On a desktop with a Ryzen integrated GPU without a monitor and an NVIDIA
card driving both monitors, Automatic (power saving on Windows) picked
the integrated GPU; Windows presented every frame across adapters and
the integrated GPU's driver reset, losing the graphics device or taking
every monitor down for minutes (same bug as pdfcraft#378).
Automatic now asks the system which GPU drives which display (Windows:
EnumDisplayDevices through winsafe; Linux: /sys/class/drm) and ranks the
GPU driving a display, and among those the primary display's, ahead of
the power preference. Where the system can't say, or no adapter's PCI
ids match (OpenGL, Metal), the order is the power preference's as
before, so nothing gets worse. Power Saving and High Performance chosen
by the user, and WGPU_POWER_PREF, keep ordering by kind alone.
The log now lists the display GPUs, which adapters drive a display, and
the adapter drawn on with the reason, the first question in every
black-window report. Tests cover the device-id parser, the rankings
(desktop with all monitors on the discrete GPU, hybrid laptop, a monitor
on each GPU, no match), the sysfs reader and a live EnumDisplayDevices
call.
Co-Authored-By: Claude Fable 5.1 <[email protected]>
Claude-Session: https://claude.ai/code/session_017ZwZjADUZP4VzvrFGpiZch
The styles were stored on the text and written to SVG's text-decoration,
but the type was drawn without the lines. vectorcraft_text::decorations
now gives each underlined or struck-through stretch of a run on a line
its bar, placed and sized from the font's own underline and strikeout
metrics (with fallbacks for fonts that have none). The canvas, Create
Outlines, PDF export (outlined and real text) and SVG's outlined text
draw them in the run's paint.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
hyphenation_exceptions_override_the_pattern failed when the round-trip
test set the process-wide list at the same moment: words missing from the
thread's override fell through to the shared store.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
swatch.library.copyToUser {library} copies a library loaded from
another folder into the user library folder of the desktop app. A
.vcswatches, .gpl or .ase file is copied as it is; the swatches of a
document and a library loaded from the data or dataBase64 parameter are
written as a .vcswatches file. The copy gets a name that no file in the
folder has, and when a file with the same extension and bytes is
already there, that file is used. The library is then listed as User
Defined only. Until the app quits, commands given its loaded id use the
copy, unless another library is loaded under that id. Without a user
library folder (the web and headless sessions) the command is disabled.
A file with the same extension and bytes as a User Defined library
opens as that User Defined library. The unchanged original of a copied
.ase file is one such file. Graphic style libraries open the same way.
An ellipse kept pie angles in its model, but nothing drew or set them. Now
the Transform and Properties panels show Ellipse Properties with Pie Start
Angle, Pie End Angle and Invert Pie, as in Illustrator, and
object.setLiveShape takes {pieStart, pieEnd, invertPie}. The pie runs
counterclockwise on screen from the start angle (0 at 3 o'clock) to the
end angle and closes through the centre; 0 to 360 is the whole ellipse,
an end of 0 means 360, and Invert Pie swaps the angles to show the other
part. One undo step each; a bad angle is an error. The labels are
translated in every complete language. The on-canvas pie widget is still
to come.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
The toolbar's All Tools drawer listed the tools' names as plain buttons.
It now shows each tool with its icon and name in a grid, under the
toolbar's group headings (Select, Shapes, Draw, Modify, Type, Navigate,
Color) and headings for the tools only the Advanced toolbar shows
(Perspective, Symbols, Graph, Artboards, Slices). The active tool is
highlighted, a tool's tooltip gives its name and shortcut, and picking one
selects it and closes the drawer. The headings use labels translated
already.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
The toolbar and the dock's icon column scroll when the window is too
short for them. Their scroll bar was egui's floating one, which widens to
10 pt while scrolled or dragged and covered the group labels and the
icons' right edge. It now stays at most 4 pt wide (2 pt at rest), at the
column's edge.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
A font library can hold two versions of one family and style (a new
Montserrat-Bold.ttf beside an old montserrat.ttf). The font database kept
only the first one loaded, so type set in the other couldn't be matched
when a PDF or .ai was opened: it came in as outlines. Now every version
loads (the first stays the one family and style resolve to), PDF import
tries the other versions when the glyphs differ, and type set in a version
the family and style alone wouldn't pick names it in CharStyle::font_version
(left out when None, so documents without it are unchanged). Layout,
shaping, the substituted-glyph highlight, Find Font, Package and Document
Info follow it; changing the font clears it.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Japanese now translates the status-bar and error messages (`@msg`
templates) like Spanish, French, Italian, Russian and Ukrainian do:
556 rows at the end of ja.tsv, the 498 message literals the test scan
finds plus the 58 that the other catalogs also carry (web start-up,
relinking, export notes, PostScript read errors).
