Docs: ROADMAP 2026-10-13 adds #1492–#1583; Average and Join corrected to missing, Polish row count

ROADMAP.md

@@ -6,7 +6,7 @@
 
 **Stage: alpha** · next: beta, ~13 points (ready for real work ~62% → ~75%, and reliable `.ai` exchange) and ~170–270 h away
 
-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-13 · **Change:** minor (community PRs and fixes of late 2026-10-12: type that does not fit its frame is reported, #1471; Tabs panel drags, #1458; template layers in Outline view, #1486; dialog slider rails, #1483; Direct Selection anchor precedence, #1508; print-size images, #1517; French catalog complete again, #1511; headline numbers unchanged; Image Trace colour and photo presets, measured in `docs/image-trace-quality.md`, headline numbers unchanged; community PRs and fixes of 2026-10-12: Split Into Grid options, #1462; Transform Objects and Reflect across an angle, #1448 and #1460; Pathfinder on a group, #1450; unknown parameter keys refused, #1442; grayscale TIFFs with alpha, #1466 in part; many-object edits, #1429 in part; headline numbers unchanged; Image Trace places edges to a fraction of a pixel, measured in `docs/image-trace-quality.md`, headline numbers unchanged; Transform dialogs preview and the transform tools act on direct-selected anchors, #1412 and #1408; `.ai` compound path paint, #1410, overprint, #1388, and text-only PDF parts, #1387; community PRs: strokes wider than their shape, corner drags without the bounding box, pasted pictures, compound paths in `document.inspect`, MCP guide; headline numbers unchanged; community PRs: `.ai` editing-data follow-ups (gradient stops, type of objects with an appearance, short area-type frames), PDF bleed with editing data, dialog keyboard focus, art flush with an artboard, font rescan, symbol instance redraw, `--control` port check; headline numbers unchanged; Rectangular Grid and Polar Grid tool options, #1377 in part; `.ai` files with placed (linked) pictures open from their editing data, #1264; community PRs: `.ai` and PDF bleed and editing-data import, gradient shapes imported as paths, ruler origin, Align To, Live Corners corner selection; headline numbers unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; community PRs: graph designs, Graph Data worksheet and Graph Type options; Align both centres; Pen endpoint fixes; earlier: Effect › Brush Strokes landed: Photoshop-style filters 28 of 57, raster effects 40% → 48%; `.ai` gradients, meshes and artboard names from the editing data; headline numbers unchanged; `.ai` art styles and clipping fills from the editing data; headline numbers unchanged; `editingData: "always"`; headline numbers unchanged) · **Target:** Adobe Illustrator 2026 (30.x)
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-13 · **Change:** minor (community PRs and fixes of 2026-10-13: Polish interface, #1498; compact native saves, #1492; PDF and EPS paste as vector art, #1499; `.ai`, PDF, EPS and SVG import fixes, #1528, #1530, #1531, #1544, #1551, #1553; guide objects, #1534; Join after Average, #1533; Keyboard Shortcuts lists commands outside the menus, #1539; headline numbers unchanged; community PRs and fixes of late 2026-10-12: type that does not fit its frame is reported, #1471; Tabs panel drags, #1458; template layers in Outline view, #1486; dialog slider rails, #1483; Direct Selection anchor precedence, #1508; print-size images, #1517; French catalog complete again, #1511; headline numbers unchanged; Image Trace colour and photo presets, measured in `docs/image-trace-quality.md`, headline numbers unchanged; community PRs and fixes of 2026-10-12: Split Into Grid options, #1462; Transform Objects and Reflect across an angle, #1448 and #1460; Pathfinder on a group, #1450; unknown parameter keys refused, #1442; grayscale TIFFs with alpha, #1466 in part; many-object edits, #1429 in part; headline numbers unchanged; Image Trace places edges to a fraction of a pixel, measured in `docs/image-trace-quality.md`, headline numbers unchanged; Transform dialogs preview and the transform tools act on direct-selected anchors, #1412 and #1408; `.ai` compound path paint, #1410, overprint, #1388, and text-only PDF parts, #1387; community PRs: strokes wider than their shape, corner drags without the bounding box, pasted pictures, compound paths in `document.inspect`, MCP guide; headline numbers unchanged; community PRs: `.ai` editing-data follow-ups (gradient stops, type of objects with an appearance, short area-type frames), PDF bleed with editing data, dialog keyboard focus, art flush with an artboard, font rescan, symbol instance redraw, `--control` port check; headline numbers unchanged; Rectangular Grid and Polar Grid tool options, #1377 in part; `.ai` files with placed (linked) pictures open from their editing data, #1264; community PRs: `.ai` and PDF bleed and editing-data import, gradient shapes imported as paths, ruler origin, Align To, Live Corners corner selection; headline numbers unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; community PRs: graph designs, Graph Data worksheet and Graph Type options; Align both centres; Pen endpoint fixes; earlier: Effect › Brush Strokes landed: Photoshop-style filters 28 of 57, raster effects 40% → 48%; `.ai` gradients, meshes and artboard names from the editing data; headline numbers unchanged; `.ai` art styles and clipping fills from the editing data; headline numbers unchanged; `editingData: "always"`; headline numbers unchanged) · **Target:** Adobe Illustrator 2026 (30.x)
 
 VectorCraft is a clean-room, open-source, pure-Rust reimplementation of the Adobe Illustrator workflow. It runs
 on macOS, Windows, Linux, FreeBSD and the web (WASM), and agents can drive all of it over MCP, the CLI and a JSON
@@ -127,6 +127,7 @@ Ranked; detail in [docs/roadmap.md](docs/roadmap.md) and [docs/gaps.md](docs/gap
 
 | Date | What landed |
 |---|---|
+| 2026-10-13 | The interface is available in Polish (`pl`): menus, panels, dialogs and messages, with one/few/many plurals; AI-drafted, native review pending (#1498). Native documents with a lot of path data (traced or generated art, in layers, symbols or patterns) are saved as compact JSON, about a fifth of the size; small documents stay pretty-printed (#1492). Paste takes a PDF or EPS another app copied as editable vector art: from the macOS pasteboard (with SVG), EPS on Windows beside PDF, and `.eps` files copied in a file manager, with the new command `clipboard.importEps` (#1538, fixes #1499). Opening or placing a file with an image too large to decode says so, and the Links panel shows it on the row (#1540, part of #1479). Import: a multi-artboard `.ai` with notes beside its artboards opens from its editing data, a page's art past its artboard no longer lying over the page before it (#1528); a `.ai` gradient whose stops are listed upwards keeps each midpoint on the stop that starts its part of the ramp (#1530); SVG text on a path follows basic shapes (circle, ellipse, rect, line, polyline, polygon) as their SVG 2 equivalent paths (#1531, fixes #1527); PDFs whose alpha soft masks are drawn as images import with the mask instead of empty art (#1551); EPS and PostScript type set in Type 42 (TrueType) fonts imports at its size instead of 1000 times too large (#1553); PDF and EPS import keep a clipping path whose bounding box covers the page but whose shape doesn't (#1544, fixes #1542). Make Compound Path on a group (such as outlined type) keeps the paint of its backmost path instead of drawing nothing, and compound paths joined into one keep their holes (#1537). Live Corners: a round corner next to a curved side curves smoothly instead of sticking out of the shape, and the Smooth tool smooths only the stretch of path under the drag (#1547, fixes #1512). Join merges the selected anchor points that lie on one another, as after Average, into one anchor (#1582, fixes #1533). Guides: Lock Guides also locks the objects made into guides: they can't be selected, moved or deleted (#1543); they are drawn in the guide colour and style of Preferences, and a dragged selection snaps to ruler guides with Smart Guides on (#1583, fixes #1534). Edit › Keyboard Shortcuts lists Edit › Duplicate and the other commands that are in no menu but run without parameters (panel-menu commands such as Break Link to Symbol), so they can be given shortcuts (#1549, #1580, fixes #1539). Raster effects (blur, shadow, glow, grain) drawn after a pattern, radial or freeform gradient fill export at their place and size (#1541, fixes #1536). Fonts: the font scan on Linux also reads the folders fontconfig's configuration lists, such as TeX fonts under `/usr/share/texmf/fonts` (#1548, fixes #1529; not verified on Linux). |
 | 2026-10-13 | Image Trace's colour presets trace flat art with its own colours however many are asked for (noise no longer shatters it: 16 Colors 70 → 4 paths on the harness's flat art; no slivers of in-between colour along anti-aliased edges), and the photo presets trace a photo into smooth tones without specks or hairlines (High Fidelity Photo 3,653 → 121 paths, colour error 2.30 → 1.75; 16 megapixels traced where 4 were refused) ([`docs/image-trace-quality.md`](docs/image-trace-quality.md)). |
 | 2026-10-13 | Image Trace traces anti-aliased and blurred images to a fraction of a pixel in Black and White, Grayscale and Color, with corners put back, straight edges as lines and round outlines as circles; a harness measures every preset before and after ([`docs/image-trace-quality.md`](docs/image-trace-quality.md)): outlines 0.31 → 0.09 px off on average (Default), 0.27 → 0.06 (Black and White Logo). |
 | 2026-10-13 | Effect › 3D and Materials: Inflate takes Twist, Taper and Cap (Hollow leaves the back open), as the 3D docs list for every type. |

docs/effects-parity.md

@@ -1,6 +1,6 @@
 # Effects parity
 
-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-13 · **Change:** minor (3D and Materials on outlined type and other shapes of many small curves, #1481; Twist 0° to 360°, #1524; twisted walls keep their faces, #1525; score unchanged; 3D and Materials: Inflate takes Twist, Taper and Cap; score unchanged) · **Target:** Adobe Illustrator 2026 (30.x)
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-13 · **Change:** minor (raster effects after a pattern, radial or freeform gradient fill export at their place and size, #1536; score unchanged; 3D and Materials on outlined type and other shapes of many small curves, #1481; Twist 0° to 360°, #1524; twisted walls keep their faces, #1525; score unchanged; 3D and Materials: Inflate takes Twist, Taper and Cap; score unchanged) · **Target:** Adobe Illustrator 2026 (30.x)
 
 Every entry of Illustrator's Effect menu, by its public feature name, against VectorCraft's effects catalogue
 (`effect_catalog()` in `crates/effects/src/lib.rs`) and the Effect menu built from it
@@ -99,6 +99,7 @@ Revolve caps, 3D Classic, Turntable, 3D export) is 25–45 h.
 
 | Date | Change | Summary |
 |---|---|---|
+| 2026-10-13 | minor | Raster effects (blur, shadow, glow, grain) drawn after a pattern, radial or freeform gradient fill export at their place and size (#1541, fixes #1536); scores unchanged (estimated) |
 | 2026-10-13 | minor | 3D and Materials: outlined words and other shapes of many small curves take Rotate, Extrude & Bevel and Inflate (curves are sampled by a tolerance; Rotate takes up to 65,536 outline points; #1481); Extrude & Bevel's Twist runs 0° to 360° as the public panel reference gives it, a negative value drawing untwisted (#1524); a twisted extrusion keeps its walls, which were dropped from about 45° (#1525); details in [three-d.md](three-d.md); 3D stays ~25%, 25–45 h (estimated) |
 | 2026-10-13 | minor | Inflate takes Twist, Taper and Cap ([three-d.md](three-d.md)); 3D stays ~25%, 25–45 h: materials, lights and shadows are the bulk of what remains |
 | 2026-10-12 | minor | Extrude & Bevel, Inflate and Rotate (initial, [three-d.md](three-d.md)); 3D ~8% → ~25%, 45–75 → 25–45 h |

docs/file-format-parity.md

@@ -1,6 +1,6 @@
 # File format parity
 
-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-13 · **Change:** minor (a `.ai` page's art past its artboard no longer lies over the page before it when read as its PDF part; grayscale TIFFs with an alpha channel or extra channels place and open, #1466 in part; a faded or masked fill keeps its stroke apart on PDF and `.ai` import, #1434; SVG knockout groups without masks, #1435; Affinity import: a text frame too short for its first line is made taller, #1423; `.ai` editing data: a compound path takes its last path's paint and keeps paths grouped inside it, #1410; a `.ai` whose PDF part is only text opens from it, #1387; PDF and `.ai` import keep overprint, #1388; `.ai` editing data: gradients with middle stops, #1390; type of objects with an appearance, hidden layers and later artboards, #1391; area type in a frame too short for the fallback font, #1392; `.ai` editing data: placed (linked) files read, #1264; gradient-filled shapes import as paths, #1304; white constant alpha soft masks, #1286 in part; DXF control-point SPLINE closure read, #1299 follow-up; `.ai` and PDF trim and bleed boxes as artboard and bleed, #1266; `.ai` gradient matrices, meshes and artboard names from the editing data; `.ai` art styles, clipping fills and compound looks from the editing data; `editingData: "always"` opens a `.ai` from its editing data; a `.ai` whose PDF part is only text opens from it, #1387; PDF and `.ai` import keep overprint, #1388; `.ai` editing data: gradients with middle stops, #1390; type of objects with an appearance, hidden layers and later artboards, #1391; area type in a frame too short for the fallback font, #1392; `.ai` editing data: placed (linked) files read, #1264; gradient-filled shapes import as paths, #1304; white constant alpha soft masks, #1286 in part; DXF control-point SPLINE closure read, #1299 follow-up; `.ai` and PDF trim and bleed boxes as artboard and bleed, #1266; `.ai` gradient matrices, meshes and artboard names from the editing data; `.ai` art styles, clipping fills and compound looks from the editing data; a `.ai` whose PDF part is only text opens from it, #1387; PDF and `.ai` import keep overprint, #1388; `.ai` editing data: gradients with middle stops, #1390; type of objects with an appearance, hidden layers and later artboards, #1391; area type in a frame too short for the fallback font, #1392; `.ai` editing data: placed (linked) files read, #1264; gradient-filled shapes import as paths, #1304; white constant alpha soft masks, #1286 in part; DXF control-point SPLINE closure read, #1299 follow-up; `.ai` and PDF trim and bleed boxes as artboard and bleed, #1266; `.ai` gradient matrices, meshes and artboard names from the editing data; a `.ai` whose PDF part is only text opens from it, #1387; PDF and `.ai` import keep overprint, #1388; `.ai` editing data: gradients with middle stops, #1390; type of objects with an appearance, hidden layers and later artboards, #1391; area type in a frame too short for the fallback font, #1392; `.ai` editing data: placed (linked) files read, #1264; gradient-filled shapes import as paths, #1304; white constant alpha soft masks, #1286 in part; DXF control-point SPLINE closure read, #1299 follow-up; `.ai` and PDF trim and bleed boxes as artboard and bleed, #1266; SVG knockout groups of opaque art without masks; a `.ai` whose PDF part is only text opens from it, #1387; PDF and `.ai` import keep overprint, #1388; `.ai` editing data: gradients with middle stops, #1390; type of objects with an appearance, hidden layers and later artboards, #1391; area type in a frame too short for the fallback font, #1392; `.ai` editing data: placed (linked) files read, #1264; gradient-filled shapes import as paths, #1304; white constant alpha soft masks, #1286 in part; DXF control-point SPLINE closure read, #1299 follow-up; `.ai` and PDF trim and bleed boxes as artboard and bleed, #1266; `.ai` keeps its RGB numbers; PDF import keeps a stroke apart from a fill masked or faded by its group) · **Target:** Adobe Illustrator 2026 (30.x)
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-13 · **Change:** minor (compact native saves for documents with a lot of path data, #1492; PDF and EPS paste as vector art, #1499; `.ai` gradient stops listed upwards, #1530; SVG text on basic shapes, #1527; PDF soft masks drawn as images, #1551; Type 42 fonts in EPS, #1553; clips that only seem to cover the page, #1542; images too large to decode are reported, #1540; a `.ai` page's art past its artboard no longer lies over the page before it when read as its PDF part; grayscale TIFFs with an alpha channel or extra channels place and open, #1466 in part; a faded or masked fill keeps its stroke apart on PDF and `.ai` import, #1434; SVG knockout groups without masks, #1435; Affinity import: a text frame too short for its first line is made taller, #1423; `.ai` editing data: a compound path takes its last path's paint and keeps paths grouped inside it, #1410; a `.ai` whose PDF part is only text opens from it, #1387; PDF and `.ai` import keep overprint, #1388; `.ai` editing data: gradients with middle stops, #1390; type of objects with an appearance, hidden layers and later artboards, #1391; area type in a frame too short for the fallback font, #1392; `.ai` editing data: placed (linked) files read, #1264; gradient-filled shapes import as paths, #1304; white constant alpha soft masks, #1286 in part; DXF control-point SPLINE closure read, #1299 follow-up; `.ai` and PDF trim and bleed boxes as artboard and bleed, #1266; `.ai` gradient matrices, meshes and artboard names from the editing data; `.ai` art styles, clipping fills and compound looks from the editing data; `editingData: "always"` opens a `.ai` from its editing data; a `.ai` whose PDF part is only text opens from it, #1387; PDF and `.ai` import keep overprint, #1388; `.ai` editing data: gradients with middle stops, #1390; type of objects with an appearance, hidden layers and later artboards, #1391; area type in a frame too short for the fallback font, #1392; `.ai` editing data: placed (linked) files read, #1264; gradient-filled shapes import as paths, #1304; white constant alpha soft masks, #1286 in part; DXF control-point SPLINE closure read, #1299 follow-up; `.ai` and PDF trim and bleed boxes as artboard and bleed, #1266; `.ai` gradient matrices, meshes and artboard names from the editing data; `.ai` art styles, clipping fills and compound looks from the editing data; a `.ai` whose PDF part is only text opens from it, #1387; PDF and `.ai` import keep overprint, #1388; `.ai` editing data: gradients with middle stops, #1390; type of objects with an appearance, hidden layers and later artboards, #1391; area type in a frame too short for the fallback font, #1392; `.ai` editing data: placed (linked) files read, #1264; gradient-filled shapes import as paths, #1304; white constant alpha soft masks, #1286 in part; DXF control-point SPLINE closure read, #1299 follow-up; `.ai` and PDF trim and bleed boxes as artboard and bleed, #1266; `.ai` gradient matrices, meshes and artboard names from the editing data; a `.ai` whose PDF part is only text opens from it, #1387; PDF and `.ai` import keep overprint, #1388; `.ai` editing data: gradients with middle stops, #1390; type of objects with an appearance, hidden layers and later artboards, #1391; area type in a frame too short for the fallback font, #1392; `.ai` editing data: placed (linked) files read, #1264; gradient-filled shapes import as paths, #1304; white constant alpha soft masks, #1286 in part; DXF control-point SPLINE closure read, #1299 follow-up; `.ai` and PDF trim and bleed boxes as artboard and bleed, #1266; SVG knockout groups of opaque art without masks; a `.ai` whose PDF part is only text opens from it, #1387; PDF and `.ai` import keep overprint, #1388; `.ai` editing data: gradients with middle stops, #1390; type of objects with an appearance, hidden layers and later artboards, #1391; area type in a frame too short for the fallback font, #1392; `.ai` editing data: placed (linked) files read, #1264; gradient-filled shapes import as paths, #1304; white constant alpha soft masks, #1286 in part; DXF control-point SPLINE closure read, #1299 follow-up; `.ai` and PDF trim and bleed boxes as artboard and bleed, #1266; `.ai` keeps its RGB numbers; PDF import keeps a stroke apart from a fill masked or faded by its group) · **Target:** Adobe Illustrator 2026 (30.x)
 
