translation

README.md

@@ -200,7 +200,7 @@ and masks, text and images, with what didn't come in (effects, adjustments, brus
 import warning; a file whose native data can't be read opens as its embedded preview, saying why. VectorCraft
 doesn't write Affinity files. [Scope and limits](crates/affinity/README.md).
 The interface
-speaks English, Japanese, Traditional and Simplified Chinese, Spanish, French, Italian and Russian (and Czech and Brazilian Portuguese in the menus).
+speaks English, Japanese, Traditional and Simplified Chinese, Spanish, French, Italian, Russian and Ukrainian (and Czech and Brazilian Portuguese in the menus).
 The scores are
 self-assessed, so the [honest assessment](ROADMAP.md#honest-assessment-2026-10-05) explains how far to trust them.
 

ROADMAP.md

@@ -107,7 +107,7 @@ grade by behaviour against `plan/illustrator/`, not by whether a menu item exist
   - Tool flyouts tear off: dragging or clicking the tear-off bar on a flyout's right side (or releasing the long press over it) floats its group as a strip of tool buttons, moved by the same bar and put back in the toolbar by the × at its top (`window.floatTools`). While a group floats, the presses that would open its flyout raise the strip instead. Floating strips are kept with the preferences and in user workspaces. Not done: turning a strip vertical, docking it.
   - Panels undock (#495): a dock tab, a panel icon or a popped-out panel's title dragged out of the dock floats that panel inside the window, and the strip right of the dock's tabs floats the whole tabbed group. A floating group moves by its title bar, a tab dragged out of it floats on its own, and dropped on another group's title bar or tabs it stacks with that group; dropped on the dock, which lights up under the pointer, its panels go back where they live (the tabbed group or the icon column), as its × and the panel menus' Float Panel / Dock Panel do (`window.panel.float`, `window.panel.dock`). The Tools panel floats by its title bar and docks again on the window's left edge. Floating panels and the Tools panel's position are kept with the preferences and in user workspaces, and clamped into a smaller window. Not done: panels in separate OS windows, docking a panel into a dock group it doesn't belong to, reordering tabs by dragging, collapsing a floating group to icons, resizing floating panels.
   - The dock's double arrow collapses Properties, Layers and Libraries to icons at the top of the icon column, popping out like the other icon panels, and expands them again (`window.collapseDock`, kept with the preferences and in saved workspaces). The icon column's own arrow (expanding the icon panels into a full column) is not done.
-  - Localised UI: menus (in-window and native), panels, dialogs, toolbar and Preferences read from per-language catalogs (`crates/ui-egui/src/i18n`, see `docs/development.md`); Traditional Chinese (Taiwan), Simplified Chinese (mainland), Japanese, Spanish, French, Italian and Russian ship complete, and Czech and Brazilian Portuguese cover every menu label (and more), with system-locale detection on macOS, Windows, Linux and the web (the browser's languages, or `?lang=`), a VectorCraft ▸ Language menu and a Language preference. Names are never translated (fonts and their styles, layers, artboards, saved presets, user libraries, custom workspaces, recent files, plug-ins).
+  - Localised UI: menus (in-window and native), panels, dialogs, toolbar and Preferences read from per-language catalogs (`crates/ui-egui/src/i18n`, see `docs/development.md`); Traditional Chinese (Taiwan), Simplified Chinese (mainland), Japanese, Spanish, French, Italian, Russian and Ukrainian ship complete, and Czech and Brazilian Portuguese cover every menu label (and more), with system-locale detection on macOS, Windows, Linux and the web (the browser's languages, or `?lang=`), a VectorCraft ▸ Language menu and a Language preference. Names are never translated (fonts and their styles, layers, artboards, saved presets, user libraries, custom workspaces, recent files, plug-ins).
   - Native macOS menu bar, vector tool cursors, a ⌘K command palette, middle-button panning with any tool. Native menus explicitly end tracking on command selection, outside window presses and Escape; menu updates wait until tracking ends, and a dismissing press never starts a canvas gesture (M14.8).
   - The macOS menu bar is built from the in-window menus (one model, `native_menu`) and laid out as a Mac app's: the VectorCraft menu holds About, Settings ▸ (each Preferences page, General… ⌘K), Language ▸, Appearance ▸ (UI brightness), Services, Hide VectorCraft ⌃⌘H (⌘H stays Hide Edges), Hide Others, Show All and Quit; Window gains Minimize ⌃⌘M, Zoom and Bring All to Front, and Help the system's search field. Its key equivalents go back to egui as key presses, so user shortcuts, focused text fields and the Type tool's input method behave as in the window, and nothing fires twice; enabled, check marks and labels update in place. `--in-window-menus` or `VECTORCRAFT_IN_WINDOW_MENUS=1` keeps the menus in the window; `ui.inspect` reports `nativeMenuBar`.