`ja` joins COMPLETE_MESSAGES, so complete_languages_translate_every_message
keeps it complete. The registry comment, docs/development.md and the
ROADMAP line now list Japanese with the other five. The messages
themselves stay English for agents and MCP.
Co-Authored-By: Claude Sonnet 5.5 <[email protected]>
- Artboard Options listed its fields by key (Height, Name, Width); it now
lists Name, then Width and Height.
- One-key tool and command shortcuts (V, P, X, D…) matched the character
typed, so with a layout without Latin letters (Persian, Arabic, Russian,
Greek…) they did nothing. When the text typed holds no ASCII character,
the key's position stands in: the V key selects the Selection tool
whatever it types. Latin layouts (AZERTY…) keep the letter typed.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
key_equivalents_run_through_the_normal_shortcut_path_once failed about one
full ui-egui run in four ("the menus weren't read again", 5 vs 4). Each
app mirrors its shortcut overrides into a process-wide store every frame,
bumping shortcut_editor::GENERATION, and the plug-in registry's revision is
process-wide too. Tests running alongside with other shortcuts flip them,
which rightly makes the menus read again. The test now checks two idle
frames during which those generations held still (trying up to 50 times),
so it still fails if idle frames re-read the menus on their own.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
As in Illustrator, the Pen shows its continue cursor over an end of any
open path, selected or not, and a click there selects the path and draws
on from that end (reversing it from its first end). While drawing, it
shows a join cursor over an end of another open path, and a click joins
the two into one path, in one undo step, which finishes the path.
path.join takes {ids: [a, b], ends: ["first"|"last", "first"|"last"]}
to join the ends asked for (the Pen's join); without them it joins the
selected paths' nearest ends as before. Joining a path with itself, or
anything that isn't a path, is an error.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Object › Crop Image and the image's Crop Image buttons (Control bar,
Properties) now show a crop box on the selected image, as Illustrator
does, instead of cropping straight to the artboard (which did nothing for
an image inside its artboard). The box starts on the image's part over its
artboard; its handles and its inside drag it, always within the image, and
the image outside it is dimmed. The Control bar shows its X/Y/W/H with
Apply and Cancel; Enter applies and Escape cancels, both back to the
Selection tool. Apply runs object.cropImage {rect}, one undo step.
- tools: the Crop Image tool (cropimage.rs), with crop_box shared by the
tool and the Control bar.
- ui: ui.cropImage (enabled with an image selected), the Control bar's
crop fields and buttons, "Apply" translated (es, fr, it, ru, uk, ja,
zh-hans, zh-hant).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
craft-fonts main holds only Noto Sans Arabic so far (the other eleven are in
storytold/craft-fonts#11), and releases pin an older craft-fonts commit, so
say which builds list them.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
#763 landed beside #771 with five chunks_exact(4) calls in
crates/affinity/tests/raster.rs, which clippy 1.99's chunks_exact_to_as_chunks
rejects, so cargo xtask ci failed at clippy on main.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
File › Package and Document Info › Font Details looked fonts up with
FontDb::face and compared the face's family with the name the document
stores. A font a document named by another of its names (a PostScript
or localized name, as SVG and PDF files do) was reported as not
available and left out of the package, although the canvas drew it and
exports embedded it.
- Package and Font Details resolve fonts with FontDb::resolve, as
text.fonts and the renderer do. A style the family lacks is still
copied as its closest style; the report now names the style it
copies, and Font Details lists the font as substituted, with that
style's file and permission.
- FontFace::embeddable reads fsType as exports do (Embedding), so fonts
that allow bitmap embedding only (bit 9), or that set the restricted
bit together with reserved bit 0 (0x0003), are no longer copied.
Document Info's permission labels follow the same rule: when a font
sets more than one usage bit, the label names the most permissive
one.
- The Package dialog and its status line name the fonts it didn't copy.