 Every format Illustrator opens, places, saves or exports, against VectorCraft's format table (`FORMATS`,
 `OPEN_EXTS`, `PLACE_EXTS` in `crates/engine/src/cmd/fileio/mod.rs`). Illustrator's list comes from its public
@@ -56,13 +56,13 @@ the app's own editing copy of a file (an EPS after its `%%EOF`, a `.ai`'s `AIPri
 
 | Format | Illustrator | Ours: open/place | Ours: save/export | Fidelity and tests |
 |---|---|---|---|---|
-| VectorCraft `.vectorcraft` / `.vctemplate` | — | yes | yes | lossless JSON, versioned, save down to v1; property-tested round trips (`format/tests/prop_format.rs`) |
+| VectorCraft `.vectorcraft` / `.vctemplate` | — | yes | yes | lossless JSON, versioned, save down to v1; property-tested round trips (`format/tests/prop_format.rs`); documents with a lot of path data are written as compact JSON, about a fifth of the size (#1492) |
 | Illustrator `.ai` | open, save | yes (PDF-compatible + editing-data structure) | PDF-compatible only | see above; no real-file corpus |
 | Illustrator template `.ait` | open, save | yes | no (save as `.vctemplate`) | |
-| PDF | open, place, save | yes (layers, masks, editable text, security, overprint; Crop To › Trim takes the bleed box as the document's bleed) | yes (presets, PDF/X-1a/3/4, layers, marks and bleed, ICC, fast web view, 1.3+) | fuzzed import; PDF text placement issues in some files (#722) |
-| EPS | open, place, save | yes (own PostScript L3 interpreter, Illustrator EPS editing data structure) | yes (L2/L3, TIFF previews) | CID-keyed CJK type and CCITTFax images not read; #505 |
+| PDF | open, place, save | yes (layers, masks, editable text, security, overprint; Crop To › Trim takes the bleed box as the document's bleed) | yes (presets, PDF/X-1a/3/4, layers, marks and bleed, ICC, fast web view, 1.3+) | fuzzed import; PDF text placement issues in some files (#722); alpha soft masks drawn as images import with the mask (#1551); a clip only counts as covering the page when its shape does (#1542); a PDF another app copied pastes as editable vector art (#1499) |
+| EPS | open, place, save | yes (own PostScript L3 interpreter, Illustrator EPS editing data structure) | yes (L2/L3, TIFF previews) | CID-keyed CJK type and CCITTFax images not read; #505; Type 42 (TrueType) fonts set type at its size (#1553); a clip only counts as covering the page when its shape does (#1542); an EPS another app copied pastes as editable vector art (`clipboard.importEps`, #1499) |
 | PostScript `.ps` | open | no | via Print to PostScript | |
-| SVG / SVGZ | open, place, save | yes | yes (SVG Options, Preserve Editing, symbols, filters, rich text) | strongest format; tests in `crates/svg/tests` |
+| SVG / SVGZ | open, place, save | yes | yes (SVG Options, Preserve Editing, symbols, filters, rich text) | strongest format; tests in `crates/svg/tests`; text on a path follows basic shapes as their SVG 2 equivalent paths (#1527) |
 | DXF | open, export | yes | yes (R12–2018) | R13–2018 closed SPLINE flags and control-point closure on import verified (#1299); [Autodesk group 70](https://help.autodesk.com/cloudhelp/2024/ENU/AutoCAD-DXF/files/GUID-E1F884F8-AA90-4864-A215-3182D47A9C74.htm). CIRCLE/ARC export fitting, CNC preset and VCarve QA remain open |
 | DWG | open, export | no | no | no open spec; DXF instead |
 | EMF / WMF | open, export | yes | yes | |
@@ -86,6 +86,7 @@ the app's own editing copy of a file (an EPS after its `%%EOF`, a `.ai`'s `AIPri
 
 | Date | Change | Summary |
 |---|---|---|
+| 2026-10-13 | minor | Native documents with a lot of path data (traced or generated art, in layers, symbols or patterns) are saved as compact JSON, about a fifth of the size; small documents stay pretty-printed (#1492); Paste takes a PDF or EPS another app copied as editable vector art: from the macOS pasteboard (with SVG), EPS on Windows beside PDF, and `.eps` files copied in a file manager, with the new command `clipboard.importEps` (#1538, fixes #1499); Opening or placing a file with an image too large to decode says so, and the Links panel shows it on the row (#1540, part of #1479); a multi-artboard `.ai` with notes beside its artboards opens from its editing data, a page's art past its artboard no longer lying over the page before it (#1528); a `.ai` gradient whose stops are listed upwards keeps each midpoint on the stop that starts its part of the ramp (#1530); SVG text on a path follows basic shapes (circle, ellipse, rect, line, polyline, polygon) as their SVG 2 equivalent paths (#1531, fixes #1527); PDFs whose alpha soft masks are drawn as images import with the mask instead of empty art (#1551); EPS and PostScript type set in Type 42 (TrueType) fonts imports at its size instead of 1000 times too large (#1553); PDF and EPS import keep a clipping path whose bounding box covers the page but whose shape doesn't (#1544, fixes #1542) (the `.ai` row for #1528 was written by that PR); scores unchanged (estimated) |
 | 2026-10-13 | minor | `.ai` read as its PDF part: a page whose art reaches past its artboard to the left (notes beside a design) moves right in the row until that art clears the page before it, so it is no longer taken for that page's art; a multi-artboard `.ai` with such notes opened as its PDF part ("the art on them differs from the page's"), without the art outside its artboards, and now opens from its editing data |
 | 2026-10-13 | minor | TIFF: grayscale files with an alpha channel or other extra channels place, relink and open, read as CMYK files with alpha already were (8 and 16 bits, either polarity; #1489, part of #1466); the rows for #1434 (strokes kept apart from a faded or masked fill, a `.ai`'s RGB numbers) and #1435 (SVG knockout groups without masks, `--decimals`) were written by those PRs; scores unchanged (estimated) |
 | 2026-10-12 | minor | Affinity import: a text frame too short for its first line (a 64 pt title in a 54 pt frame) is made taller from its top, with a warning in the open result, instead of showing nothing (#1423), as `.ai` area type is (#1392); the spacing Affinity itself fits the line with isn't read; scores unchanged |

docs/gaps.md

@@ -1,6 +1,6 @@
 # Gaps
 
-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-13 · **Change:** minor (Direct Selection anchor precedence, #1508; dialog slider rails, #1483; template layers in Outline view, #1486; Tabs panel stop drags, #1458; type that does not fit its frame is reported, #1471; 3D on outlined type, #1481, Twist range, #1524, twisted walls, #1525; print-size images, #1517; French catalog, #1511; estimates unchanged; G1: Split Into Grid options, #1462, Transform Objects and Reflect's angle, #1448 and #1460, Pathfinder on a group, #1450, value fields, #1457 and #1465 in part; G9: grayscale TIFFs with alpha, #1466 in part; G6: unknown parameter keys refused, #1442; G10: window surfaces past 8192 px, #1459 in part; G15: many-object edits, #1429 in part; estimates unchanged; G16: Vietnamese catalog added, complete under the tests; three key languages remain, 60–100 → 55–90 h; G3: Extrude & Bevel, Inflate and Rotate added, 45–75 → 25–45 h; G9: `.ai` compound path paint, #1410, overprint kept on import, #1388, text-only PDF parts, #1387; G1: Transform dialogs preview, #1412, transforms of direct-selected anchors, #1408, corner drags, #1229; G11: strokes wider than their shape, #1396; estimates unchanged; G9: `.ai` editing-data follow-ups (gradient stops, type placement, short area-type frames), #1390, #1391, #1392; G15: symbol instance art kept between frames, #1386; G1: dialog keyboard focus, #1367 and #1395; estimates unchanged; G9: placed (linked) files read from `.ai` editing data, #1264; G9: gradient shapes import as paths, #1304, and white constant alpha masks, #1286 in part; G15: linear deselect on hide or lock, #1353; estimates unchanged; G7: custom ruler origin done, #1212; G1: Artboard object clicks create a fitted artboard (#1227); remaining interaction pass and estimate unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; DXF control-point SPLINE closure read, #1299 follow-up; G16: Korean catalog added, 70–110 → 60–100 h; Czech render-site localization follow-up; scores and estimates unchanged; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; G11: valid selection after Simplify and Add Anchor Points (#1272); estimates unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; G10: RPM runtime dependency metadata (#1275); estimates unchanged; G15: texture-effect distance searches optimized (#1257); idle-machine/platform drag QA still pending; estimate unchanged; G1: Curvature point display improved (#1236, in part); estimates unchanged; G4: full-name font matching (#1258); Windows font-service QA pending; estimate unchanged; G11: no-op anchor Align keeps history and saved state (#1180 follow-up); estimates unchanged; G1: dedicated Eyedropper cursor and precise-cursor checks (#1269); estimates unchanged; G1: Eyedropper reads visible locked and outside-isolation sources (#1251); estimate unchanged; G11: Direct Selection segment Delete (#1278); estimates unchanged; G1: painted strokes regain the existing default after None/zero-width inheritance (#1253); estimate unchanged; G15: large-selection edits, cached live effects and faster Pathfinder, #1173; G4: proportional vertical metrics done, #966; G11: Shape Builder merge seams on grids of lines fixed, #893; scaled text controls corrected, #1034; group font-size preservation deferred; G9: `.ai` gradient matrices and meshes from the editing data; estimate unchanged; G9: `.ai` art styles from the editing data; estimate unchanged; G9: `.ai` editing-data follow-ups (gradient stops, type placement, short area-type frames), #1390, #1391, #1392; G15: symbol instance art kept between frames, #1386; G1: dialog keyboard focus, #1367 and #1395; estimates unchanged; G9: placed (linked) files read from `.ai` editing data, #1264; G9: gradient shapes import as paths, #1304, and white constant alpha masks, #1286 in part; G15: linear deselect on hide or lock, #1353; estimates unchanged; G7: custom ruler origin done, #1212; G1: Artboard object clicks create a fitted artboard (#1227); remaining interaction pass and estimate unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; DXF control-point SPLINE closure read, #1299 follow-up; G16: Korean catalog added, 70–110 → 60–100 h; Czech render-site localization follow-up; scores and estimates unchanged; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; G11: valid selection after Simplify and Add Anchor Points (#1272); estimates unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; G10: RPM runtime dependency metadataLine truncated
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-13 · **Change:** minor (G1: Average and Join in one step with a corner or smooth choice added as missing (it was listed as done in ui-parity.md); Join after Average, #1533; guide objects, #1534; Keyboard Shortcuts, #1539; G9 and G11 fixes, #1528, #1530, #1544, #1553, #1512, #1537; estimates unchanged; Direct Selection anchor precedence, #1508; dialog slider rails, #1483; template layers in Outline view, #1486; Tabs panel stop drags, #1458; type that does not fit its frame is reported, #1471; 3D on outlined type, #1481, Twist range, #1524, twisted walls, #1525; print-size images, #1517; French catalog, #1511; estimates unchanged; G1: Split Into Grid options, #1462, Transform Objects and Reflect's angle, #1448 and #1460, Pathfinder on a group, #1450, value fields, #1457 and #1465 in part; G9: grayscale TIFFs with alpha, #1466 in part; G6: unknown parameter keys refused, #1442; G10: window surfaces past 8192 px, #1459 in part; G15: many-object edits, #1429 in part; estimates unchanged; G16: Vietnamese catalog added, complete under the tests; three key languages remain, 60–100 → 55–90 h; G3: Extrude & Bevel, Inflate and Rotate added, 45–75 → 25–45 h; G9: `.ai` compound path paint, #1410, overprint kept on import, #1388, text-only PDF parts, #1387; G1: Transform dialogs preview, #1412, transforms of direct-selected anchors, #1408, corner drags, #1229; G11: strokes wider than their shape, #1396; estimates unchanged; G9: `.ai` editing-data follow-ups (gradient stops, type placement, short area-type frames), #1390, #1391, #1392; G15: symbol instance art kept between frames, #1386; G1: dialog keyboard focus, #1367 and #1395; estimates unchanged; G9: placed (linked) files read from `.ai` editing data, #1264; G9: gradient shapes import as paths, #1304, and white constant alpha masks, #1286 in part; G15: linear deselect on hide or lock, #1353; estimates unchanged; G7: custom ruler origin done, #1212; G1: Artboard object clicks create a fitted artboard (#1227); remaining interaction pass and estimate unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; DXF control-point SPLINE closure read, #1299 follow-up; G16: Korean catalog added, 70–110 → 60–100 h; Czech render-site localization follow-up; scores and estimates unchanged; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; G11: valid selection after Simplify and Add Anchor Points (#1272); estimates unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; G10: RPM runtime dependency metadata (#1275); estimates unchanged; G15: texture-effect distance searches optimized (#1257); idle-machine/platform drag QA still pending; estimate unchanged; G1: Curvature point display improved (#1236, in part); estimates unchanged; G4: full-name font matching (#1258); Windows font-service QA pending; estimate unchanged; G11: no-op anchor Align keeps history and saved state (#1180 follow-up); estimates unchanged; G1: dedicated Eyedropper cursor and precise-cursor checks (#1269); estimates unchanged; G1: Eyedropper reads visible locked and outside-isolation sources (#1251); estimate unchanged; G11: Direct Selection segment Delete (#1278); estimates unchanged; G1: painted strokes regain the existing default after None/zero-width inheritance (#1253); estimate unchanged; G15: large-selection edits, cached live effects and faster Pathfinder, #1173; G4: proportional vertical metrics done, #966; G11: Shape Builder merge seams on grids of lines fixed, #893; scaled text controls corrected, #1034; group font-size preservation deferred; G9: `.ai` gradient matrices and meshes from the editing data; estimate unchanged; G9: `.ai` art styles from the editing data; estimate unchanged; G9: `.ai` editing-data follow-ups (gradient stops, type placement, short area-type frames), #1390, #1391, #1392; G15: symbol instance art kept between frames, #1386; G1: dialog keyboard focus, #1367 and #1395; estimates unchanged; G9: placed (linked) files read from `.ai` editing data, #1264; G9: gradient shapes import as paths, #1304, and white constant alpha masks, #1286 in part; G15: linear deselect on hide or lock, #1353; estimates unchanged; G7: custom ruler origin done, #1212; G1: Artboard object clicks create a fitted artboard (#1227); remaining interaction pass and estimate unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; DXF control-point SPLINE closure read, #1299 follow-up; G16: Korean catalog added, 70–110 → 60–100 h; Czech render-site localization follow-up; scores and estimates unchanged; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editingLine truncated
 