   - macOS: Finder opens every format File › Open reads with VectorCraft (double-click, Open With, a drop on the Dock icon, `open -a`), at launch or while it runs; the release and `cargo xtask bundle` apps share one `Info.plist` that declares those document types, owning only VectorCraft's own formats. The DMG opens on a designed Finder window, VectorCraft.app beside the `Applications` link over a background with the app icon (#493).
@@ -146,7 +146,7 @@ grade by behaviour against `plan/illustrator/`, not by whether a menu item exist
   - Pathfinder (10 exact curve booleans), Offset, Outline Stroke, Simplify, Clean Up, Split Into Grid, Divide Objects Below. Object › Path › Remove Anchor Points (`path.removeAnchors`) removes the direct-selected anchors without opening their paths (the Delete key still deletes them with their segments): the neighbours keep their handle directions and their facing handles are refitted so one cubic follows the two old segments, and straight sides stay straight. The Delete Anchor Point tool uses the same refit. The Control bar, the contextual task bar, the Properties quick actions and the canvas context menu offer it when anchors are selected. With anchors selected, the Control bar and the Properties panel also convert them to corner or smooth (`path.convertAnchors`), connect end points (Join) and cut the path at them (`path.cutAtAnchors`, also on the task bar and the context menu): a closed path opens there and an open one becomes one path per piece, each cut leaving one of its two coincident anchors selected so a drag pulls the path apart.
   - Live effects with previewing dialogs: Distort & Transform, Path, Convert to Shape, 15 Warp styles, Round Corners, Scribble, Effect → Pathfinder (all 10 operations, live on groups; several loose objects are grouped first, in one undo step), Color Adjustments (Brightness/Contrast, Curves, Levels, Hue/Saturation, Shift to Color, Temperature/Tint, on vectors, live type and embedded images), and raster drop shadow, glows and feather. SVG and PDF export keep live effects (geometry baked; SVG raster effects as filters).
 - **Type:** Text Wrap, Type on a Path effects (Rainbow/Skew/3D Ribbon/Stair Step/Gravity) and Options (Flip, Align to Path, Spacing; OK keeps the type where it is), type on a path's start, centre and end brackets (Selection and Direct Selection drag them to set where the type runs, slide it along its path and, across the path, flip it: #429), Character and Paragraph Styles (override-preserving redefine), paragraph attributes per paragraph (alignment, indents, spacing, hyphenation, hanging punctuation, tab stops, paragraph style, direction, mojikumi and leading model; the Paragraph, Tabs and Paragraph Styles panels act on the paragraphs the Type tool's selection or caret touches, Return continues the paragraph's style, threads and SVG keep them), Area Type Options (rows/columns/inset/first baseline, vertical Align Top/Center/Bottom/Justify per row/column, reflowing non-rectangular frames and text wrap), threaded text across any closed shapes, Fit Headline, the Every-line Composer for justified and ragged text (paragraph-wide breaks for an even rag, Single-line per object from the Paragraph panel menu or `text.setFormat {composer}`). Area type resizes like Illustrator's type areas: a bounding-box handle drag (Selection tool) or Area Type Options Width/Height size the frame and the text reflows at its size (threads too); Direct Selection drags a frame corner or edge (`text.reshapeArea`). Point type still scales. Auto Size: the frame height follows the text after every edit, in the same undo step (rectangular frames of horizontal type in one row; columns get the least height that holds them; a height set by hand or threading turns it off), and the "Auto Size New Area Type" preference gives it to new area type. Shrink Text to Fit (beyond Illustrator): overflowing area type scales its sizes, leading and baseline shifts down by the largest factor (in 0.1 pt steps of the first run, down to a minimum percentage) that fits, at layout time so every export sees it. `text.areaOptions` and `document.inspect` report overflow and the shrink factor. The Selection tool shows the type widget beside selected type's bounding box (hollow on point type, filled on area type); double-clicking it converts between them (Type › Convert To Area Type / Convert To Point Type), keeping the text and its styles in place. Variable fonts list every named instance