- AppImages embed gh-releases-zsync update information and ship a .zsync beside them.
- New flatpak job repackages the Linux tarball into soundcraft-<v>-linux-<arch>.flatpak
(bundle manifest + flatpak-bundle.sh). Sandbox: pulseaudio socket (PipeWire's pulse server),
~/.vst3 and ~/.clap read-only, the LinuxAudio.Plugins extension point via VST3_PATH/CLAP_PATH;
no raw ALSA devices, no JACK. The from-source Flathub manifest gets the same finish-args.
- Only signing jobs (macOS, Windows) and the draft job keep `environment: release`, so a branch
dispatch dry-runs Linux, Flatpak, FreeBSD and web; the draft job still needs the signed jobs.
- README: Downloads section; docs/releasing.md updated.
Co-authored-by: Brandon Thomas <[email protected]>
Co-authored-by: Claude Opus 5.5 <[email protected]>
The vst3 bindings' enum constants use the C default enum type, which is i32 on
Windows and u32 elsewhere. The bus helpers took u32 and the process-context
flags were assigned to a u32 field directly, so the release build failed on all
three Windows targets. Type the helpers with the bindings' own aliases and cast
the flags once.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Custom macOS larger runners in a runner group do not pick up jobs; the
built-in M2 Pro label does. Only release.yml uses it, and the
actions_macos_xl budget caps the monthly spend.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
The standard macOS runners are shared with all CI and queue for an hour or
more. The macos-release runner (GitHub-hosted M2 Pro) is in a runner group
usable only by release.yml on the release branch, with a monthly spend cap
on the actions_macos_xl SKU.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* About: contributors compiled in from contributors.json (grab bag + table, sortable, name toggle)
Adds the craftrules standard (standards/contributors.md) to SoundCraft: the About window gets
About · Contributors · Models tabs. contributors/contributors.json is generated by
craftrules/scripts/contributors.py and baked into the binary by crates/ui-egui/build.rs as
static tables. Each contributor line: @username, opt-in display/real name, PRs, commits,
lines +/−/Δ, binary assets +/−, first/last commit. Sortable by every column; alphabetical
ignores case and the leading @. Sort arrows use ⏶/⏷ (egui's icon font) since the system UI
font has no ▲/▼.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Contributors: self-submitted names in contributors/people.toml; AGENTS.md credit-yourself section
build.rs reads contributors/people.toml next to the generated contributors.json and shows a name only
for entries the generator verified as written by that person (craftrules standards/contributors.md).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Contributors: regenerate (verified people.toml entries)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Video (new standalone crate soundcraft-video):
- Pure-Rust H.264 (Baseline/Main/High), ProRes (all flavours) and Motion JPEG decoding with
ISO-BMFF demux, adapted from FilmCraft's crates; fuzzed with mutated/truncated movies
- TrackKind::Video with ClipContent::Video referencing Session.videos; file.import_video adds
the picture track and the movie's audio; relinking on open; video.offset/online/list
- Video and Video Universe windows, thumbnails on the timeline, background decoding
Third-party plugins:
- Plugin state (CLAP state ext, VST3 component + controller state) saved in sessions
- Hosted instances created, state-loaded and dropped on the UI thread, never the audio thread
- Plugin editors: floating CLAP GUIs and VST3 views on macOS (verified with Melodyne)
- New isolated FFI crate soundcraft-au-host: Audio Units on macOS (effects and instruments,
parameters, latency, MIDI, ClassInfo state), wired into the mixer and plugin browser
UI: Window > Renderer (speaker layout with live levels and object positions), Window > UI
Customization (interface scale, reduce motion), Window > Configurations > Auto-Update.
Fix: saturating sample-index math in clip rendering (hostile stretch values overflowed).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- File › Export › Sibelius and File › Send To › Sibelius write MusicXML 4.0 (quantized,
chords, ties across bar lines, meter changes, treble or bass clef per part)
- File › Print Score engraves the MIDI tracks to a printable SVG page; File › Score Setup
sets title, composer, bars per system and track names
- File › Import › Clip Groups and Export Clip Groups (.scgrp with its audio)
- Edit › Paste Special › Merge Markers: copy carries the markers in the copied range
- The UI opens a path prompt for any command that needs a path or folder
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Surround:
- main and bus formats up to 9.1.6 and Ambisonics; pairwise constant-power
surround panner (divergence, centre, LFE, height) per track and send;
ITU fold-down; multichannel bounce with correct WAV channel masks;
multichannel device output; surround panner and multichannel meters in the
Mix window; setup.main_format, mix.surround_pan, mix.send_surround_pan
VST3:
- soundcraft-vst3-host: isolated unsafe crate (vst3 bindings, MIT), scans
standard folders, hosts components/processors/controllers, params,
latency, notes; VST3 menu; engine.vst3_plugins; e2e tests with a fixture
Hardening:
- positions from parameters clamped; offline renders capped and bounded to
track material; loop/transport limits; hostile-parameter property test
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- soundcraft-clap-host: scans standard CLAP folders, loads plugins via
clap-sys/libloading, implements the Plugin trait (audio, params, latency,
notes); the only crate allowed unsafe, every block documented; stubs on wasm
- mixer, engine (mix.insert, engine.clap_plugins) and Mix window CLAP menu
- end-to-end tests against a Rust-built fixture plugin
- file.bounce_stems: one soloed file per track
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- mix: per-strip insert latency, delay lines align all tracks to the slowest
and direct outputs to aux returns; offline renders remove the latency
- input monitoring: live input (InputRing from the recorder) replaces clips
on monitored tracks and on armed tracks when stopped or recording, through
the full channel strip; the player renders while stopped for monitoring
Co-Authored-By: Claude Opus 5.5 <[email protected]>