 Every known shortfall against Illustrator, one entry each, **ranked by how much it stops a professional from
 switching**. This is the work list: unless you were given a task, pick the highest-ranked gap you can make
@@ -54,6 +54,7 @@ from G14 and the budget run of G15: **~170–270 h** one agent, ~50–80 h wall
   OS cursor display and Caps Lock remain unverified.
 - **Done (#1251):** Eyedropper source reads are independent of locks and isolation, including Shift/Shift+Alt and gradient stops. Source and selection preservation, unchanged Alt reverse/selection restrictions, hidden art and Undo/Redo have regression coverage. This addresses the reported behavior, with no new full-parity measurement.
 - **Done (#1253):** adding paint to an unpainted zero-width stroke restores the existing 1 pt default, including new-art defaults and Swap Fill/Stroke. The real Eyedropper inheritance sequence, targeted appearance items, preserved widths and Undo/Redo have regression coverage.
+- **Missing:** Average and Join in one step, with a corner or smooth choice for the joined anchor. `path.average` and `path.join` are separate commands and Join has no such choice (coinciding anchors merge into one since #1533). [ui-parity.md](ui-parity.md) listed "Join with corner/smooth choice" as done until 2026-10-13. About 1–2 h (estimated), inside the estimate below.
 - **Missing:** a tool-by-tool, panel-by-panel pass over modifiers, cursors, the Properties panel per context,
   isolation mode and small behaviours, against the public tool and shortcut documentation. Itemized in
   [ui-parity.md](ui-parity.md). The Shaper's construction-mode widget and gesture refinements remain.
@@ -236,6 +237,7 @@ from G14 and the budget run of G15: **~170–270 h** one agent, ~50–80 h wall
 
 | Date | Change | Summary |
 |---|---|---|
+| 2026-10-13 | minor | G1: Average and Join in one step with a corner or smooth choice is listed as missing (the ui-parity row said done; the command does not exist); Join merges the selected anchor points that lie on one another, as after Average, into one anchor (#1582, fixes #1533); Lock Guides also locks the objects made into guides: they can't be selected, moved or deleted (#1543); they are drawn in the guide colour and style of Preferences, and a dragged selection snaps to ruler guides with Smart Guides on (#1583, fixes #1534); Edit › Keyboard Shortcuts lists Edit › Duplicate and the other commands that are in no menu but run without parameters (panel-menu commands such as Break Link to Symbol), so they can be given shortcuts (#1549, #1580, fixes #1539). G11: Make Compound Path on a group (such as outlined type) keeps the paint of its backmost path instead of drawing nothing, and compound paths joined into one keep their holes (#1537); a round corner next to a curved side curves smoothly instead of sticking out of the shape and the Smooth tool smooths only the stretch of path under the drag (#1547, fixes #1512); Raster effects (blur, shadow, glow, grain) drawn after a pattern, radial or freeform gradient fill export at their place and size (#1541, fixes #1536). G9: a multi-artboard `.ai` with notes beside its artboards opens from its editing data, a page's art past its artboard no longer lying over the page before it (#1528); a `.ai` gradient whose stops are listed upwards keeps each midpoint on the stop that starts its part of the ramp (#1530); SVG text on a path follows basic shapes (circle, ellipse, rect, line, polyline, polygon) as their SVG 2 equivalent paths (#1531, fixes #1527); PDFs whose alpha soft masks are drawn as images import with the mask instead of empty art (#1551); EPS and PostScript type set in Type 42 (TrueType) fonts imports at its size instead of 1000 times too large (#1553); PDF and EPS import keep a clipping path whose bounding box covers the page but whose shape doesn't (#1544, fixes #1542); Paste takes a PDF or EPS another app copied as editable vector art: from the macOS pasteboard (with SVG), EPS on Windows beside PDF, and `.eps` files copied in a file manager, with the new command `clipboard.importEps` (#1538, fixes #1499); Opening or placing a file with an image too large to decode says so, and the Links panel shows it on the row (#1540, part of #1479). Native documents with a lot of path data (traced or generated art, in layers, symbols or patterns) are saved as compact JSON, about a fifth of the size; small documents stay pretty-printed (#1492); the font scan on Linux also reads the folders fontconfig's configuration lists, such as TeX fonts under `/usr/share/texmf/fonts` (#1548, fixes #1529; not verified on Linux); Polish catalog (#1498); estimates unchanged, no gap entry closed |
 | 2026-10-13 | minor | Interaction: Direct Selection takes the selected object's anchor where anchors of overlapping objects coincide (#1508), sliders in dialogs show their rail (#1483), a template layer stays in Preview in Outline view (#1486), a tab stop in the Tabs panel drags from where the press landed (#1458); type: commands and MCP `add_text` report area type that does not fit its frame (#1471); 3D and Materials on outlined type and other shapes of many small curves (#1481), Twist 0° to 360° (#1524), twisted walls keep their faces (#1525); print-size images draw, export and crop (#1517); `vectorcraft-cli perf` reports load and memory on Windows (#1502; the idle-machine run is still missing); French catalog complete again (#1511); `graph.setData`'s CSV keeps each value exactly (#1485); estimates unchanged, no gap entry closed |
 | 2026-10-13 | minor | G1: Split Into Grid has its documented options (#1462), Transform Objects in the Transform dialogs and Transform Each and Reflect across an angle (#1448, #1460), the Pathfinder panel works on a group selected alone (#1450; one plain path alone is not settled), a focused field follows its value (#1457), selected text in value fields is readable (#1465 in part); G9: grayscale TIFFs with an alpha channel or extra channels place (#1466 in part), strokes kept apart from a faded or masked fill on PDF and `.ai` import (#1434); G4: Fit Headline in a frame one line tall (#1444), frames beyond a billion points hold no text (#1451); G6: commands refuse a parameter key they don't take (#1442); G10: a window surface past 8192 px no longer closes the app (#1459 in part); G15: edits and Alt-drags of thousands of objects (#1429 in part); G16: 128 more Czech strings (#1461); estimates unchanged |
 | 2026-10-12 | minor | G3: Extrude & Bevel, Inflate and Rotate with Position presets ([three-d.md](three-d.md), #1407); materials, lights, shadows, Classic, Turntable and export remain, 45–75 → 25–45 h |

docs/localization-parity.md

@@ -1,6 +1,6 @@
 # Localization parity
 
-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-13 · **Change:** minor (French: 423 strings added since the catalog was measured and 188 entries reworded, #1511; Hungarian: one message in the informal address, #1474; scores and estimates unchanged; Vietnamese catalog added, complete under the tests; 12-language score 63% → 71%; Czech: 128 strings added since the catalog was completed are translated, #1461; scores and estimates unchanged; Korean catalog added, complete under the tests; 12-language score 54% → 63%; Hungarian catalog added; Czech render-site localization follow-up; scores and estimates unchanged) · **Target:** Adobe Illustrator 2026 (30.x)
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-13 · **Change:** minor (Polish: 4,510 rows counted in the catalog (the row said 4,492), #1498; French: 423 strings added since the catalog was measured and 188 entries reworded, #1511; Hungarian: one message in the informal address, #1474; scores and estimates unchanged; Vietnamese catalog added, complete under the tests; 12-language score 63% → 71%; Czech: 128 strings added since the catalog was completed are translated, #1461; scores and estimates unchanged; Korean catalog added, complete under the tests; 12-language score 54% → 63%; Hungarian catalog added; Czech render-site localization follow-up; scores and estimates unchanged) · **Target:** Adobe Illustrator 2026 (30.x)
 
 Per-language status of VectorCraft's interface. How the catalogs work and how to add a language:
 [`development.md` › Localisation](development.md#localisation). Part of
@@ -50,7 +50,7 @@ plus review. Native-speaker review is human work and isn't in the hours.
 | Russian | `ru` | 4,009 / 4,020 | full |
 | Ukrainian | `uk` | 4,009 / 4,020 (one/few/many plurals) | full |
 | Hungarian | `hu` | 4,524 rows: menus, `tl!` literals and messages complete (tests); one plural form | full |
-| Polish | `pl` | 4,492 rows: menus, `tl!` literals and messages complete (tests); one/few/many plurals | full; native review pending |
+| Polish | `pl` | 4,510 rows (counted 2026-10-13): menus, `tl!` literals and messages complete (tests); one/few/many plurals | full; native review pending |
 | Czech | `cs` | 4,411 catalog entries, including 636 `@msg` rows (measured locally 2026-10-11); menu, literal and message coverage enforced by tests | catalog complete; render-site gaps reduced; native review pending |
 
 Fifteen non-English catalogs in all. Illustrator, as its public documentation lists, ships around two dozen
@@ -80,6 +80,7 @@ font for the web build.
 
 | Date | Change | Summary |
 |---|---|---|
+| 2026-10-13 | minor | Polish (`pl`, #1498): the row count is corrected to the 4,510 rows in `pl.tsv` (it said 4,492), 654 of them `@msg` rows; AI-drafted, native review pending; scores and estimates unchanged |
 | 2026-10-13 | minor | French: the 423 strings added since the catalog was last complete are translated, and 188 entries are reworded to the feature names French users know (#1511); Hungarian: one message uses the informal address like the rest of the interface (#1474); the entry counts in the tables are the earlier measurements; native review still pending; scores and estimates unchanged |
 | 2026-10-12 | minor | Vietnamese (`vi`) catalog added, complete under the tests (menus, literals, messages; one plural form); 12-language score 63% → 71%, hours 60–100 → 55–90 |
 | 2026-10-13 | minor | Czech: 128 more strings translated (tool names, PDF and Image Trace presets, pie graph options and others added since the catalog was completed; #1461); the entry count in the table is the 2026-10-11 measurement; native review still pending; scores and estimates unchanged |

docs/roadmap.md

@@ -1,6 +1,6 @@
 # Roadmap: milestones and what's next
 
-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-13 · **Change:** minor (Direct Selection anchor precedence, #1508; dialog slider rails, #1483; template layers in Outline view, #1486; type that does not fit its frame is reported, #1471; 3D on outlined type, #1481; print-size images, #1517; French catalog, #1511; estimates unchanged; Split Into Grid options, #1462; Transform Objects and Reflect's angle, #1448 and #1460; Pathfinder on a group, #1450; unknown parameter keys refused, #1442; grayscale TIFFs with alpha, #1466 in part; estimates unchanged; M9: Extrude & Bevel, Inflate and Rotate; `.ai` compound path paint, #1410, overprint on import, #1388, text-only PDF parts, #1387; Transform dialogs preview, #1412, and transforms of direct-selected anchors, #1408; strokes wider than their shape, #1396; estimates unchanged; `.ai` editing-data follow-ups, #1390, #1391, #1392; dialog keyboard focus, #1367 and #1395; symbol instance redraw cache, #1386; font rescan, #1376; estimates unchanged; gradient shapes import as paths, #1304; white constant alpha masks, #1286 in part; Live Corners widget click, #1239; custom ruler origin, #1212; M11: Artboard object clicks create a fitted artboard (#1227); estimate unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; DXF control-point SPLINE closure read, #1299 follow-up; desktop print transport adopts craft-print, Windows 7 fallback retained, scores unchanged; Czech render-site localization follow-up; scores and estimates unchanged; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; M6: Simplify preview/counts and valid topology selection (#1272); estimates unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; M14: RPM runtime metadata (#1275); estimates unchanged; M5: squared-distance texture redraws (#1257); clean-machine/platform drag measurements still pending; estimates unchanged; M2: Curvature point display improved (#1236, in part); estimates unchanged; M7: full-name font matching (#1258); Windows font-service QA pending; estimates unchanged; M1: no-op anchor Align keeps Undo, Redo and saved state (#1180 follow-up); estimates unchanged; M14: dedicated Eyedropper cursor (#1269); estimates unchanged; M3: Eyedropper reads visible locked and outside-isolation sources (#1251); estimates unchanged; M2: Direct Selection segment picks and Delete (#1278); estimates unchanged; M3: adding paint to an unpainted zero-width stroke restores 1 pt (#1253); estimates unchanged; M12: graph designs, graph data, Graph Type and label options; M14: native macOS save Format menu, #866; M6: compound appearance and member fill-rule fixes, #1197; estimates unchanged; M9: PDF raster-effect cap warnings; G11: #893 fixed, #937 open; M7: accurate character controls after scaling, #1034; estimates unchanged) · **Target:** Adobe Illustrator 2026 (30.x)
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-13 · **Change:** minor (Polish interface, #1498; compact native saves, #1492; PDF and EPS paste as vector art, #1499; import fixes, #1528, #1530, #1531, #1544, #1551, #1553; guide objects, #1534; Join after Average, #1533; Keyboard Shortcuts, #1539; estimates unchanged; Direct Selection anchor precedence, #1508; dialog slider rails, #1483; template layers in Outline view, #1486; type that does not fit its frame is reported, #1471; 3D on outlined type, #1481; print-size images, #1517; French catalog, #1511; estimates unchanged; Split Into Grid options, #1462; Transform Objects and Reflect's angle, #1448 and #1460; Pathfinder on a group, #1450; unknown parameter keys refused, #1442; grayscale TIFFs with alpha, #1466 in part; estimates unchanged; M9: Extrude & Bevel, Inflate and Rotate; `.ai` compound path paint, #1410, overprint on import, #1388, text-only PDF parts, #1387; Transform dialogs preview, #1412, and transforms of direct-selected anchors, #1408; strokes wider than their shape, #1396; estimates unchanged; `.ai` editing-data follow-ups, #1390, #1391, #1392; dialog keyboard focus, #1367 and #1395; symbol instance redraw cache, #1386; font rescan, #1376; estimates unchanged; gradient shapes import as paths, #1304; white constant alpha masks, #1286 in part; Live Corners widget click, #1239; custom ruler origin, #1212; M11: Artboard object clicks create a fitted artboard (#1227); estimate unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; DXF control-point SPLINE closure read, #1299 follow-up; desktop print transport adopts craft-print, Windows 7 fallback retained, scores unchanged; Czech render-site localization follow-up; scores and estimates unchanged; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; M6: Simplify preview/counts and valid topology selection (#1272); estimates unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; M14: RPM runtime metadata (#1275); estimates unchanged; M5: squared-distance texture redraws (#1257); clean-machine/platform drag measurements still pending; estimates unchanged; M2: Curvature point display improved (#1236, in part); estimates unchanged; M7: full-name font matching (#1258); Windows font-service QA pending; estimates unchanged; M1: no-op anchor Align keeps Undo, Redo and saved state (#1180 follow-up); estimates unchanged; M14: dedicated Eyedropper cursor (#1269); estimates unchanged; M3: Eyedropper reads visible locked and outside-isolation sources (#1251); estimates unchanged; M2: Direct Selection segment picks and Delete (#1278); estimates unchanged; M3: adding paint to an unpainted zero-width stroke restores 1 pt (#1253); estimates unchanged; M12: graph designs, graph data, Graph Type and label options; M14: native macOS save Format menu, #866; M6: compound appearance and member fill-rule fixes, #1197; estimates unchanged; M9: PDF raster-effect cap warnings; G11: #893 fixed, #937 open; M7: accurate character controls after scaling, #1034; estimates unchanged) · **Target:** Adobe Illustrator 2026 (30.x)
 
 Forward-looking plan. Where VectorCraft stands is in [`ROADMAP.md`](../ROADMAP.md) and
 [target-app-parity.md](target-app-parity.md); the ranked work list is [gaps.md](gaps.md). Hours are Opus 5.5
@@ -80,6 +80,7 @@ After placed documents (File › Place of a `.vectorcraft` file, linked), M4.14
 
 | Date | Change | Summary |
 |---|---|---|
+| 2026-10-13 | minor | The interface is available in Polish (`pl`): menus, panels, dialogs and messages, with one/few/many plurals; AI-drafted, native review pending (#1498); Native documents with a lot of path data (traced or generated art, in layers, symbols or patterns) are saved as compact JSON, about a fifth of the size; small documents stay pretty-printed (#1492); Paste takes a PDF or EPS another app copied as editable vector art: from the macOS pasteboard (with SVG), EPS on Windows beside PDF, and `.eps` files copied in a file manager, with the new command `clipboard.importEps` (#1538, fixes #1499); Opening or placing a file with an image too large to decode says so, and the Links panel shows it on the row (#1540, part of #1479); a multi-artboard `.ai` with notes beside its artboards opens from its editing data, a page's art past its artboard no longer lying over the page before it (#1528); a `.ai` gradient whose stops are listed upwards keeps each midpoint on the stop that starts its part of the ramp (#1530); SVG text on a path follows basic shapes (circle, ellipse, rect, line, polyline, polygon) as their SVG 2 equivalent paths (#1531, fixes #1527); PDFs whose alpha soft masks are drawn as images import with the mask instead of empty art (#1551); EPS and PostScript type set in Type 42 (TrueType) fonts imports at its size instead of 1000 times too large (#1553); PDF and EPS import keep a clipping path whose bounding box covers the page but whose shape doesn't (#1544, fixes #1542); Make Compound Path on a group (such as outlined type) keeps the paint of its backmost path instead of drawing nothing, and compound paths joined into one keep their holes (#1537); a round corner next to a curved side curves smoothly instead of sticking out of the shape and the Smooth tool smooths only the stretch of path under the drag (#1547, fixes #1512); Join merges the selected anchor points that lie on one another, as after Average, into one anchor (#1582, fixes #1533); Lock Guides also locks the objects made into guides: they can't be selected, moved or deleted (#1543); they are drawn in the guide colour and style of Preferences, and a dragged selection snaps to ruler guides with Smart Guides on (#1583, fixes #1534); Edit › Keyboard Shortcuts lists Edit › Duplicate and the other commands that are in no menu but run without parameters (panel-menu commands such as Break Link to Symbol), so they can be given shortcuts (#1549, #1580, fixes #1539); Raster effects (blur, shadow, glow, grain) drawn after a pattern, radial or freeform gradient fill export at their place and size (#1541, fixes #1536); the font scan on Linux also reads the folders fontconfig's configuration lists, such as TeX fonts under `/usr/share/texmf/fonts` (#1548, fixes #1529; not verified on Linux); estimates unchanged |
 | 2026-10-13 | minor | Direct Selection takes the selected object's anchor where anchors of overlapping objects coincide (#1508); commands and MCP `add_text` report area type that does not fit its frame (#1471), a tab stop in the Tabs panel drags from where the press landed (#1458); M9: 3D and Materials on outlined type and other shapes of many small curves (#1481), Twist 0° to 360° (#1524), twisted walls keep their faces (#1525); print-size images draw, export and crop (#1517), `vectorcraft-cli perf` reports load and memory on Windows (#1502); sliders in dialogs show their rail (#1483), a template layer stays in Preview in Outline view (#1486), French catalog complete again (#1511), a Hungarian message in the informal address (#1474); `graph.setData`'s CSV keeps each value exactly (#1485); estimates unchanged |
 | 2026-10-13 | minor | M6: Split Into Grid has its documented options (#1462), the Pathfinder panel works on a group selected alone (#1450); M2: Transform Objects in the Transform dialogs and Transform Each, Reflect across an angle (#1448, #1460); M4: grayscale TIFFs with an alpha channel or extra channels place (#1466 in part), strokes kept apart from a faded or masked fill on PDF and `.ai` import (#1434), SVG knockout groups without masks (#1435); M7: Fit Headline in a frame one line tall (#1444), frames beyond a billion points hold no text (#1451); M13: commands refuse a parameter key they don't take (#1442); M5: edits and Alt-drags of thousands of objects (#1429 in part); M14: a focused field follows its value (#1457), selected text in value fields is readable (#1465 in part), a window surface past 8192 px no longer closes the app (#1459 in part); estimates unchanged |
 | 2026-10-12 | minor | M9: Extrude & Bevel, Inflate and Rotate (initial 3D types, [three-d.md](three-d.md)) |