as a style of their family (Figtree Light to Black and their italics, Bahnschrift, Segoe UI Variable), and the instance chosen is shaped, drawn, outlined and measured at its axis settings; PDF and SVG embed it as that instance. Variation axis sliders are not done. Beyond Illustrator: inline graphics (`text.insertInline`, Type ▸ Insert Inline Symbol) set a document symbol in a run of type as one character that flows, wraps and justifies like a glyph (InDesign-style inline objects, e.g. mana symbols in card rules text): sized to a multiple of the font size, centred on the cap height, opening up tall lines, following Redefine Symbol; a character of its run's size for Character Alignment and Top-to-Top leading, placed by the bidi reordering in right-to-left text (a neutral U+FFFC); drawn on the canvas, kept as live text plus a `<use>` in SVG and as vector art in PDF; Backspace removes it whole. Hebrew and Arabic are laid out right to left with the Unicode bidirectional algorithm (embedded Latin and numbers keep their direction, lines put in visual order after wrapping) in point, area and path type, with caret, selection and arrow keys in visual order; each paragraph's direction comes from its first strong character unless Paragraph Direction sets it (Paragraph panel with Show Indic Options, `text.setFormat {direction}`), and new type aligns to the start of its direction. SVG export outlines right-to-left text. Font Size and Leading are combo boxes in the Character and Properties panels (Font Size in the Control bar too, beside the Character link, font family and style): type, step with ↑/↓ or the spinner, scrub the label, or pick a preset (6–72 pt, shown in the type unit; Leading also Auto), each pick one undo step; Kerning and Tracking list -100…200; a size, leading, kerning or tracking the selected text doesn't share shows blank (#458). Type › Bold and Italic (beyond Illustrator, as page layout apps have them; Cmd+Shift+B / Cmd+Shift+I while the Type tool edits text) switch the selected type to its family's own Bold or Italic face and back, keeping its width (a Narrow face stays Narrow); a family without that face says so (#724).
-- **Interface languages, vertical type:** VectorCraft ▸ Language (or Preferences ▸ User Interface) picks Automatic (the system locale) or a registered language, persisted as `interfaceLanguage`. Translations come from per-language catalogs (`i18n/*.tsv`): Traditional and Simplified Chinese, Japanese, Spanish (neutral international Spanish, for every `es-*` locale), French (every `fr-*` locale), Italian (every `it-*` locale) and Russian (every `ru-*` locale) cover the whole interface, Czech and Brazilian Portuguese every menu label, Brazilian Portuguese the shell's `tl!` literals too (tested); Spanish, French, Italian and Russian also translate status-bar and error messages as they are shown (`@msg` templates, every message literal tested; the messages themselves stay English for agents); untranslated text stays English. Japanese and Chinese glyphs come from the craft-fonts build input (release builds) or the installed fonts, Czech, Spanish, French, Italian and Russian ones from the bundled UI fonts. The web app follows the browser's languages (or `?lang=`). The Basic toolbar's Type button holds Vertical Type in its flyout. Vertical Type, Vertical Area Type and Vertical Type on a Path create vertical text (columns right to left, upright CJK glyphs and marks with `vert` alternates, Latin and longer numbers on their side, two- and three-digit numbers set as tate-chu-yoko in one em of the column (kept whole when justified), upright glyphs centred on the column (tracked or justified too), point type's anchor on the first column's centre line); kinsoku applies to horizontal and vertical Japanese (Paragraph panel › Kinsoku Set, `text.setFormat {kinsoku}`: Hard, the default, keeps closing marks, iteration marks, the prolonged sound mark and small kana off the line start and opening brackets off its end; Soft lets 々, ー and small kana start a line as JLREQ's level 3 rules do; None turns it off), and justified Japanese lines spread their room between characters (not inside Latin words); Paragraph panel › Mojikumi Set (shown with Preferences › Type › Show East Asian Options, `text.setFormat {mojikumi}`): None or Line-end Punctuation Half Width (new type's default, as in Illustrator; older documents and imported text keep None) shares one half-em space between consecutive punctuation, sets a closing mark ending a line half width and an opening bracket starting a line flush with its start (a paragraph's first line at its first-line indent, JIS X 4051's principle in JLREQ 3.1.5), and puts a quarter em between Japanese and Latin letters or digits; Paragraph panel menu › Top-to-Top / Bottom-to-Bottom Leading measures leading from em box top to top (area type's first line touches the frame) or from baseline to baseline (new type in a Japanese interface starts top to top, with em box centre character alignment, #432); Paragraph panel menu › Burasagari None / Regular / Force (`text.setFormat {burasagari: "none"|"standard"|"forced"}`) hangs an East Asian comma or full stop (、。，．､｡) ending an area type line outside it, Regular (new type's default) when it doesn't fit and Force always (the rest of the line then fills the measure; closing brackets and Latin punctuation don't hang); Character panel menu › Character Alignment (with the East Asian options; `text.setFormat` or `text.setRangeStyle {charAlign}`) lines characters smaller than the largest on their line up on the Roman baseline, the em box top/right, centre or bottom/left, or the ICF (ideographic character face) top/right or bottom/left, from the font's BASE table or, without one, the average ink box of some ideographs and kana; Type ▸ Type Orientation switches existing text; caret, selection, hit testing and arrow keys follow the writing direction. Vertical text exports to PDF as real text and to SVG as outlines.
+- **Interface languages, vertical type:** VectorCraft ▸ Language (or Preferences ▸ User Interface) picks Automatic (the system locale) or a registered language, persisted as `interfaceLanguage`. Translations come from per-language catalogs (`i18n/*.tsv`): Traditional and Simplified Chinese, Japanese, Spanish (neutral international Spanish, for every `es-*` locale), French (every `fr-*` locale), Italian (every `it-*` locale) Russian (every `ru-*` locale) and Ukrainian (every `uk-*` locale) cover the whole interface, Czech and Brazilian Portuguese every menu label, Brazilian Portuguese the shell's `tl!` literals too (tested); Spanish, French, Italian, Russian and Ukrainian also translate status-bar and error messages as they are shown (`@msg` templates, every message literal tested; the messages themselves stay English for agents); untranslated text stays English. Japanese and Chinese glyphs come from the craft-fonts build input (release builds) or the installed fonts, Czech, Spanish, French, Italian, Russian and Ukrainian ones from the bundled UI fonts. The web app follows the browser's languages (or `?lang=`). The Basic toolbar's Type button holds Vertical Type in its flyout. Vertical Type, Vertical Area Type and Vertical Type on a Path create vertical text (columns right to left, upright CJK glyphs and marks with `vert` alternates, Latin and longer numbers on their side, two- and three-digit numbers set as tate-chu-yoko in one em of the column (kept whole when justified), upright glyphs centred on the column (tracked or justified too), point type's anchor on the first column's centre line); kinsoku applies to horizontal and vertical Japanese (Paragraph panel › Kinsoku Set, `text.setFormat {kinsoku}`: Hard, the default, keeps closing marks, iteration marks, the prolonged sound mark and small kana off the line start and opening brackets off its end; Soft lets 々, ー and small kana start a line as JLREQ's level 3 rules do; None turns it off), and justified Japanese lines spread their room between characters (not inside Latin words); Paragraph panel › Mojikumi Set (shown with Preferences › Type › Show East Asian Options, `text.setFormat {mojikumi}`): None or Line-end Punctuation Half Width (new type's default, as in Illustrator; older documents and imported text keep None) shares one half-em space between consecutive punctuation, sets a closing mark ending a line half width and an opening bracket starting a line flush with its start (a paragraph's first line at its first-line indent, JIS X 4051's principle in JLREQ 3.1.5), and puts a quarter em between Japanese and Latin letters or digits; Paragraph panel menu › Top-to-Top / Bottom-to-Bottom Leading measures leading from em box top to top (area type's first line touches the frame) or from baseline to baseline (new type in a Japanese interface starts top to top, with em box centre character alignment, #432); Paragraph panel menu › Burasagari None / Regular / Force (`text.setFormat {burasagari: "none"|"standard"|"forced"}`) hangs an East Asian comma or full stop (、。，．､｡) ending an area type line outside it, Regular (new type's default) when it doesn't fit and Force always (the rest of the line then fills the measure; closing brackets and Latin punctuation don't hang); Character panel menu › Character Alignment (with the East Asian options; `text.setFormat` or `text.setRangeStyle {charAlign}`) lines characters smaller than the largest on their line up on the Roman baseline, the em box top/right, centre or bottom/left, or the ICF (ideographic character face) top/right or bottom/left, from the font's BASE table or, without one, the average ink box of some ideographs and kana; Type ▸ Type Orientation switches existing text; caret, selection, hit testing and arrow keys follow the writing direction. Vertical text exports to PDF as real text and to SVG as outlines.