docs/target-app-parity.md

@@ -1,6 +1,6 @@
 # Parity with Adobe Illustrator
 
-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-13 · **Change:** minor (late 2026-10-12 merges: type that does not fit its frame is reported, #1471; Tabs panel drags, #1458; template layers in Outline view, #1486; dialog slider rails, #1483; Direct Selection anchor precedence, #1508; print-size images, #1517; 3D on outlined type, #1481; French catalog, #1511; scores unchanged; Split Into Grid options, #1462; Transform Objects and Reflect across an angle, #1448 and #1460; Pathfinder panel on a group, #1450; unknown parameter keys refused, #1442; grayscale TIFFs with alpha, #1466 in part; Localization: Vietnamese catalog added, 63% → 71%, hours 60–100 → 55–90, full readiness unchanged at ~62%; scores and hours unchanged; Image Trace places edges to a fraction of a pixel in every mode, measured in `image-trace-quality.md`, score unchanged; 3D and Materials: Extrude & Bevel, Inflate and Rotate added, 3D ~8% → ~25% (estimated), menu stubs 25 → 22; Affinity text frames too short for their first line show it, #1423; Transform dialogs preview, #1412, and the transform tools and commands act on direct-selected anchors, #1408; `.ai` compound path paint, #1410; strokes wider than their shape, #1396; corner drags hide the bounding box, #1229; scores and hours unchanged; PDF and `.ai` import keep overprint, #1388, scores unchanged; `.ai` editing-data follow-ups: gradient stops, type of objects with an appearance, short area-type frames (#1390, #1391, #1392); dialog keyboard focus on every open (#1382, #1395); art flush with an artboard (#1375); font rescan (#1376); symbol instance redraw cache (#1386); scores and hours unchanged; grid tool options, #1377 in part, scores unchanged; `.ai` placed (linked) files read from the editing data, #1264, scores unchanged; gradient shapes import as paths, #1304; white constant alpha masks, #1286 in part; Live Corners widget click selects its corner, #1239; scores and hours unchanged; custom ruler origin, #1212; Artboard click-to-fit verified for objects, groups, visible bounds, undo and cancellation (#1227); scores and hours unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; Localization: Korean catalog added, 54% → 63%, full readiness unchanged at ~62%; desktop print transport adopts craft-print, Windows 7 fallback retained, scores unchanged; Image Trace: an image over 64 megapixels traces scaled down instead of being refused, scores unchanged; Czech render-site localization follow-up; scores and estimates unchanged; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; Path operations: Simplify preview/counts and component selection (#1272); scores unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; Platforms: RPM runtime capabilities and glibc floor (#1275); scores unchanged; Raster effects: squared-distance texture redraws (#1257); pixels unchanged; scores and hours unchanged; Drawing: Curvature point display improved (#1236, in part); scores unchanged; Type core: full-name font matching (#1258), scores and hours unchanged; Selection: no-op anchor Align preserves history and saved state (#1180 follow-up); scores unchanged; UI chrome: Eyedropper cursor and precise-setting regressions (#1269); scores unchanged; Colour: Eyedropper reads visible locked and outside-isolation sources (#1251); scores and hours unchanged; Selection: segment click/Delete preserves neighboring edges (#1278); scores unchanged; Colour: unpainted zero-width strokes regain 1 pt when painted (#1253); scores and hours unchanged; graphs: designs and markers, data, Graph Type and label options; UI chrome: native macOS save Format menu, #866, scores unchanged; compound paths inherit the backmost appearance and member fill-rule edits reach their owner, #1197; scores unchanged; Type core: Middle Eastern digit types done, Character panel menu › Digits; PDF export warns when the pixel cap lowers raster-effect resolution; Drawing tools: Live Corners round corners between curved sides, #1144; Type advanced: proportional vertical metrics (`vpal`) done, #966; Shape Builder: #893 fixed, merged regions of crossing lines no longer keep seams; scores unchanged while #937 is open; #1034: document-point character controls after object/group scaling; full readiness recomputed as the standard's additive weighted sum, ~62%; per-audience hours; essentials-user score ~75% added; ready-for-real-work re-examined: 50% → 55%, mainstream 65% added; earlier the same day: full re-measure against Illustrator 2026 30.x; merged the ROADMAP's parity estimate, honest assessment and "Shipped so far" into this file; SVG knockout groups of opaque art export without masks; Image Trace: colour presets no longer shatter noisy flat art and photos trace into smooth tones, Line truncated
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-13 · **Change:** minor (2026-10-13 merges: Polish interface, #1498; compact native saves, #1492; PDF and EPS paste as vector art, #1499; import fixes for `.ai`, PDF, EPS and SVG, #1528, #1530, #1531, #1544, #1551, #1553; guide objects, #1534; Join after Average, #1533; Keyboard Shortcuts lists commands outside the menus, #1539; correction: Average and Join with a corner or smooth choice is missing; scores unchanged; late 2026-10-12 merges: type that does not fit its frame is reported, #1471; Tabs panel drags, #1458; template layers in Outline view, #1486; dialog slider rails, #1483; Direct Selection anchor precedence, #1508; print-size images, #1517; 3D on outlined type, #1481; French catalog, #1511; scores unchanged; Split Into Grid options, #1462; Transform Objects and Reflect across an angle, #1448 and #1460; Pathfinder panel on a group, #1450; unknown parameter keys refused, #1442; grayscale TIFFs with alpha, #1466 in part; Localization: Vietnamese catalog added, 63% → 71%, hours 60–100 → 55–90, full readiness unchanged at ~62%; scores and hours unchanged; Image Trace places edges to a fraction of a pixel in every mode, measured in `image-trace-quality.md`, score unchanged; 3D and Materials: Extrude & Bevel, Inflate and Rotate added, 3D ~8% → ~25% (estimated), menu stubs 25 → 22; Affinity text frames too short for their first line show it, #1423; Transform dialogs preview, #1412, and the transform tools and commands act on direct-selected anchors, #1408; `.ai` compound path paint, #1410; strokes wider than their shape, #1396; corner drags hide the bounding box, #1229; scores and hours unchanged; PDF and `.ai` import keep overprint, #1388, scores unchanged; `.ai` editing-data follow-ups: gradient stops, type of objects with an appearance, short area-type frames (#1390, #1391, #1392); dialog keyboard focus on every open (#1382, #1395); art flush with an artboard (#1375); font rescan (#1376); symbol instance redraw cache (#1386); scores and hours unchanged; grid tool options, #1377 in part, scores unchanged; `.ai` placed (linked) files read from the editing data, #1264, scores unchanged; gradient shapes import as paths, #1304; white constant alpha masks, #1286 in part; Live Corners widget click selects its corner, #1239; scores and hours unchanged; custom ruler origin, #1212; Artboard click-to-fit verified for objects, groups, visible bounds, undo and cancellation (#1227); scores and hours unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; Localization: Korean catalog added, 54% → 63%, full readiness unchanged at ~62%; desktop print transport adopts craft-print, Windows 7 fallback retained, scores unchanged; Image Trace: an image over 64 megapixels traces scaled down instead of being refused, scores unchanged; Czech render-site localization follow-up; scores and estimates unchanged; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; Path operations: Simplify preview/counts and component selection (#1272); scores unchanged; G2: Film Grain added; Photoshop effects 29/57; 28 filters remain; Platforms: RPM runtime capabilities and glibc floor (#1275); scores unchanged; Raster effects: squared-distance texture redraws (#1257); pixels unchanged; scores and hours unchanged; Drawing: Curvature point display improved (#1236, in part); scores unchanged; Type core: full-name font matching (#1258), scores and hours unchanged; Selection: no-op anchor Align preserves history and saved state (#1180 follow-up); scores unchanged; UI chrome: Eyedropper cursor and precise-setting regressions (#1269); scores unchanged; Colour: Eyedropper reads visible locked and outside-isolation sources (#1251); scores and hours unchanged; Selection: segment click/Delete preserves neighboring edges (#1278); scores unchanged; Colour: unpainted zero-width strokes regain 1 pt when painted (#1253); scores and hours unchanged; graphs: designs and markers, data, Graph Type and label options; UI chrome: native macOS save Format menu, #866, scores unchanged; compound paths inherit the backmost appearance and member fill-rule edits reach their owner, #1197; scores unchanged; Type core: Middle Eastern digit types done, Character panel menu › Digits; PDF export warns when the pixel cap lowers raster-effect resolution; Drawing tools: Live Corners round corners between curved sides, #1144; Type advanced: proportional vertical metrics (`vpal`) done, #966; Shape Builder: #893 fixed, merged regions of crossing lines no longer keep seams; scores unchanged while #937 is open; #1034: document-point character controls after object/group scaling; full readiness recomputed as the standard's additive weighted sum, ~62%; per-audience hours; essentials-user scoreLine truncated
 