 - **Transparency:** opacity masks (clip/invert/disable/link), exported as SVG `<mask>` and PDF soft masks.
 - **Image Trace Flat Logo mode:** a fourth mode beside Black and White, Grayscale and Color, for flat-colour logos. Each pixel is read as a blend of the logo's colours (found automatically or named), the blend is interpolated smoothly and every outline is placed where two colours are equally present, so edges are accurate to a fraction of a pixel. Outlines are then cleaned: corners the blur rounded are put back, near-straight runs and near-circular arcs become exact lines and arcs, the rest is fitted with as few Béziers as the tolerance allows, touching colours overlap by a hair so no gap opens, and an outline that strays from the raw contour is fitted plainly instead. Gradients and photos are refused with advice to use Color. *Measured* (a local experiment, not run in CI): a flat-colour logo's vector original was rendered down to a soft 199 × 100 px transparent PNG, traced, and the result compared with the original at 1600 px wide. The built-in colour presets (6 Colors, 16 Colors, High Fidelity Photo, Low Fidelity Photo) had a mean edge error of 2.5 to 3.4 px and region overlap of 0.88 to 0.91; Flat Logo had 0.78 px and 0.966 (0.48 px and 0.975 from a crisp source), in about 0.1 s. Limits: flat-colour art only; needle-thin sharp tips are shortened by about 1.7 source pixels because the blur erases them; it works at no more than 1024 px on the long side (larger images are averaged down first); only one logo family has been scored against a vector original.
 - **Advanced art:** live Blends (steps/distance/smooth colour, editable spine, anchor-targeted Blend tool, faithful interpolation, knockout), Envelope Distort (warp/mesh/top object, Reset, full Envelope Options, mesh handles, Edit Contents; type, images, symbols, gradients, patterns and appearance distorted everywhere), Liquify tools with options and pen pressure, Puppet Warp with rotating pins, Perspective Grid with presets, movable planes and projected type (choosing a perspective tool shows the grid; Hide Grid hides it with the tool still chosen), Gradient Mesh, Shape Builder (stroke-only open paths and lines cut the regions they cross and enclose regions of their own; filled open paths count as closed; erase mode while Alt/Option is held: a minus pointer, red highlights of what will go, a click or drag deletes the regions touched, the pieces of open lines and the edges (outline pieces between the points where paths meet, opening their paths there) it passes over, one undo step, `shapeBuilder.merge {erase}` and `shapeBuilder.regions` edges over MCP), Live Paint (every path an edge, open lines included), Image Trace (12 presets, colour layers traced in parallel; a trace past two million anchor points or an image over 64 megapixels is refused with advice rather than running out of memory, and a selection too large to outline shows its bounds (#525); Object › Image Trace › Make and Make and Expand trace at once with the Default preset, #543; with an image selected the Control bar and the Properties panel show Image Trace, whose arrow traces with any preset, Mask (`object.maskImage`: a clipping path on the image's outline, selected so its handles crop), Crop Image (`object.cropImage {trim: true}` cuts an image to its pixels that aren't fully transparent, pixel for pixel) and Embed or Unembed in place of Fill and Stroke; with an Image Trace object selected, its Preset (choosing another traces again), View, the Image Trace panel and Expand, plus Release in Properties; the five View modes (Tracing Result, with Outlines, Outlines, Outlines with Source Image, Source Image) redraw a trace on screen without tracing again, are saved with it and `imageTrace.setView` sets them, while exports and Expand keep the result; the panel's Advanced section is a header that stays open or closed as it was left (part of #641); Color mode's Palette: Limited, Full Tone (as many colours as the tones need, Less … More), Automatic (flat art with its own colours, else Full Tone; a heuristic) and Document Library (the most used colours of the document's swatches or a swatch library, filled with the swatch colours as they are), part of #641; Advanced › Create: Fills and/or Strokes, where lines up to the Stroke width trace as stroked centre lines (distance transform, thinning, a skeleton graph with spurs pruned, curve fitting; one width per line; without Fills, wider areas become stroked outlines), part of #641), pattern swatches with pattern editing mode, live Repeat (radial/grid/mirror).

crates/ui-egui/src/i18n/mod.rs

@@ -68,8 +68,9 @@ fn plural_french(n: u64) -> usize {
     usize::from(n > 1)
 }
 
-/// Russian: 1 (but not 11) is `one`, 2–4 (but not 12–14) `few`, everything else `many`.
-fn plural_russian(n: u64) -> usize {
+/// Russian and Ukrainian integer counts: 1 (but not 11) is `one`, 2–4 (but not 12–14)
+/// `few`, everything else `many`.
+fn plural_east_slavic(n: u64) -> usize {
     match n % 100 {
         11..=14 => 2,
         _ => match n % 10 {
@@ -81,7 +82,7 @@ fn plural_russian(n: u64) -> usize {
 }
 
 /// The registry. English first: it is the fallback and the source language.
-pub static LANGUAGES: [LangInfo; 10] = [
+pub static LANGUAGES: [LangInfo; 11] = [
     LangInfo { code: "en", name: "English", source: "", plural: plural_one_other, complete_menus: false, catalog: OnceLock::new() },
     // Japanese: the whole interface (every menu string and `tl!` literal), keeping the product,
     // workspace and perspective preset names in English (`MENU_KEEP_AS_IS`).
@@ -114,7 +115,22 @@ pub static LANGUAGES: [LangInfo; 10] = [
     // Russian: the whole interface and the status and error messages, keeping the same names in
     // English as Spanish; every `ru-*` locale (`ru-RU`, `ru-BY`, `ru-KZ` …) resolves here.
     LangInfo {
-        code: "ru", name: "Русский", source: include_str!("ru.tsv"), plural: plural_russian, complete_menus: true, catalog: OnceLock::new()
+        code: "ru",
+        name: "Русский",
+        source: include_str!("ru.tsv"),
+        plural: plural_east_slavic,
+        complete_menus: true,
+        catalog: OnceLock::new(),
+    },
+    // Ukrainian: the whole interface and the status and error messages, with one/few/many
+    // plural forms; every `uk-*` locale (including `uk-UA`) resolves here.
+    LangInfo {
+        code: "uk",
+        name: "Українська",
+        source: include_str!("uk.tsv"),
+        plural: plural_east_slavic,
+        complete_menus: true,
+        catalog: OnceLock::new(),
     },
     // Brazilian Portuguese: every menu label (`menu_catalogs_translate_every_menu_label`), every
     // `tl!` literal and the plural messages; left English on purpose are the `MENU_KEEP_AS_IS`

crates/ui-egui/src/i18n/tests.rs

@@ -19,6 +19,9 @@ fn tags_map_to_languages() {
     for tag in ["fr", "fr_FR.UTF-8", "fr-BE", "fr_CA", "fr-CH", "fr-LU"] {
         assert_eq!(lang_from_tag(tag), Lang::from_code("fr"), "{tag}");
     }
+    for tag in ["uk", "uk-UA", "uk_UA.UTF-8", "UK-ua", "uk_UA.UTF-8@euro"] {
+        assert_eq!(lang_from_tag(tag), Some(uk()), "{tag}");
+    }
     // Traditional Chinese: by region, by script, and with a region after the script.
     assert_eq!(lang_from_tag("zh_TW.UTF-8"), Some(ZH()));
     assert_eq!(lang_from_tag("zh-TW"), Some(ZH()));
@@ -64,6 +67,7 @@ fn preferences_resolve_with_fallback() {
     assert_eq!(Lang::from_pref("zh-hant"), ZH());
     assert_eq!(Lang::from_pref("ZH-Hant"), ZH());
     assert_eq!(Lang::from_pref("en"), Lang::EN);
+    assert_eq!(Lang::from_pref("UK"), uk());
     // `auto` and unknown codes follow the system (English under test).
     assert_eq!(Lang::from_pref("auto"), Lang::EN);
     assert_eq!(Lang::from_pref("xx-unknown"), Lang::EN);
@@ -419,7 +423,7 @@ fn cs() -> Lang {
 }
 
 /// Languages whose catalogs leave [`MENU_KEEP_AS_IS`] in English.
-const KEEPS_MENU_NAMES: [&str; 7] = ["cs", "es", "fr", "it", "ja", "pt-br", "ru"];
+const KEEPS_MENU_NAMES: [&str; 8] = ["cs", "es", "fr", "it", "ja", "pt-br", "ru", "uk"];
 
 /// Menu labels the menu-complete catalogs (Czech, Spanish, Italian, Japanese, Brazilian Portuguese) show as they are: the product name, a format name, the built-in workspace
 /// names and the perspective grid presets (names, shown untranslated wherever else they appear).
@@ -568,6 +572,10 @@ fn ru() -> Lang {
     Lang::from_code("ru").expect("ru registered")
 }
 
+fn uk() -> Lang {
+    Lang::from_code("uk").expect("uk registered")
+}
+
 /// Spanish uses the vector-illustration vocabulary its users know, has two plural forms like
 /// English, and reads the same in the menus and in the panels.
 #[test]
@@ -655,6 +663,76 @@ fn russian_reads_as_russian() {
     assert_eq!(trn(ru(), 22, "{n} Layer", "{n} Layers"), "22 слоя");
 }
 