 The authoritative parity assessment. [`ROADMAP.md`](../ROADMAP.md) summarizes it; [`gaps.md`](gaps.md) is
 the work list made from it. Deep areas have their own checklists: [UI and interaction](ui-parity.md),
@@ -425,26 +425,26 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
     Align and Distribute Spacing keep a compound path or selected group that contains the key object in place, as they keep the key object itself.
     Anchor Align moves the selected points to their bounds or the artboard (#1180). Repeating it, or moving by at most 1e-9 pt on both axes as whole-object Align does, leaves the document, Undo, Redo and saved state unchanged; actual moves still take one undo step. `crates/engine/src/tests.rs` covers repeated alignment, rounding-only alignment, unchanged handles, saved state, command recording and Undo/Redo.
     Clear deletes individual selected compound-path members without deleting their siblings, and explicit object ids work without a selection; Cut still removes the same objects it copies (#786).
-  - **Compound paths:** Make keeps the backmost object's appearance and each contour; selecting a member in Direct Selection reads and changes the compound's fill rule in Attributes. Direction remains a per-member edit. Rendered holes, unchanged contour geometry, no-op history and Undo/Redo are covered by `engine/tests/compound_attributes.rs` (#1197). Behaviour reference: [public compound-path documentation](https://helpx.adobe.com/illustrator/desktop/manage-objects/reshape-transform-objects/create-compound-paths.html).
+  - **Compound paths:** Make keeps the backmost object's appearance and each contour; selecting a member in Direct Selection reads and changes the compound's fill rule in Attributes. Direction remains a per-member edit. Rendered holes, unchanged contour geometry, no-op history and Undo/Redo are covered by `engine/tests/compound_attributes.rs` (#1197). Behaviour reference: [public compound-path documentation](https://helpx.adobe.com/illustrator/desktop/manage-objects/reshape-transform-objects/create-compound-paths.html). Make Compound Path on a group (such as outlined type) keeps the paint of its backmost path instead of drawing nothing, and compound paths joined into one keep their holes (#1537).
   - **Saved selections:** Select ▸ Save Selection… asks for a name and keeps the selection in the document (saved with the file, undoable, up to 25); each one is listed at the bottom of the Select menu and a click selects its objects again; Edit Selection… lists them to rename or delete, applied together on OK. A file's saved selections are capped and checked against its objects when it opens. Not yet: Update Selection and the Layers panel's saved-selection menu.
   - **Drawing:** Pen, Curvature, anchor tools, Pencil, Paintbrush, Blob Brush, Smooth, Path Eraser, Join. Direction handles dragged with Direct Selection or the Anchor Point tool snap to smart guides, and Shift keeps them at 45° steps from their anchor. The Pen continues any open path from the end clicked, and while drawing, a click on an end of another open path joins the two into one (#776). The Curvature tool edits any selected path, whatever drew it, keeping its shape except where edited (#798): a click on a point makes it current and a drag moves it, re-curving only its two segments; Alt-click or double-click toggles it smooth or corner and Delete removes it; a click on a segment adds a point without changing the shape; with an end of an open path current, clicks go on from it and its other end closes it (`path.curvatureEdit`). Every point a drawing tool places snaps to Smart Guides through one snapper (#506): the Pen's and Curvature tool's anchors, the Pencil's ends, the shape tools' start and dragged corner or radius (Rectangle, Rounded Rectangle, Ellipse, Polygon, Star, Line Segment, Arc, Spiral, the grids), the Type tool's click and frame, a new artboard's corners.
-    Curvature point markers are circular, with no direction handles. While drawing, its own point feedback replaces generic selection markers; existing paths use the selection overlay, including partial selections and Hide Edges. Anchor Size applies, and Direct Selection and Pen retain their handles. The real egui-frame regressions in `crates/ui-egui/src/canvas.rs` verify marker positions, counts and unchanged documents (#1236, in part); the existing-path interpolation request remains open.
+    Curvature point markers are circular, with no direction handles. While drawing, its own point feedback replaces generic selection markers; existing paths use the selection overlay, including partial selections and Hide Edges. Anchor Size applies, and Direct Selection and Pen retain their handles. The real egui-frame regressions in `crates/ui-egui/src/canvas.rs` verify marker positions, counts and unchanged documents (#1236, in part); the existing-path interpolation request remains open. The Smooth tool smooths only the stretch of path under the drag (#1547, fixes #1512).
   - **Shapes:** all shape tools (including Flare) and the line, arc, spiral and grid tools. Space held while dragging out a shape, line, arc, spiral or grid moves it at its current size. While a grid is dragged out, Up/Down change its rows (concentric dividers) and Left/Right its columns (radial dividers). A click with a grid tool asks for the size, the divider counts and the grid options (#1377, in part): a skew for each set of dividers, Use Outside Rectangle As Frame or Create Compound Path From Ellipses, and Fill Grid; they are parameters of `shape.rectangularGrid` and `shape.polarGrid`, stay as the tool's options and apply to drags too. The curve a skew percentage follows and the direction of the radial skew are our own (the public documentation gives neither), and the dialogs have no reference point locator. An ellipse's Pie Start and End Angle and Invert Pie (Transform and Properties panels' Ellipse Properties, `object.setLiveShape {pieStart, pieEnd, invertPie}`) cut it as a pie (#812; the on-canvas pie widget is still to come). A live polygon's Polygon Properties there: side count, angle, corner type and radius, radius, side length and Make Sides Equal once an uneven scale has made its sides differ (`object.setLiveShape {sides, polygonAngle, polygonRadius, sideLength, makeSidesEqual}`, part of #812); a star is a plain path, as in Illustrator. The Flare Tool Options last as the tool's options: the next flare dragged out uses them, a click's dialog shows them and double-clicking the tool opens them (part of #812).
   - **Cutting:** Eraser, Scissors, Knife, Mirror & Cut, Line Cut and Rectangle Cut (real geometry, compound paths keep their holes).
   - **Transform:** Rotate, Reflect, Scale, Shear (click or Alt-click snaps the reference point to anchors and centres; Alt-click opens the tool's dialog, and a drag with Alt down at the release, from the press or pressed mid-drag, transforms a copy), Reshape, Free Transform (free and perspective distort and shear, switched by the keys held during a handle drag).
     Align, Distribute, Distribute Spacing, Reflect and Shear return an error for any `horizontal`, `vertical`, `to`, `axis`, `bounds` or `spacing` value they don't take, listing the choices, and Align returns one when a call gives neither `horizontal` nor `vertical`; nothing moves and no undo step is recorded.
     Transform Again uses the Copy, Transform Patterns, Scale Strokes & Effects and Scale Corners choices of the transform it repeats; after a bounding-box handle drag on area type, it resizes the type area again and the type keeps its size (`object.transformAgain`). With anchors selected with Direct Selection, Move, Rotate, Scale, Reflect, Shear and Transform Again (the commands, their dialogs and the four tools' drags) transform only those anchors, their handles with them, about the centre of the box around them unless a point was clicked; a copy still copies the whole object (#1408; behaviour reference: [adjust path segments](https://helpx.adobe.com/illustrator/using/adjust-path-segments.html); the default reference point and the copy are our choices). The Move, Rotate, Scale, Reflect and Shear dialogs have a Preview checkbox, off when they open: while it is on the canvas follows the values, Cancel rolls it back and OK is still one undo step; Up/Down step the Rotate and Shear angles and the Scale percentages by 1, Shift by 10 (#1412). The five dialogs and Transform Each have Transform Objects beside Transform Patterns: off, the art stays and only its pattern tiles transform (`objects` on the transform commands), and Transform Again repeats the choice (#1448; behaviour reference: [scale objects](https://helpx.adobe.com/illustrator/desktop/manage-objects/reshape-transform-objects/scale-objects.html); the checkboxes are always enabled and the Scale page's pair is applied to all of them, our choices). Reflect's axis is Horizontal, Vertical or an angle (#1460; [reflect objects along an axis](https://helpx.adobe.com/illustrator/desktop/manage-objects/arrange-objects/reflect-objects-along-an-axis.html)). The link that keeps Transform Each's two scales equal is not built.
-  - **Live Corners:** drag a live rectangle's corner widgets (Selection or Direct Selection) to round all corners, with a radius readout; with Direct Selection, select corner anchors to show and round just those corners (#381). Each corner keeps its own radius and kind (Round, Inverted Round, Chamfer): Alt-click a widget to cycle the kind, double-click it for the Corners dialog, and the Properties and Transform radius fields set the selected corners (`object.setLiveShape {corners, radius, kind}`). Corners stay circular when the rectangle is scaled unevenly or along its own sides when rotated (the radius keeps its size, or scales by the mean scale with Scale Corners on); only a shear distorts them. On a rectangle that isn't square every corner is the same circle: a radius past half the shorter side stops there for all of them, the widgets sit on the corners as drawn and turn the edited corners red at that limit, CSS export writes the drawn radii, and rectangles saved stretched by older versions get circular corners when their corners are next set (#442). Live Corners work on any path's corners too, as on a rectangle's (#511): a star's, a live polygon's (which also shows them to the Selection tool, has a Corner Radius field in the Properties and Transform panels and keeps its radius as its sides change) and a pen path's, wherever two sides meet at an angle at an anchor that isn't smooth: curved sides too, trimmed to what the cut leaves of them (#1144). Direct Selection shows the widgets of every corner, or of the corners holding selected anchors; each corner is a circle tangent to both sides, drawn no larger than takes its cut halfway along its shorter side; a path keeps its uncut outline so its corners stay editable, and the same command, dialog, angle preference and View › Hide Corner Widget apply. With Direct Selection a click on a widget (no drag) selects its corner, as a click on the corner's anchor does, so the next drag on it rounds that corner alone; Shift-click toggles it (#1239). While a corner widget is dragged with the Selection tool the bounding box hides, so the rounding shows against the path alone (#1229).
+  - **Live Corners:** drag a live rectangle's corner widgets (Selection or Direct Selection) to round all corners, with a radius readout; with Direct Selection, select corner anchors to show and round just those corners (#381). Each corner keeps its own radius and kind (Round, Inverted Round, Chamfer): Alt-click a widget to cycle the kind, double-click it for the Corners dialog, and the Properties and Transform radius fields set the selected corners (`object.setLiveShape {corners, radius, kind}`). Corners stay circular when the rectangle is scaled unevenly or along its own sides when rotated (the radius keeps its size, or scales by the mean scale with Scale Corners on); only a shear distorts them. On a rectangle that isn't square every corner is the same circle: a radius past half the shorter side stops there for all of them, the widgets sit on the corners as drawn and turn the edited corners red at that limit, CSS export writes the drawn radii, and rectangles saved stretched by older versions get circular corners when their corners are next set (#442). Live Corners work on any path's corners too, as on a rectangle's (#511): a star's, a live polygon's (which also shows them to the Selection tool, has a Corner Radius field in the Properties and Transform panels and keeps its radius as its sides change) and a pen path's, wherever two sides meet at an angle at an anchor that isn't smooth: curved sides too, trimmed to what the cut leaves of them (#1144). Direct Selection shows the widgets of every corner, or of the corners holding selected anchors; each corner is a circle tangent to both sides, drawn no larger than takes its cut halfway along its shorter side; a path keeps its uncut outline so its corners stay editable, and the same command, dialog, angle preference and View › Hide Corner Widget apply. With Direct Selection a click on a widget (no drag) selects its corner, as a click on the corner's anchor does, so the next drag on it rounds that corner alone; Shift-click toggles it (#1239). While a corner widget is dragged with the Selection tool the bounding box hides, so the rounding shows against the path alone (#1229). A round corner next to a curved side curves smoothly instead of sticking out of the shape (#1547, fixes #1512).
   - **Pen:** Alt pressed in the middle of dragging out an anchor splits its handles and keeps the curve already shaped into it (only the outgoing handle follows the pointer); Space held while dragging out an anchor moves it, handles and all. A press on the first anchor of the path being drawn closes it whatever the drag then does: the drag shapes the closing curve (symmetric handles, Alt breaks them) and the release closes the path wherever it ends (#501). Clicking the last anchor of the path being drawn retracts its outgoing handle (convert cursor), and dragging from it pulls out a new one on its own. Auto Add/Delete: over a selected path, a click on a segment adds an anchor and a click on an anchor deletes it (add and delete cursors); Shift held, or Preferences › General › Disable Auto Add/Delete, starts a new path instead. Alt held over a handle end or an anchor of a selected path (the one being drawn too) works as the Anchor Point tool, with its convert cursor: dragging a handle moves it alone, clicking a smooth anchor makes it a corner, dragging an anchor pulls out new symmetric handles, dragging a segment reshapes it; drawing then goes on. Cmd (Ctrl) held drags with the selection tool chosen last, Direct Selection until one is (handles, anchors and segments of the path being drawn or another), and the Pen then goes on drawing its path while that stays selected; the pointer shows that tool's while Cmd is held. The same holds for agents (`pointer_gesture` with `mods.cmd`), as the borrowing now lives in the engine (#494).
   - **Direct Selection (#1278):** clicking a segment picks its connection, with hollow endpoint anchors and only that curve's direction handles. Delete leaves the neighboring curves and appearance intact, opens/splits contours in one undo step, and another Delete removes the remaining selected path. A whole-path drag and deliberate anchor selection keep their existing behavior; egui frames and native control/art checked, OS mouse/visual QA pending. Where anchors of overlapping objects coincide, a click or drag takes the anchor of the selected object, also when another object lies over it (#1509, fixes #1508).
-  - **Path editing (#494):** the handles shown are the handles that drag: Direct Selection drags those of a path selected as a whole (as the Pen leaves it), the Anchor Point tool and Pen+Alt no longer grab handles that Show handles when multiple anchors are selected hides, a handle shorter than the tolerance leaves its anchor to be picked, and the anchor tools pick within Selection & Anchor Display › Tolerance. A dragged segment keeps a smooth anchor at either end smooth. With Direct Selection, the Pen, the Curvature and the anchor tools, a path selected as a whole shows all its anchors selected, and the Control bar and the Properties panel offer Convert (corner, smooth) for them too; Remove and Cut wait for anchors direct-selected (#504). A handle drag gathers its snap targets once per drag (it took 21 ms per pointer move on a 20,000-path document, now 1 ms; `vectorcraft-cli perf` measures handle and segment drags on a 5,000-anchor path).
+  - **Path editing (#494):** the handles shown are the handles that drag: Direct Selection drags those of a path selected as a whole (as the Pen leaves it), the Anchor Point tool and Pen+Alt no longer grab handles that Show handles when multiple anchors are selected hides, a handle shorter than the tolerance leaves its anchor to be picked, and the anchor tools pick within Selection & Anchor Display › Tolerance. A dragged segment keeps a smooth anchor at either end smooth. With Direct Selection, the Pen, the Curvature and the anchor tools, a path selected as a whole shows all its anchors selected, and the Control bar and the Properties panel offer Convert (corner, smooth) for them too; Remove and Cut wait for anchors direct-selected (#504). A handle drag gathers its snap targets once per drag (it took 21 ms per pointer move on a 20,000-path document, now 1 ms; `vectorcraft-cli perf` measures handle and segment drags on a 5,000-anchor path). Join merges the selected anchor points that lie on one another, as after Average, into one anchor (#1582, fixes #1533); Average and Join in one step, with a corner or smooth choice for the joined anchor, is missing ([gap 1](gaps.md)).
   - **Graphs:** Column, Stacked Column, Bar, Stacked Bar, Line, Area, Scatter, Pie and Radar graph tools with Graph Data and Graph Type. A series starts in greyscale; Group Selection's fill and stroke are kept separately on the graph and reapplied when its data, type or size changes, and through save, open and undo. Graph Type's Override Calculated Values (both `axisMin` and `axisMax`) uses exactly that value-axis range, split into the tick count (5 when automatic). Line graphs take Edge-to-Edge Lines (off by default: the points sit at the centres of their categories; graphs saved before the option keep their edge-to-edge lines), and radar graphs follow Mark Data Points and Connect Data Points. Blank cells (an empty CSV cell or `null`) are values left out, not zeros: columns, bars and stacked segments skip them, lines and scatter lines break around them and the value axis ignores them, while area, pie and radar draw them as 0; a number in straight quotes is a label, and the data window writes it back quoted. Graph types combine: Graph Type on series picked with Group Selection (or `series` indexes) draws them as their own type, with column, stacked column, line and area mixing on the vertical value axis and bar and stacked bar on the horizontal one; stacked columns take one slot of the cluster, lines draw in front of columns and areas behind. The value axis goes on the left, the right or both sides (column, stacked column, line, area and scatter graphs; bar graphs keep theirs along the bottom), and Separate Scales gives the series assigned to the right axis a scale of their own with its own tick values. Each value axis takes tick marks of no, short or full (across the plot) length and a count per division, and a prefix and suffix for its numbers; the category axis takes tick marks too (none by default), at or between its labels. Graph designs: Object › Graph › Design lists the designs with a preview of the selected one, and New Design (the selected art), Rename, Delete Design, Paste Design (a copy back to edit) and Select Unused, and Marker draws the data points and legend swatches of line, scatter and radar series with a design, scaled so its backmost object fills the default marker's square. Graph Data transposes rows and columns and switches a scatter graph's x and y, and a `|` in a category or series label starts a new line. Pie graphs take Legends in Wedges, Position (Even, Ratio sized by area, Stacked on one centre) and Sort (None, All, First). Graph Type takes column and cluster widths up to 1000% (overlapping past 100%) with First Row and First Column in Front (First Row orders each series' categories; across series the series order decides, so series stay one group each for Group Selection), draws filled lines, adds drop shadows behind columns, bars, lines and wedges, and puts the legend in rows across the top. Text formatted with the Character or Appearance controls, on the whole graph or on labels picked with Group Selection, is kept per kind of label (value axis numbers, category labels, legend labels) through the graph being drawn again. Object › Graph › Data opens a worksheet: cells picked with a click and edited above the sheet (Tab moves right, Enter down, the arrows between cells), Import Data from a tab-separated text file, Transpose, Switch x/y, Cell Style (decimals shown, column width), Revert and Apply. Column designs remain open. `graph.setData` returns and takes the data as CSV with each value written exactly, not rounded to two decimals, so applying the returned CSV changes nothing (#1485).
   - **Other:** Eyedropper, Gradient annotator, Artboard (Alt-drag duplicates an artboard, and its art with Move/Copy Artwork with Artboard on; Copy, Cut and Paste take the artboard with its art, Paste right of the last artboard, Paste in Place where it was, into this or another document, #446; Object › Artboards › Rearrange All Artboards lays them out in a grid by row or by column, in one row or one column, left to right or right to left, from the menu, the Artboards panel or Properties' Rearrange All, #681; Scale Artwork with Artboard, in the Control bar and Properties beside Move Artwork with Artboard, resizes the artboard proportionally with the art fully inside it and its guides, strokes and corners per the Scale preferences, #602), Measure, Type, Hand, Zoom, Rotate View.
   - **Editing type:** double-clicking type with a selection tool switches to the Type tool with the caret where it was clicked.
   - **Temporary tools:** Cmd with any other tool drags with the selection tool used last (Selection, Direct Selection or Group Selection). Held Space pans and Cmd+Space zooms (Cmd+Alt+Space out) whatever the tool.
   - **Panel drag and drop:** art dragged off the canvas onto the Symbols panel becomes a symbol, onto the Swatches panel a pattern swatch and onto the Brushes panel an Art brush; a symbol dragged onto the canvas places an instance where it is dropped, and a brush dragged onto a path is applied to it.
   - **Tool double-clicks:** double-clicking a tool's button opens its options: Hand fits the artboard in the window, Zoom shows 100 %, Rotate, Scale, Reflect and Shear open their Object › Transform dialogs, the Selection, Direct Selection and Group Selection tools the Move dialog (Enter opens these seven tools' dialogs too), Gradient, Eyedropper, Blend and the Liquify tools their panels or options, the Pencil, Paintbrush, Smooth, Blob Brush and Eraser tools their Tool Options (Fidelity, fill, the tolerances, the brush size), and (#812) the Flare tool its Flare Tool Options, the Artboard tool the active artboard's Artboard Options, the graph tools Graph Type for the selected graph, the Symbolism tools the Symbolism Tools Options (Diameter, Intensity, Symbol Set Density) and the Magic Wand tool its panel.
-- **Ruler guides as layer objects:** a guide goes on the current layer, shows, hides, locks and is deleted with it, is listed in the Layers panel (its row selects it) and moves to another layer (`guide.setLayer`, or its row dragged onto that layer's rows); guides on a hidden or locked layer can't be selected, moved or deleted, Duplicate copies a layer's guides and Merge Selected and Flatten Artwork keep them on the merged layer; guides from files saved before guides had layers go on the top visible, unlocked layer when the document opens. Not done: guides stacked among the art of their layer (they are listed above it), a guide row's own eye and lock.
+- **Ruler guides as layer objects:** a guide goes on the current layer, shows, hides, locks and is deleted with it, is listed in the Layers panel (its row selects it) and moves to another layer (`guide.setLayer`, or its row dragged onto that layer's rows); guides on a hidden or locked layer can't be selected, moved or deleted, Duplicate copies a layer's guides and Merge Selected and Flatten Artwork keep them on the merged layer; guides from files saved before guides had layers go on the top visible, unlocked layer when the document opens. Not done: guides stacked among the art of their layer (they are listed above it), a guide row's own eye and lock. Lock Guides also locks the objects made into guides: they can't be selected, moved or deleted (#1543); they are drawn in the guide colour and style of Preferences, and a dragged selection snaps to ruler guides with Smart Guides on (#1583, fixes #1534).
 - **Layers panel:** every layer, sublayer, group and object is a clickable row at any depth: a click highlights it and makes its layer current (new art goes there), Shift-click a range, Ctrl/Cmd-click toggles. Sublayers are no longer treated as objects: clicks, marquees, Select All and the Select menu take the art inside them, and each sublayer selects in its own colour. Selection squares on rows with selected art (click selects a row's art, Shift adds or removes; dragging the square moves the selection to another row, Alt copies), the eye and lock on every row with drag-down-the-column (one undo step), Ctrl/Cmd-click an eye for per-layer Outline, Alt-click an eye or lock to hide or lock the other layers (again: show or unlock them all), triangles with Alt to open or close everything inside, drag and drop rows above, below or into layers and groups with a drop line (Alt copies) and a dimmed copy of the row under the pointer (dropped on the trash rows are deleted, on New Layer duplicated, as in Illustrator), inline rename, Delete key on highlighted rows. Buttons and the full panel menu: New Layer/Sublayer (Alt: options, Ctrl: on top), Duplicate, Delete, Options for Selection, clipping mask, isolation, Locate Object, Merge Selected, Flatten Artwork, Collect in New Layer, Release to Layers (Sequence and Build), Reverse Order, Template, Hide/Outline/Lock Others and Show/Preview/Unlock All, Paste Remembers Layers, Panel Options (row size, thumbnails per kind, Show Layers Only). Layer Options: name, colour (presets, each with a chip of its colour, or custom), Template, Lock, Show, Print, Preview (outline drawing and clicking) and Dim Images to %. Every operation is a command (`layer.move`, `layer.highlight`, `layer.merge`…) with validation against cycles and invalid nesting. A document opens with only its top-level layers open; the rows left open are saved in the native file (nothing is written for the default) and reopen that way. Only the rows scrolled into view are laid out, from a row list made once per change: a layer of 5,000 groups of 10 paths, all open, draws the panel in 0.4 ms a frame instead of about 29 s (#638).
   `object.setProps` with `visible: false` or `locked: true` deselects every selected object that is then hidden or locked, the key object included, as the eye and lock columns do.
   Object › Arrange › Send to Current Layer returns the error "the target layer is locked or hidden" and leaves the selected objects where they are when the current layer is hidden or locked, or is inside a hidden or locked layer.
@@ -465,7 +465,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
     Nearly unchanged appearance is expected when reducing points. Percentage/auto-simplify controls, the corner-angle UI and Show Original are not implemented; the checklist is partial, without raising scores.
     Simplify and Add Anchor Points record no undo step when they change no path, and a path they leave as it is keeps its live shape.