+#[test]
+fn ukrainian_reads_as_ukrainian() {
+    for (en, want) in [
+        ("Artboard Tool", "Інструмент «Монтажна область»"),
+        ("Swatches", "Зразки"),
+        ("Pathfinder", "Обробка контурів"),
+        ("Stroke", "Обведення"),
+        ("Fill", "Заливка"),
+        ("Direct Selection Tool", "Інструмент «Пряме виділення»"),
+        ("Save As…", "Зберегти як…"),
+        ("Undo", "Скасувати"),
+    ] {
+        assert_eq!(tr(uk(), en), want);
+    }
+    assert_eq!(tr_ctx(uk(), "axis", "Both"), "Обидві");
+    for (n, word) in [
+        (0, "шарів"),
+        (1, "шар"),
+        (2, "шари"),
+        (5, "шарів"),
+        (11, "шарів"),
+        (21, "шар"),
+        (22, "шари"),
+        (111, "шарів"),
+        (112, "шарів"),
+        (121, "шар"),
+        (124, "шари"),
+    ] {
+        assert_eq!(trn(uk(), n, "{n} Layer", "{n} Layers"), format!("{n} {word}"));
+    }
+    let nested = "command `object.group` is not available right now: nothing selected";
+    assert_eq!(message(uk(), nested), "команда `object.group` зараз недоступна: нічого не виділено");
+}
+
+/// Every Ukrainian plural has all three forms; exercise different endings through real lookups.
+#[test]
+fn ukrainian_plurals_have_three_forms() {
+    let (entries, _) = parse_entries(uk().0.source);
+    let mut count = 0;
+    for (ctx, src, translated) in entries {
+        if ctx != "@plural" {
+            continue;
+        }
+        count += 1;
+        let (one, other) = src.split_once('|').expect("one|other source");
+        let forms: Vec<_> = translated.split('|').collect();
+        assert_eq!(forms.len(), 3, "{src}");
+        for (n, form) in [
+            (1, 0),
+            (2, 1),
+            (4, 1),
+            (0, 2),
+            (5, 2),
+            (11, 2),
+            (12, 2),
+            (14, 2),
+            (21, 0),
+            (24, 1),
+            (111, 2),
+            (114, 2),
+            (121, 0),
+            (122, 1),
+            (u64::MAX, 2),
+        ] {
+            assert_eq!(trn(uk(), n, one, other), forms[form].replace("{n}", &n.to_string()), "{src}: {n}");
+        }
+    }
+    assert!(count >= 13, "Ukrainian plural rows missing");
+}
+
 /// Catalogs written with spaces between words keep a fragment's leading and trailing spaces: the
 /// hint bar and a few labels are joined from pieces (" to finish", "Press ").
 #[test]
@@ -675,7 +753,7 @@ fn czech_plurals_have_three_forms() {
 
 #[test]
 fn russian_plurals_have_three_forms() {
-    let forms: Vec<usize> = [0, 1, 2, 4, 5, 11, 21, 22, 25, 111, 121].into_iter().map(plural_russian).collect();
+    let forms: Vec<usize> = [0, 1, 2, 4, 5, 11, 21, 22, 25, 111, 121].into_iter().map(plural_east_slavic).collect();
     assert_eq!(forms, [2, 0, 1, 1, 2, 2, 0, 1, 2, 2, 0]);
 }
 
@@ -702,10 +780,10 @@ fn latin_script_glyphs_are_available_without_system_fonts() {
     });
 }
 
-/// Russian letters (and the punctuation the catalog uses) come from each family's own first font, not
+/// Russian and Ukrainian letters (and their punctuation) come from each family's own first font, not
 /// from a fallback further down the stack.
 #[test]
-fn russian_glyphs_are_available_without_system_fonts() {
+fn cyrillic_glyphs_are_available_without_system_fonts() {
     let ctx = egui::Context::default();
     crate::theme::install_fonts(&ctx);
     let mut output = ctx.run_ui(egui::RawInput::default(), |_| {});
@@ -716,7 +794,7 @@ fn russian_glyphs_are_available_without_system_fonts() {
             let first = first.unwrap();
             let mut font = fonts.fonts.font(&family);
             let chars = font.characters();
-            for ch in "абвгдеёжзийклмнопрстуфхцчшщъыьэюяАБВГДЕЁЖЗИЙКЛМНОПРСТУФХЦЧШЩЪЫЬЭЮЯ«»„“…–’".chars()
+            for ch in "абвгдеёжзийклмнопрстуфхцчшщъыьэюяАБВГДЕЁЖЗИЙКЛМНОПРСТУФХЦЧШЩЪЫЬЭЮЯґєіїҐЄІЇ«»„“…–’".chars()
             {
                 assert!(chars.get(&ch).is_some_and(|fonts| fonts.contains(&first)), "{first} ({family:?}) has no {ch}");
             }
@@ -794,7 +872,7 @@ fn complete_languages_translate_every_message() {
 }
 
 /// Languages whose catalogs cover every status and error message.
-const COMPLETE_MESSAGES: &[&str] = &["es", "fr", "it", "ru"];
+const COMPLETE_MESSAGES: &[&str] = &["es", "fr", "it", "ru", "uk"];
 
 /// Crates whose error and status messages reach the status bar.
 const MESSAGE_CRATES: &[&str] = &["ui-egui", "engine", "doc", "format", "svg", "pdf", "eps", "text", "plugins", "metafile", "cad", "trace"];

docs/development.md

@@ -138,7 +138,8 @@ so the two scripts never mix), Japanese (`ja`, complete), Spanish (`es`, complet
 international Spanish; every `es-*` locale such as `es-ES`, `es-MX`, `es-AR` or `es-419` resolves to it), French (`fr`,
 complete; `fr-FR`, `fr-BE`, `fr-CA`, `fr-CH` and every other `fr-*` locale resolve to it), Italian (`it`,
 complete; `it-IT`, `it-CH` and every other `it-*` locale resolve to it), Russian (`ru`, complete; every `ru-*`
-locale such as `ru-RU`, `ru-BY` or `ru-KZ` resolves to it), Czech (`cs`, every menu label) and Brazilian Portuguese
+locale such as `ru-RU`, `ru-BY` or `ru-KZ` resolves to it), Ukrainian (`uk`, complete; `uk-UA`,
+`uk_UA.UTF-8` and every other `uk-*` locale resolve to it; integer plurals use one/few/many), Czech (`cs`, every menu label) and Brazilian Portuguese
 (`pt-br`, every menu label and every `tl!` literal). Untranslated text falls back to English until its rows are added.
 
 - `tl!("…")` translates a literal into the language the UI is drawn in; `i18n::t(s)` is the same for a
@@ -166,17 +167,17 @@ locale such as `ru-RU`, `ru-BY` or `ru-KZ` resolves to it), Czech (`cs`, every m
   control channel, MCP and tests read them) and are translated only where the status bar draws them
   (`i18n::msg`). `@msg` catalog rows hold a whole message or a template such as
   `Couldn't open {name}: {e}`; `{_1}`, `{_2}` … stand for the format string's `{}`, and the values in the
-  placeholders are translated in turn (the reason after `: {e}` is often a message too). Spanish, French, Italian and Russian cover every
+  placeholders are translated in turn (the reason after `: {e}` is often a message too). Spanish, French, Italian, Russian and Ukrainian cover every
   message literal the test scan finds (`complete_languages_translate_every_message`, languages listed in
   `COMPLETE_MESSAGES`): a new `Err("…")`, `Other(…)`, `#[error(…)]` or `status(…)` message needs an `es.tsv`,
-  a `fr.tsv`, an `it.tsv` and a `ru.tsv` row (`VECTORCRAFT_I18N_DUMP_MESSAGES=messages.txt cargo test -p vectorcraft-ui-egui
+  a `fr.tsv`, an `it.tsv`, a `ru.tsv` and a `uk.tsv` row (`VECTORCRAFT_I18N_DUMP_MESSAGES=messages.txt cargo test -p vectorcraft-ui-egui
   complete_languages_translate_every_message` lists them all). Other languages show messages in English
   until they add `@msg` rows.
 - Not translated on purpose: names that are user data (layers, swatches, fonts, documents), the tab
   title's colour mode, command ids and parameter names inside messages. Not done yet: locale-aware number
   and date formats, right-to-left layout. Chinese and Japanese UI text
   is drawn with craft-fonts' BIZ UDPGothic when the build embeds it (see Fonts above), else with an installed
-  system font; the glyph test checks Latin-script catalogs always and the CJK ones only with craft-fonts.
+  system font; the glyph test checks Latin and Cyrillic catalogs always and the CJK ones only with craft-fonts.
   A Traditional Chinese UI font is still to be added to craft-fonts for the web build.
 
 ## Vendor names gate