 - **Type:** Character size, leading, baseline shift and horizontal-scale controls account for object/group transforms (#1034): exact document-point sizes, mixed-value display and keyboard increments, range edits, resettable horizontal stretch, undo/redo and native save/reopen (`tests_typescale`, Character panel tests). Point size is the transformed em-height axis, independent of glyph ink bounds; affine rotation, reflection and shear are retained. Group scaling still scales text; preserving font sizes is a separate enhancement. Behaviour reference: [Transform text](https://helpx.adobe.com/illustrator/desktop/design-with-text/edit-format-text/transform-text.html) (public documentation). Text Wrap, Type on a Path effects (Rainbow/Skew/3D Ribbon/Stair Step/Gravity) and Options (Flip, Align to Path, Spacing; OK keeps the type where it is), type on a path's start, centre and end brackets (Selection and Direct Selection drag them to set where the type runs, slide it along its path and, across the path, flip it: #429), Character and Paragraph Styles (override-preserving redefine), paragraph attributes per paragraph (alignment, indents, spacing, hyphenation, hanging punctuation, tab stops, paragraph style, direction, mojikumi and leading model; the Paragraph, Tabs and Paragraph Styles panels act on the paragraphs the Type tool's selection or caret touches, Return continues the paragraph's style, threads and SVG keep them), Area Type Options (rows/columns/inset/first baseline, vertical Align Top/Center/Bottom/Justify per row/column, reflowing non-rectangular frames and text wrap), threaded text across any closed shapes, Fit Headline, the Every-line Composer for justified and ragged text (paragraph-wide breaks for an even rag, Single-line per object from the Paragraph panel menu or `text.setFormat {composer}`). Area type resizes like Illustrator's type areas: a bounding-box handle drag (Selection tool) or Area Type Options Width/Height size the frame and the text reflows at its size (threads too); Direct Selection drags a frame corner or edge (`text.reshapeArea`). Point type still scales. Auto Size: the frame height follows the text after every edit, in the same undo step (rectangular frames of horizontal type in one row; columns get the least height that holds them; a height set by hand or threading turns it off), and the "Auto Size New Area Type" preference gives it to new area type. Shrink Text to Fit (beyond Illustrator): overflowing area type scales its sizes, leading and baseline shifts down by the largest factor (in 0.1 pt steps of the first run, down to a minimum percentage) that fits, at layout time so every export sees it. `text.areaOptions` and `document.inspect` report overflow and the shrink factor. The Selection tool shows the type widget beside selected type's bounding box (hollow on point type, filled on area type); double-clicking it converts between them (Type › Convert To Area Type / Convert To Point Type), keeping the text and its styles in place. Variable fonts list every named instance as a style of their family (Figtree Light to Black and their italics, Bahnschrift, Segoe UI Variable), and the instance chosen is shaped, drawn, outlined and measured at its axis settings; PDF and SVG embed it as that instance. Variation axis sliders are not done. Beyond Illustrator: inline graphics (`text.insertInline`, Type ▸ Insert Inline Symbol) set a document symbol in a run of type as one character that flows, wraps and justifies like a glyph (InDesign-style inline objects, e.g. mana symbols in card rules text): sized to a multiple of the font size, centred on the cap height, opening up tall lines, following Redefine Symbol; a character of its run's size for Character Alignment and Top-to-Top leading, placed by the bidi reordering in right-to-left text (a neutral U+FFFC); drawn on the canvas, kept as live text plus a `<use>` in SVG and as vector art in PDF; Backspace removes it whole. Hebrew and Arabic are laid out right to left with the Unicode bidirectional algorithm (embedded Latin and numbers keep their direction, lines put in visual order after wrapping) in point, area and path type, with caret, selection and arrow keys in visual order; each paragraph's direction comes from its first strong character unless Paragraph Direction sets it (Paragraph panel with Show Indic Options, `text.setFormat {direction}`), and new type aligns to the start of its direction. SVG export outlines right-to-left text. Arabic typefaces: builds made with a craft-fonts checkout that holds its Arabic families (Noto Sans Arabic, the Arabic fallback, plus Cairo, Tajawal, Almarai, IBM Plex Sans Arabic, Noto Kufi Arabic, Amiri, Alexandria, Fustat, Reem Kufi, Aref Ruqaa and Gulzar once craft-fonts adds them, storytold/craft-fonts#11; releases get them when their craft-fonts pin moves) list them in the font menus on desktop; the web build fetches them from beside the wasm (Noto Sans Arabic before start, so Arabic never shows as boLine truncated
-- **Interface languages, vertical type:** Preferences ▸ User Interface (or VectorCraft ▸ Language on macOS) picks Automatic (the system locale) or a registered language, persisted as `interfaceLanguage`. Translations come from per-language catalogs (`i18n/*.tsv`): Traditional and Simplified Chinese, Japanese, German (every `de-*` locale), Spanish (neutral international Spanish, for every `es-*` locale), French (every `fr-*` locale), Italian (every `it-*` locale) Russian (every `ru-*` locale) and Ukrainian (every `uk-*` locale) cover the whole interface, Czech and Brazilian Portuguese every menu label, Brazilian Portuguese the shell's `tl!` literals too (tested); German, Spanish, French, Italian, Japanese, Russian and Ukrainian also translate status-bar and error messages as they are shown (`@msg` templates, every message literal tested; the messages themselves stay English for agents); untranslated text stays English. Japanese and Chinese glyphs come from the craft-fonts build input (release builds) or the installed fonts, Czech, German, Spanish, French, Italian, Russian and Ukrainian ones from the bundled UI fonts. The web app follows the browser's languages (or `?lang=`). The Basic toolbar's Type button holds Vertical Type in its flyout. Vertical Type, Vertical Area Type and Vertical Type on a Path create vertical text (columns right to left, upright CJK glyphs and marks with `vert` alternates, Latin and longer numbers on their side, two- and three-digit numbers set as tate-chu-yoko in one em of the column (kept whole when justified), upright glyphs centred on the column (tracked or justified too), point type's anchor on the first column's centre line); kinsoku applies to horizontal and vertical Japanese (Paragraph panel › Kinsoku Set, `text.setFormat {kinsoku}`: Hard, the default, keeps closing marks, iteration marks, the prolonged sound mark and small kana off the line start and opening brackets off its end; Soft lets 々, ー and small kana start a line as JLREQ's level 3 rules do; None turns it off), and justified Japanese lines spread their room between characters (not inside Latin words); Paragraph panel › Mojikumi Set (shown with Preferences › Type › Show East Asian Options, `text.setFormat {mojikumi}`): None or Line-end Punctuation Half Width (new type's default, as in Illustrator; older documents and imported text keep None) shares one half-em space between consecutive punctuation, sets a closing mark ending a line half width and an opening bracket starting a line flush with its start (a paragraph's first line at its first-line indent, JIS X 4051's principle in JLREQ 3.1.5), and puts a quarter em between Japanese and Latin letters or digits; Paragraph panel menu › Top-to-Top / Bottom-to-Bottom Leading measures leading from em box top to top (area type's first line touches the frame) or from baseline to baseline (new type in a Japanese interface starts top to top, with em box centre character alignment, #432); Paragraph panel menu › Burasagari None / Regular / Force (`text.setFormat {burasagari: "none"|"standard"|"forced"}`) hangs an East Asian comma or full stop (、。，．､｡) ending an area type line outside it, Regular (new type's default) when it doesn't fit and Force always (the rest of the line then fills the measure; closing brackets and Latin punctuation don't hang); Character panel menu › Character Alignment (with the East Asian options; `text.setFormat` or `text.setRangeStyle {charAlign}`) lines characters smaller than the largest on their line up on the Roman baseline, the em box top/right, centre or bottom/left, or the ICF (ideographic character face) top/right or bottom/left, from the font's BASE table or, without one, the average ink box of some ideographs and kana; Proportional Metrics (the same menu; `{proportionalMetrics}`) sets full-width glyphs on the font's proportional widths (OpenType `palt`) in horizontal type and upright glyphs on its proportional heights (`vpal`, shaped top to bottom; fonts without vertical metrics keep their cells) in vertical type, and Line-end Punctuation Half Width takes nothing more off the punctuation they re-spaced; Type ▸ Type Orientation switches existing text; caret, selection, hit testing and arrow keys follow the writing direction. Vertical text exports to PDF as real text and to SVG as outlines.
+- **Interface languages, vertical type:** Preferences ▸ User Interface (or VectorCraft ▸ Language on macOS) picks Automatic (the system locale) or a registered language, persisted as `interfaceLanguage`. Translations come from per-language catalogs (`i18n/*.tsv`): Traditional and Simplified Chinese, Japanese, German (every `de-*` locale), Spanish (neutral international Spanish, for every `es-*` locale), French (every `fr-*` locale), Italian (every `it-*` locale) Russian (every `ru-*` locale) and Ukrainian (every `uk-*` locale) cover the whole interface, Czech and Brazilian Portuguese every menu label, Brazilian Portuguese the shell's `tl!` literals too (tested); German, Spanish, French, Italian, Japanese, Russian and Ukrainian also translate status-bar and error messages as they are shown (`@msg` templates, every message literal tested; the messages themselves stay English for agents); untranslated text stays English. Japanese and Chinese glyphs come from the craft-fonts build input (release builds) or the installed fonts, Czech, German, Spanish, French, Italian, Russian and Ukrainian ones from the bundled UI fonts. The web app follows the browser's languages (or `?lang=`). The Basic toolbar's Type button holds Vertical Type in its flyout. Vertical Type, Vertical Area Type and Vertical Type on a Path create vertical text (columns right to left, upright CJK glyphs and marks with `vert` alternates, Latin and longer numbers on their side, two- and three-digit numbers set as tate-chu-yoko in one em of the column (kept whole when justified), upright glyphs centred on the column (tracked or justified too), point type's anchor on the first column's centre line); kinsoku applies to horizontal and vertical Japanese (Paragraph panel › Kinsoku Set, `text.setFormat {kinsoku}`: Hard, the default, keeps closing marks, iteration marks, the prolonged sound mark and small kana off the line start and opening brackets off its end; Soft lets 々, ー and small kana start a line as JLREQ's level 3 rules do; None turns it off), and justified Japanese lines spread their room between characters (not inside Latin words); Paragraph panel › Mojikumi Set (shown with Preferences › Type › Show East Asian Options, `text.setFormat {mojikumi}`): None or Line-end Punctuation Half Width (new type's default, as in Illustrator; older documents and imported text keep None) shares one half-em space between consecutive punctuation, sets a closing mark ending a line half width and an opening bracket starting a line flush with its start (a paragraph's first line at its first-line indent, JIS X 4051's principle in JLREQ 3.1.5), and puts a quarter em between Japanese and Latin letters or digits; Paragraph panel menu › Top-to-Top / Bottom-to-Bottom Leading measures leading from em box top to top (area type's first line touches the frame) or from baseline to baseline (new type in a Japanese interface starts top to top, with em box centre character alignment, #432); Paragraph panel menu › Burasagari None / Regular / Force (`text.setFormat {burasagari: "none"|"standard"|"forced"}`) hangs an East Asian comma or full stop (、。，．､｡) ending an area type line outside it, Regular (new type's default) when it doesn't fit and Force always (the rest of the line then fills the measure; closing brackets and Latin punctuation don't hang); Character panel menu › Character Alignment (with the East Asian options; `text.setFormat` or `text.setRangeStyle {charAlign}`) lines characters smaller than the largest on their line up on the Roman baseline, the em box top/right, centre or bottom/left, or the ICF (ideographic character face) top/right or bottom/left, from the font's BASE table or, without one, the average ink box of some ideographs and kana; Proportional Metrics (the same menu; `{proportionalMetrics}`) sets full-width glyphs on the font's proportional widths (OpenType `palt`) in horizontal type and upright glyphs on its proportional heights (`vpal`, shaped top to bottom; fonts without vertical metrics keep their cells) in vertical type, and Line-end Punctuation Half Width takes nothing more off the punctuation they re-spaced; Type ▸ Type Orientation switches existing text; caret, selection, hit testing and arrow keys follow the writing direction. Vertical text exports to PDF as real text and to SVG as outlines. The interface is available in Polish (`pl`): menus, panels, dialogs and messages, with one/few/many plurals; AI-drafted, native review pending (#1498).
 - **Transparency:** opacity masks (clip/invert/disable/link), exported as SVG `<mask>` and PDF soft masks. The constant alpha soft mask that PDF and `.ai` export draw a CMYK page with transparency through is white, so applications that read every soft mask by its luminosity show the page too (#1359, part of #1286).
   Disable, Enable, Unlink and Link Opacity Mask and Opacity Mask Options (`transparency.setOpacityMask`) record no undo step when every mask they act on already has the flags they set.
 - **Image Trace, measured:** `crates/trace/tests/quality` traces drawings made from known vector art with every preset and [`image-trace-quality.md`](image-trace-quality.md) records the numbers against the baseline. Black and White, Grayscale and Color place each edge by the blend of the pixels across it (to a fraction of a pixel on anti-aliased and blurred images; hard-edged images are read as staircases) and fit outlines as Flat Logo does. *Measured* on each preset's own inputs, all sizes and variants: Default's outlines went from 0.31 px off on average to 0.09 (largest 1.51 to 1.02), Black and White Logo's from 0.27 to 0.06 with 0.3 kinks per trace where it had 15, and the gaps between abutting paths from 64 px to 22. On clean curved shapes Black and White Logo is 0.02 px off (the open tracer measured beside it: 0.20). The palette is made of the picture's own colours (blends along edges take none of it, colours that noise made of one colour merge, a blend pixel goes to one of the two colours it lies between; #1504): 16 Colors on flat art, all variants, went from 70 paths to 4.2 and from 5.1 px off to 0.13, with no path left in a colour the art doesn't have (5.9 before). Photos are smoothed within their tones before they are quantised and stacked layers go by lightness (#1516): High Fidelity Photo went from 3,653 paths to 121 with its colour error down from 2.30 to 1.75, and a 16 megapixel photo-like image is traced in 3.5 s where 4 megapixels were refused. Still weak, by the same numbers: abutting paths leave 22 to 50 px of gaps (each region's edge is still fitted on its own), thin lines in blurred and scanned images take several times the art's anchors, hairlines under half a pixel are lost to the threshold, a scan's uneven paper splits into tones when more colours are asked for than the art has, and a 16 megapixel photo takes about 4 GB while it is traced.
@@ -489,9 +489,9 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
   Object › Lock › All Artwork Above and Object › Hide › All Artwork Above deselect the selected objects they lock or hide, the key object included.
   All Artwork Above and Other Layers (Object › Lock and Object › Hide), Transform Each, Rearrange All Artboards, the width point and width profile commands, Liquify, Puppet Warp, Define Perspective Grid, Attach to Active Plane, Release with Perspective, moves and transforms in perspective, Move Plane and Move Plane to Match Object record no undo step when they change nothing.
   Change Case, Smart Punctuation, Find and Replace, Convert To Area Type, Convert To Point Type, Type on a Path Options, the Type on a Path effects and Fill with Placeholder Text record no undo step when they change nothing.
-- **Fonts:** a font is found by any of its names (family and style in every language of its name table, legacy family/style pairs, PostScript name), so documents from other apps open with the font they name; Find Font and `text.fonts` say for each font whether it was found exactly, by another name, substituted or missing, and how many glyphs are missing. PDF and `.ai` import brings Japanese text back as live type: CID fonts without a ToUnicode map read through the standard CMaps, vertical columns (WMode 1) as vertical type, letter spacing as tracking; a glyph is live type only when the installed font (in the closest style of its family) draws the same glyph, and text in a font that isn't installed comes in as live type shown in the fallback font until the font is installed (exports that draw it — PDF, EPS, EMF/WMF, raster, SVG outlines or embedded fonts — warn that they wrote the fallback font; `textAs: outlines` keeps the PDF's embedded glyphs). Two installed versions of one family and style (a font library keeping an old file beside a new one) both load, the first staying the one the family and style resolve to; PDF and `.ai` import tries each version when the glyphs differ, and type set in a version other than that one names it (`CharStyle::font_version`), which layout, the substituted-glyph highlight, Find Font, Package and Document Info follow. Fonts outside the font folders are listed too: those font services such as Adobe Fonts load on Windows, through DirectWrite, and those apps and font managers register with CoreText on macOS (#579). When a document opens with fonts that aren't available, fonts used only in symbols included, a Missing Fonts dialog lists them after the linked-file questions, with Find Fonts (Type › Find Font on them) and Close. Its Find in Folder… (in Find Font too) searches a folder on several threads, reads only what the font scan reads of font files and skips app packages, the Program Files and ProgramData folders, the system's folders and the app data folders in a home folder; Add Fonts copies the font files the user chooses, suitcase fonts with their resource fork, into VectorCraft's own Fonts folder, which the desktop app and `vectorcraft-cli` read (`text.missingFonts`, `text.findFontFiles`, `text.addFontFiles`).
+- **Fonts:** a font is found by any of its names (family and style in every language of its name table, legacy family/style pairs, PostScript name), so documents from other apps open with the font they name; Find Font and `text.fonts` say for each font whether it was found exactly, by another name, substituted or missing, and how many glyphs are missing. PDF and `.ai` import brings Japanese text back as live type: CID fonts without a ToUnicode map read through the standard CMaps, vertical columns (WMode 1) as vertical type, letter spacing as tracking; a glyph is live type only when the installed font (in the closest style of its family) draws the same glyph, and text in a font that isn't installed comes in as live type shown in the fallback font until the font is installed (exports that draw it — PDF, EPS, EMF/WMF, raster, SVG outlines or embedded fonts — warn that they wrote the fallback font; `textAs: outlines` keeps the PDF's embedded glyphs). Two installed versions of one family and style (a font library keeping an old file beside a new one) both load, the first staying the one the family and style resolve to; PDF and `.ai` import tries each version when the glyphs differ, and type set in a version other than that one names it (`CharStyle::font_version`), which layout, the substituted-glyph highlight, Find Font, Package and Document Info follow. Fonts outside the font folders are listed too: those font services such as Adobe Fonts load on Windows, through DirectWrite, and those apps and font managers register with CoreText on macOS (#579). When a document opens with fonts that aren't available, fonts used only in symbols included, a Missing Fonts dialog lists them after the linked-file questions, with Find Fonts (Type › Find Font on them) and Close. Its Find in Folder… (in Find Font too) searches a folder on several threads, reads only what the font scan reads of font files and skips app packages, the Program Files and ProgramData folders, the system's folders and the app data folders in a home folder; Add Fonts copies the font files the user chooses, suitcase fonts with their resource fork, into VectorCraft's own Fonts folder, which the desktop app and `vectorcraft-cli` read (`text.missingFonts`, `text.findFontFiles`, `text.addFontFiles`). The font scan on Linux also reads the folders fontconfig's configuration lists, such as TeX fonts under `/usr/share/texmf/fonts` (#1548, fixes #1529; not verified on Linux).
 - **Files (M4):**
-  - `.vectorcraft` (lossless JSON, compressed, atomic saves, save down to v1), Save As with a format chooser, Save a Copy, Revert, templates, Data Recovery after a crash (browser tabs hold their copies with Web Locks too, so a background tab's copies are never taken for a crash's, and a tab repairs copies another removed when it resumes: #367), background save and export. The desktop app writes its warnings and errors (graphics adapter, a lost graphics device, panics the guard recovered from) to standard error and to `logs/vectorcraft.log` next to the preferences, the two previous runs kept and each file capped at 16 MiB, so a launch without a terminal still leaves something to attach to a bug report (#465).
+  - `.vectorcraft` (lossless JSON, compressed, atomic saves, save down to v1), Save As with a format chooser, Save a Copy, Revert, templates, Data Recovery after a crash (browser tabs hold their copies with Web Locks too, so a background tab's copies are never taken for a crash's, and a tab repairs copies another removed when it resumes: #367), background save and export. The desktop app writes its warnings and errors (graphics adapter, a lost graphics device, panics the guard recovered from) to standard error and to `logs/vectorcraft.log` next to the preferences, the two previous runs kept and each file capped at 16 MiB, so a launch without a terminal still leaves something to attach to a bug report (#465). Native documents with a lot of path data (traced or generated art, in layers, symbols or patterns) are saved as compact JSON, about a fifth of the size; small documents stay pretty-printed (#1492).
   - SVG/SVGZ in and out with SVG Options, Preserve Editing, symbols, filters, rich text and physical units (SVG type under a transform or `viewBox` scale opens at the size it draws at, the scale moved into its size, leading, baseline shift and strokes, a stretch, skew or rotation kept as its transform: #396; a top-level group with a clip path, such as a clipped Inkscape layer, opens as a layer with a clipping mask, its name kept: #420; hidden objects written hidden on Save and `convert`, and `data-*` attributes kept as the objects' own data: #522; top-level groups open as layers named from `data-name`, else the id, also when one more group (a transform on all the art, a `<switch>`) wraps them, hidden ones hidden, and a file whose art sits loose under a root `<svg>` with an id (or `data-name`), as one-layer exports write it, opens with its one layer named from it; nested groups stay groups, except the sublayers VectorCraft writes, marked `data-vc-layer`, and Inkscape sublayers, which open as sublayers in their layer's colour: #372); PDF and PDF-compatible `.ai` in and out (layers, with hidden ones kept hidden with their art and nested ones as sublayers, on pages of up to 64 million operators, art whose layer can't be told going to a hidden, non-printing layer rather than showing or printing: #419; strokes kept live, a fill and a stroke of one outline as one object; a type object's stroke written as each glyph's outline stroked back on the type, so it stays one editable object; lines wrapped in a frame (each wrapped line ending in a space, one left edge, leading and font) back as one area type object, left aligned or justified with its paragraph spacing, where laying it out breaks the lines where the file does; glyphs set apart by gaps wider than a space (a barcode's digit groups) keeping their places; layers stacked as the pages mark them even when one first paints on a later page, art ending a layer's marked content or a clip closing in a later layer kept in its own layer, and layers with no art kept empty: #508; art reaching past a plain PDF's page clipped to its crop box, as PDF viewers show it, each such object in a clip group of its own (a PDF-compatible `.ai` opens whole: #675); a `.ai` on its trim boxes with the bleed boxes round them as the document's bleed, as Crop To › Trim opens a PDF (#1266); masks, editable text with type set along a curve coming back as type on a path, each artboard's art on its own page only, an `.ai`'s white page under its layers left out rather than coming in as art, spot colours, presets, security, marks and bleed, ICC output intents, raster effects, subset fonts, PDF/X, PDF layers, overprint, page thumbnails, fast web view, PDF 1.3). CMYK images keep their ink amounts from PDF import (and from placed CMYK TIFFs) to PDF export: a CMYK JPEG passes through unchanged, others stay CMYK (DeviceCMYK, or ICC-based CMYK in PDF/X-3/X-4) unless the Output settings convert them; the canvas shows them through the working CMYK profile (#320). Overprint is kept from PDF import (opened, the PDF part of an `.ai`, placed) to PDF export: the graphics state's `/OP` and `/op` become the overprint of fills, strokes and type, so a spot colour over a process colour still overprints; a page whose overprint can't be read for certain knocks out with a note, as does `/OPM 0` being read as nonzero overprint (#1388; hand-written fixtures, `pdf/src/tests_import_overprint.rs`). A masked CMYK image (`/SMask`, `/Mask` or a colour key) keeps its inks too, its alpha coming in as a greyscale opacity mask.
     A PDF saved with Illustrator's editing data opens through it as a PDF-compatible `.ai` does, with its layers and groups and with art reaching past its page unclipped; such a PDF holds the data in `AIPDFPrivateData` streams (part of #868). A shape a PDF or `.ai` paints with a gradient (a clip path round a shading) opens as one path filled with the gradient, not a clip group round a rectangle, so Shape Builder, Live Paint and Pathfinder work on its outline (#1304).
     Placed (linked) files in a `.ai`'s editing data come in as linked images in their place, each showing the low-resolution preview the file keeps of it until its file is found or relinked in the Links panel (a file found next to the document or at its path is read as the document opens). A file with them no longer falls back to its PDF part, so its guides, sublayers and hidden objects open (#1264; `crates/eps/src/import/ai/tests.rs`, `crates/engine/src/tests_links.rs`). In a file opened that way, a gradient with stops in the middle runs its whole ramp across its shape and a gradient object no longer passes its fill to the next path (#1390); text objects with an appearance keep their own text and frame, type of hidden layers stays hidden, and type on later artboards lands on its text objects (#1391); area type whose frame is too short for a line of the fallback font shows its first line, the frame made taller with a warning in the open result (#1392).
@@ -503,6 +503,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
   - Place and the Links panel, Package (placed `.vectorcraft` documents packaged with their own linked files and fonts, relinked to the copies: #777), File Info, Print with print presets, PostScript output and print tiling, slices and Save for Web, Export for Screens and Asset Export, CSS Properties, PNG/PDF/SVG/text clipboard flavours; files copied in a file manager paste as art (SVG, PDF, EMF/WMF, bitmaps) on every desktop platform, and Linux/Wayland reads the compositor's clipboard (#398); on Linux the Paste menu checks the clipboard off the UI thread, so an X11 owner that never answers can't freeze the window (#510); screenshots and other copied pictures paste as embedded images at the view centre everywhere, the web included (#457).
   - Missing linked files can be looked for in a folder and its subfolders: Find in Folder… in the Linked File Not Found dialog and in the Links panel menu lists the files with each one's name, those with the size and contents saved with the link first, and relinks the files chosen, copying an image's file into the document's folder when asked, without replacing a file there (`links.findFiles`, `links.relink {copy}`). In the Links panel it looks for the selected linked files when any are selected.
   - Linked files another app changes while their document is open follow Preferences › File Handling › Update Links, as they do when it opens: Automatically reads them again (an Update Links undo step), Ask When Modified offers to, Manually leaves them modified in the Links panel. The desktop app compares the active document’s linked files by size and modification time every two seconds and when its window comes back to the front, on a worker thread; a file still being written is tried again (`links.updateChanged`).
+  - Import and paste, 2026-10-13: a multi-artboard `.ai` with notes beside its artboards opens from its editing data, a page's art past its artboard no longer lying over the page before it (#1528); a `.ai` gradient whose stops are listed upwards keeps each midpoint on the stop that starts its part of the ramp (#1530); SVG text on a path follows basic shapes (circle, ellipse, rect, line, polyline, polygon) as their SVG 2 equivalent paths (#1531, fixes #1527); PDFs whose alpha soft masks are drawn as images import with the mask instead of empty art (#1551); EPS and PostScript type set in Type 42 (TrueType) fonts imports at its size instead of 1000 times too large (#1553); PDF and EPS import keep a clipping path whose bounding box covers the page but whose shape doesn't (#1544, fixes #1542). Opening or placing a file with an image too large to decode says so, and the Links panel shows it on the row (#1540, part of #1479). Paste takes a PDF or EPS another app copied as editable vector art: from the macOS pasteboard (with SVG), EPS on Windows beside PDF, and `.eps` files copied in a file manager, with the new command `clipboard.importEps` (#1538, fixes #1499).
 - **Tool cursors:** the Eyedropper has an original pipette glyph with its tip at the hotspot;
   Use Precise Cursors restores the crosshair. The same glyph feeds OS bitmaps and painted
   cursors. DPI/hotspot and preference checks in `cursors.rs` and `tests_prefs.rs` cover #1269;
@@ -520,13 +521,15 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
 
 - **Moving objects with raster effects (#1257):** during a drag or a dialog's preview, an object whose content only moved draws its cached drop shadows, outer glows and filtered content (Gaussian Blur, Feather and the Photoshop-style filters) from the rasters of an earlier frame at the nearest whole pixel, without running the effects again. The renderer first draws the moved content where the old content lies in its raster and compares the pixels. De-Interlace runs again. The frame after the drag runs the effects again and draws what a fresh renderer draws; on the desktop, the canvas renders that frame on the render worker. `texture_drag_perf` times a drag's frames and the frame after it.
 
-- **Raster effects after document and view changes:** a cached drop shadow, outer glow or filtered content is made again when something its content reads from outside the object changes: a pattern's art or tiling, a symbol shown inside another symbol, a brush definition, an image's pixels, the raster resolution (De-Interlace), Page Knockout Group, Document Setup's substitution highlights, a layer's Dim Images, the color settings, the fonts, Pixel Preview, Anti-aliased Artwork, Overprint Preview and isolation mode. A thumbnail under Color Halftone or Mezzotint is made again when the document's color mode changes.
+- **Raster effects after document and view changes:** a cached drop shadow, outer glow or filtered content is made again when something its content reads from outside the object changes: a pattern's art or tiling, a symbol shown inside another symbol, a brush definition, an image's pixels, the raster resolution (De-Interlace), Page Knockout Group, Document Setup's substitution highlights, a layer's Dim Images, the color settings, the fonts, Pixel Preview, Anti-aliased Artwork, Overprint Preview and isolation mode. A thumbnail under Color Halftone or Mezzotint is made again when the document's color mode changes. Raster effects (blur, shadow, glow, grain) drawn after a pattern, radial or freeform gradient fill export at their place and size (#1541, fixes #1536).
 
 - **Full font names (#1258):** OpenType name ID 4 identifies its face alongside family/legacy/PostScript names, including localized names, for loaded fonts, cataloged files and Missing Fonts searches. Synthetic name-table regressions cover full names distinct from their PostScript name, real-family precedence and variable fonts' default faces. Windows font-service activation remains unverified; scores and hours are unchanged.
 ## Revision history
 
 | Date | Change | Summary |
 |---|---|---|
+| 2026-10-13 | minor | Files: Native documents with a lot of path data (traced or generated art, in layers, symbols or patterns) are saved as compact JSON, about a fifth of the size; small documents stay pretty-printed (#1492); Paste takes a PDF or EPS another app copied as editable vector art: from the macOS pasteboard (with SVG), EPS on Windows beside PDF, and `.eps` files copied in a file manager, with the new command `clipboard.importEps` (#1538, fixes #1499); Opening or placing a file with an image too large to decode says so, and the Links panel shows it on the row (#1540, part of #1479); a multi-artboard `.ai` with notes beside its artboards opens from its editing data, a page's art past its artboard no longer lying over the page before it (#1528); a `.ai` gradient whose stops are listed upwards keeps each midpoint on the stop that starts its part of the ramp (#1530); SVG text on a path follows basic shapes (circle, ellipse, rect, line, polyline, polygon) as their SVG 2 equivalent paths (#1531, fixes #1527); PDFs whose alpha soft masks are drawn as images import with the mask instead of empty art (#1551); EPS and PostScript type set in Type 42 (TrueType) fonts imports at its size instead of 1000 times too large (#1553); PDF and EPS import keep a clipping path whose bounding box covers the page but whose shape doesn't (#1544, fixes #1542). Rendering: Raster effects (blur, shadow, glow, grain) drawn after a pattern, radial or freeform gradient fill export at their place and size (#1541, fixes #1536). Fonts: the font scan on Linux also reads the folders fontconfig's configuration lists, such as TeX fonts under `/usr/share/texmf/fonts` (#1548, fixes #1529; not verified on Linux). Localization: The interface is available in Polish (`pl`): menus, panels, dialogs and messages, with one/few/many plurals; AI-drafted, native review pending (#1498) (4,510 rows); scores and hours unchanged (estimated) |
+| 2026-10-13 | minor | Tools and UI: Make Compound Path on a group (such as outlined type) keeps the paint of its backmost path instead of drawing nothing, and compound paths joined into one keep their holes (#1537); a round corner next to a curved side curves smoothly instead of sticking out of the shape and the Smooth tool smooths only the stretch of path under the drag (#1547, fixes #1512); Join merges the selected anchor points that lie on one another, as after Average, into one anchor (#1582, fixes #1533); Lock Guides also locks the objects made into guides: they can't be selected, moved or deleted (#1543); they are drawn in the guide colour and style of Preferences, and a dragged selection snaps to ruler guides with Smart Guides on (#1583, fixes #1534); Edit › Keyboard Shortcuts lists Edit › Duplicate and the other commands that are in no menu but run without parameters (panel-menu commands such as Break Link to Symbol), so they can be given shortcuts (#1549, #1580, fixes #1539). Correction: the combined Average and Join with its corner or smooth choice was listed as done in [ui-parity.md](ui-parity.md) and does not exist in the app (`path.join` and `path.average` are separate commands, and Join has no such choice); it is now listed as missing there and in [gap 1](gaps.md); scores and hours unchanged (estimated) |
 | 2026-10-13 | minor | UI and tools: sliders in Save for Web, the raster export options, Preferences and the opacity popup show their rail, filled up to the handle (#1506, fixes #1483); in Outline view a template layer stays in Preview, dimmed (#1505, fixes #1486); Direct Selection takes the selected object's anchor where anchors of overlapping objects coincide (#1509, fixes #1508); a tab stop in the Tabs panel drags from where the press landed (#1487, fixes #1458); type: commands and MCP `add_text` report area type that does not fit its frame (#1500, fixes #1471); graphs: `graph.setData`'s CSV keeps each value exactly (#1485); scores and hours unchanged (estimated) |
 | 2026-10-13 | minor | 3D and Materials: outlined words and other shapes of many small curves take Rotate, Extrude & Bevel and Inflate (#1481), Twist runs 0° to 360° (#1524) and twisted walls keep their faces (#1525), all described in [three-d.md](three-d.md); rendering: print-size images draw, export and crop (#1517); `vectorcraft-cli perf` on Windows reports load and memory (#1502; no budget re-run); localization: French catalog complete again with 423 strings added and 188 reworded (#1511), a Hungarian message in the informal address (#1474); scores and hours unchanged (estimated) |
 | 2026-10-13 | minor | Image Trace, measured in `image-trace-quality.md`: the palette is made of the picture's own colours (#1504): 16 Colors on flat art 70 → 4.2 paths and 5.1 → 0.13 px off, paths in a colour the art lacks 5.9 → 0; photos are smoothed within their tones first and stacked layers go by lightness (#1516): High Fidelity Photo 3,653 → 121 paths with its colour error 2.30 → 1.75, 16 megapixels traced where 4 were refused. Score and hours unchanged (estimated) |

docs/type-parity.md

@@ -1,6 +1,6 @@
 # Type parity
 
-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-13 · **Change:** minor (commands and MCP `add_text` report area type that does not fit its frame, #1471; Tabs panel stop drags, #1458; Fit Headline in a frame one line tall, #1444; frames and paths beyond a billion points hold no text, #1451; scores unchanged; missing glyphs are looked for again after a font rescan, #1376; scores unchanged; Full-name font matching (#1258); Windows font-service QA pending; scores unchanged; Middle Eastern digit types: Character panel menu › Digits, `{digits}`; the font menu's script filter lists Thai fonts; Thai, Lao, Khmer and Myanmar lines break between words; the caret steps over whole clusters such as Thai consonants with their marks; Thai typed in a font without Thai falls back to a font made for Thai; earlier: Proportional Metrics in vertical type, `vpal`, #966) · **Target:** Adobe Illustrator 2026 (30.x)
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-13 · **Change:** minor (Linux font folders from fontconfig, #1529; commands and MCP `add_text` report area type that does not fit its frame, #1471; Tabs panel stop drags, #1458; Fit Headline in a frame one line tall, #1444; frames and paths beyond a billion points hold no text, #1451; scores unchanged; missing glyphs are looked for again after a font rescan, #1376; scores unchanged; Full-name font matching (#1258); Windows font-service QA pending; scores unchanged; Middle Eastern digit types: Character panel menu › Digits, `{digits}`; the font menu's script filter lists Thai fonts; Thai, Lao, Khmer and Myanmar lines break between words; the caret steps over whole clusters such as Thai consonants with their marks; Thai typed in a font without Thai falls back to a font made for Thai; earlier: Proportional Metrics in vertical type, `vpal`, #966) · **Target:** Adobe Illustrator 2026 (30.x)
 
 Type is Illustrator's largest single area by use (weight 13 of 105 across "Type core" and "Type advanced" in
 [target-app-parity.md](target-app-parity.md)). This checklist lists the features one by one. Status is from the
@@ -26,7 +26,7 @@ against Illustrator's public documentation; **estimated** unless noted.
 | Character size and horizontal scale after object/group scaling | done | #1034: fields and setters compensate the stored affine; point size follows the transformed em-height axis, not the glyph ink bounds. Range edits, keyboard increments, leading and baseline shift use document points; rotation, reflection and shear remain editable. |
 | Preserve font sizes while scaling a group | missing | Separate enhancement; scaling still scales text with the other artwork. |
 | OpenType panel, Glyphs panel, alternates | done | Highlight Alternate Glyphs preference unused (#394) |
-| Font menu: samples, live preview, filters, favourites; font matching by any name; Find Font | done | #339; script filter: Japanese, Latin, Thai |
+| Font menu: samples, live preview, filters, favourites; font matching by any name; Find Font | done | #339; script filter: Japanese, Latin, Thai; the font scan on Linux also reads the folders fontconfig's configuration lists, such as TeX fonts under `/usr/share/texmf/fonts` (#1548, fixes #1529; not verified on Linux) |
 | Missing glyphs set in an installed font made for their script (Thai, Lao, Khmer, Myanmar first; then any font that has them) | done | Thai: Leelawadee UI, Tahoma, Thonburi, Sukhumvit Set, Noto Sans Thai, TLWG |
 | Full font-name matching (OpenType name ID 4) | done | #1258: loaded/cataloged faces and Missing Fonts searches; localized names and variable default faces; Windows font-service QA pending |
 | Variable fonts | partial | named instances as styles; axis sliders missing |
@@ -56,6 +56,7 @@ against Illustrator's public documentation; **estimated** unless noted.
 
 | Date | Change | Summary |
 |---|---|---|
+| 2026-10-13 | minor | The font scan on Linux also reads the folders fontconfig's configuration lists, such as TeX fonts under `/usr/share/texmf/fonts` (#1548, fixes #1529; not verified on Linux); scores and hours unchanged |
 | 2026-10-13 | minor | The commands that make or restyle type, and MCP `add_text`, report area type that does not fit its frame, and `add_text` takes Auto Size and Shrink Text to Fit (#1500, fixes #1471); a tab stop in the Tabs panel drags from where the press landed, a stop just added included (#1487, fixes #1458); scores and hours unchanged |
 | 2026-10-13 | minor | Fit Headline no longer pushes the tracking to its ceiling and loses glyphs when the frame holds one line (#1445, fixes #1444); text frames, wrap shapes and type paths with coordinates beyond a billion points hold no text, and layout limits its search for room, instead of hanging (#1451); scores and hours unchanged |
 | 2026-10-12 | minor | A character no installed font had is looked for again after the fonts are rescanned, so installing a font fixes it without a restart (#1376, from #992); scores and hours unchanged |

docs/ui-parity.md

@@ -1,6 +1,6 @@
 # UI and interaction parity
 
-> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-13 · **Change:** minor (dialog slider rails, #1483; template layers stay in Preview in Outline view, #1486; Direct Selection takes the selected object's anchor where anchors coincide, #1508; Tabs panel stop drags, #1458; Split Into Grid dialog, #1462; Transform Objects and Reflect's angle, #1448 and #1460; Pathfinder panel on a group, #1450; value fields: readable selection, #1465 in part, and a focused field follows its value, #1457; scores unchanged; Transform dialogs have a live Preview and step with the arrow keys, #1412; transform tools, dialogs and Move act on direct-selected anchors, #1408; the bounding box hides during a corner drag, #1229; scores unchanged; dialogs focus their first field on every open, #1367, and a first field that starts greyed out once it is enabled, #1395; scores unchanged; Rectangular Grid and Polar Grid click dialogs take the skew, frame, compound path and Fill Grid options, #1377 in part, score unchanged; Live Corners: a Direct Selection click on a widget selects its corner, #1239; custom ruler origin, #1212; Artboard tool clicks fit the topmost editable object in one undo step (#1227); scores unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; DXF control-point SPLINE closure read, #1299 follow-up; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; Simplify preview/counts and valid rewritten-path selection (#1272); parity remains partial; Texture-effect drag redraws optimized (#1257); idle Windows interaction still unverified; scores unchanged; Curvature point display improved (#1236, in part); scores unchanged; Direct Selection: no-op anchor Align preserves Undo, Redo and saved state (#1180 follow-up); Eyedropper cursor distinguished from precise crosshair (#1269); scores unchanged; Eyedropper can read visible locked and outside-isolation sources (#1251); scores unchanged; Direct Selection: independent segment picks and Delete (#1278); scores unchanged; Adding paint to an unpainted zero-width stroke restores the 1 pt default (#1253); scores unchanged; macOS save sheets offer a Format menu, #866; Attributes fill-rule controls edit the compound when a member is selected, #1197; a marquee needs to touch a path, not just lie inside its fill, #1103; earlier: Live Corners round corners between curved sides, #1144) · **Target:** Adobe Illustrator 2026 (30.x)
+> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-13 · **Change:** minor (Join merges anchors lying on one another, #1533; correction: Average and Join with a corner or smooth choice is missing, not done; guide objects take the guide colour and style and Lock Guides, #1534; Keyboard Shortcuts lists commands outside the menus, #1539; round corners next to curves and the Smooth tool's reach, #1512; Make Compound Path on a group, #1537; dialog slider rails, #1483; template layers stay in Preview in Outline view, #1486; Direct Selection takes the selected object's anchor where anchors coincide, #1508; Tabs panel stop drags, #1458; Split Into Grid dialog, #1462; Transform Objects and Reflect's angle, #1448 and #1460; Pathfinder panel on a group, #1450; value fields: readable selection, #1465 in part, and a focused field follows its value, #1457; scores unchanged; Transform dialogs have a live Preview and step with the arrow keys, #1412; transform tools, dialogs and Move act on direct-selected anchors, #1408; the bounding box hides during a corner drag, #1229; scores unchanged; dialogs focus their first field on every open, #1367, and a first field that starts greyed out once it is enabled, #1395; scores unchanged; Rectangular Grid and Polar Grid click dialogs take the skew, frame, compound path and Fill Grid options, #1377 in part, score unchanged; Live Corners: a Direct Selection click on a widget selects its corner, #1239; custom ruler origin, #1212; Artboard tool clicks fit the topmost editable object in one undo step (#1227); scores unchanged; Pathfinder single-result source names and SVG IDs retained, #1293; DXF control-point SPLINE closure read, #1299 follow-up; Document Setup: Edit Artboards closes the modal after applying valid settings; pointer-click regressions; scores and hours unchanged; Artboards: Escape exits editing; an active drag cancels first; shortcut-routing regression; scores and hours unchanged; Simplify preview/counts and valid rewritten-path selection (#1272); parity remains partial; Texture-effect drag redraws optimized (#1257); idle Windows interaction still unverified; scores unchanged; Curvature point display improved (#1236, in part); scores unchanged; Direct Selection: no-op anchor Align preserves Undo, Redo and saved state (#1180 follow-up); Eyedropper cursor distinguished from precise crosshair (#1269); scores unchanged; Eyedropper can read visible locked and outside-isolation sources (#1251); scores unchanged; Direct Selection: independent segment picks and Delete (#1278); scores unchanged; Adding paint to an unpainted zero-width stroke restores the 1 pt default (#1253); scores unchanged; macOS save sheets offer a Format menu, #866; Attributes fill-rule controls edit the compound when a member is selected, #1197; a marquee needs to touch a path, not just lie inside its fill, #1103; earlier: Live Corners round corners between curved sides, #1144) · **Target:** Adobe Illustrator 2026 (30.x)
 
 How VectorCraft's tools, handles, snapping and panels behave next to Illustrator's. A vector illustrator's
 trust is in the details: where a handle lands, what Shift and Alt do mid-drag, what a smart guide snaps to,
@@ -54,7 +54,9 @@ tools, never checked side by side) isn't captured row by row.
 | Curvature tool: click/drag points, double-click or Alt-click for a corner, temporary Direct Selection, point conversion | partial | circular point markers without direction handles or duplicate markers, Anchor Size and Hide Edges regression-tested (#1236, in part); existing-path interpolation request and modifiers requested in #975 remain |
 | Add/Delete/Anchor Point tools; Anchor Point tool drags segments to reshape | done | |
 | Pencil: Fidelity, Keep selected, Alt to Smooth, edit selected paths, close by proximity | partial | Keep selected and Alt to Smooth are missing |
-| Join tool scrubbing, Average, Join with corner/smooth choice | done | |
+| Join tool scrubbing, Average, Join | done | Join merges the direct-selected anchors lying on one another along a path, as after Average, into one (#1533) |
+| Average and Join in one step, with a corner or smooth choice for the joined anchor | missing | `path.join` and `path.average` are separate commands, and Join has no corner/smooth choice; [gap 1](gaps.md) |
+| Smooth tool smooths only the stretch of path under the drag | done | #1512 |
 | Simplify (slider, auto, corner angle threshold) | partial | Tolerance, default-on Preview and original/new point counts (#1272); slider, auto-simplify, corner-angle UI and Show Original remain missing |
 
 ## Direct Selection, anchors and handles
@@ -72,7 +74,7 @@ tools, never checked side by side) isn't captured row by row.
 | Show handles when multiple anchors are selected; Highlight anchors on mouse over; anchor and handle size | done | Preferences › Selection & Anchor Display |
 | Convert selected anchors to corner/smooth from the Control bar and Properties | done | |
 | Cut path at selected anchors, Remove Anchor Points, Delete removes segments | done | #1278: segment Delete preserves neighboring edges and endpoint anchors; a second Delete removes the remainder; explicit anchor Delete retains its behavior |
-| Live Corners widgets (radius readout, Alt-click cycles kind, double-click the Corners dialog) | done | a Direct Selection click on a widget selects its corner (#1239); a press-and-drag on a widget of a path selected whole still rounds every corner (#908), and adding widgets to the selection by Shift-click (#1232) is missing; the bounding box hides while a widget is dragged with the Selection tool (#1229) |
+| Live Corners widgets (radius readout, Alt-click cycles kind, double-click the Corners dialog) | done | a Direct Selection click on a widget selects its corner (#1239); a press-and-drag on a widget of a path selected whole still rounds every corner (#908), and adding widgets to the selection by Shift-click (#1232) is missing; the bounding box hides while a widget is dragged with the Selection tool (#1229); a round corner next to a curved side curves smoothly instead of sticking out of the shape (#1512) |
 | Corners between curved sides (#1144), Relative rounding | partial | Relative rounding missing |
 | Isolation mode by double-click (groups and single objects), breadcrumbs, Esc to exit | done | Single paths, compound paths, images, meshes and placed files isolate too ([helpx: Isolate objects](https://helpx.adobe.com/africa/illustrator/desktop/manage-objects/select-objects/isolate-objects.html)) |
 | "Magnetic" moves of selected anchors with a modifier (#955 request) | missing | not an Illustrator feature as documented; under discussion |
@@ -97,6 +99,7 @@ tools, never checked side by side) isn't captured row by row.
 | Ruler guides: drag out, select, move, delete, lock, Make/Release Guides | done | #414, #451 |
 | Ruler origin: corner drag with preview, double-click reset to the active artboard, relative X/Y fields, native save/reopen | done | #1212; `document.setRulerOrigin`, `document.resetRulerOrigin`; geometry and command coordinates stay absolute |
 | Ruler guides as Layers rows: shown, hidden, locked and deleted with their layer; rows dragged to another layer | done | `guide.setLayer`; guides from older files go on a layer |
+| Objects made into guides: drawn in the guide colour and style of Preferences; Lock Guides locks them too (no select, move or delete); a dragged selection snaps to ruler guides with Smart Guides on | done | #1534 (#1543, #1583) |
 | Alt swaps a ruler guide's orientation while dragging | missing | |
 | Global/artboard ruler mode switch and video rulers | missing | menu stubs; custom document origin is done (#1212) |
 
@@ -157,7 +160,8 @@ tools, never checked side by side) isn't captured row by row.
 (`crates/tools/src/catalog.rs`), a shortcut editor with chords, and saved sets. Not yet diffed item by item
 against Illustrator's published default shortcut list; estimated ~70% of it. Remaining: the panel shortcuts,
 the type shortcuts (tracking/kerning/leading/baseline steps with Alt/Shift), and selection shortcuts in the
-Layers panel.
+Layers panel. The shortcut editor also lists the commands that are in no menu but run without parameters (Edit › Duplicate,
+panel-menu commands such as Break Link to Symbol), so they can be given shortcuts (#1539).
 
 ## Panels, Control bar, Properties, context menus
 
@@ -173,6 +177,7 @@ Layers panel.
 | Control bar with Transform and Stroke popovers | done | |
 | Pathfinder shape results keep their source names and SVG IDs | done | #1293; Minus Front keeps the back name, Minus Back the front name; Unite/Intersect/Exclude use the backmost named input; compound output carries it once; geometry and paint unchanged |
 | Attributes fill-rule controls with a compound member selected | done | Edits the compound's rule; direction still edits only the member; rendered-hole and Undo/Redo regression tests (#1197) |
+| Make Compound Path on a group (such as outlined type) keeps its backmost path's paint; compound paths joined into one keep their holes | done | #1537 |
 | Pathfinder panel on one group selected alone; a greyed-out button says what it needs | partial | #1450; the group's members are combined; one plain path selected alone stays disabled (the public documentation doesn't say what the operations do to a single path) |
 | Pathfinder Divide: an open cutting line splits a filled path | done | #1307; straight, crossed, bent and curved cutters, holes and frontmost appearance regression-tested; native automation: independent piece movement, one Undo/Redo, saved-document round trip and window capture; existing bounded-map fallback remains |
 | Canvas context menu | done | Layers rows, panels and type have none (gap) |
@@ -196,6 +201,7 @@ re-measure of the panels added since.
 
 | Date | Change | Summary |
 |---|---|---|
+| 2026-10-13 | minor | Join merges the selected anchor points that lie on one another, as after Average, into one anchor (#1582, fixes #1533); correction: "Join with corner/smooth choice" was listed as done, but `path.join` and `path.average` are separate commands and Join has no such choice, so Average and Join in one step with that choice is its own row, missing; the Smooth tool smooths only the stretch of path under the drag and a round corner next to a curved side curves smoothly instead of sticking out of the shape (#1547, fixes #1512); Lock Guides also locks the objects made into guides: they can't be selected, moved or deleted (#1543); they are drawn in the guide colour and style of Preferences, and a dragged selection snaps to ruler guides with Smart Guides on (#1583, fixes #1534); Edit › Keyboard Shortcuts lists Edit › Duplicate and the other commands that are in no menu but run without parameters (panel-menu commands such as Break Link to Symbol), so they can be given shortcuts (#1549, #1580, fixes #1539); Make Compound Path on a group (such as outlined type) keeps the paint of its backmost path instead of drawing nothing, and compound paths joined into one keep their holes (#1537); scores unchanged (estimated) |
 | 2026-10-13 | minor | Sliders in Save for Web, the raster export options, Preferences and the opacity popup show their rail (#1506, fixes #1483); a template layer stays in Preview, dimmed, in Outline view (#1505, fixes #1486); Direct Selection takes the selected object's anchor where anchors of overlapping objects coincide (#1509, fixes #1508); a tab stop in the Tabs panel drags from where the press landed (#1487, fixes #1458); scores unchanged (estimated) |
 | 2026-10-13 | minor | Split Into Grid has its row and column sizes, gutters, totals, Add Guides and Preview (#1488, fixes #1462); Transform Objects in the Transform dialogs and Transform Each, and Reflect across an angle (#1494, fixes #1448 and #1460); the Pathfinder panel works on a group selected alone and its greyed-out buttons say what they need (#1493, for #1450); selected text in value fields is white or black on the highlight (#1490, part of #1465); a focused field follows its value when a slider or preview changes it (#1497, fixes #1457); an Alt-drag copies once per drag (#1464); scores unchanged (estimated) |
 | 2026-10-12 | minor | Transform dialogs (Move, Rotate, Scale, Reflect, Shear) preview on the canvas and step their angles and percentages with the arrow keys (#1428, fixes #1412); the transform tools, dialogs and Move act on anchors selected with Direct Selection (#1427, fixes #1408); the bounding box hides during a corner drag with the Selection tool (#1402, fixes #1229); a picture pastes when blank text sits beside it on the clipboard (#1404); scores unchanged (estimated) |