A negative Parent, font or normal-sheet index was cast to a huge usize, which skipped the name fallback and could hide the text. Those indexes now have to fit in a usize, and an infinite dpi uses 72. (#4429)
Co-authored-by: Brandon Thomas <[email protected]>
Feather r50 on 24MP was at ~81ms kernel / ~130ms scenario against the
100ms P27 budget. The cosine-series line() allocated a fresh
n-usize run table per row (thousands of ~48KB Vecs on a 24MP mask).
Reuse one buffer per worker thread via a thread-local; no arithmetic
touched, oracle tests (Photoshop-mapped + direct-Gaussian <=1/255)
prove identical output.
bench_24mp (24MP ellipse, best of 5, x86-64 release):
feather r50: 80.8 -> 70.7ms (-12.5%)
feather r250: 144.1 -> 133.6ms (-7.3%)
feather r1000: 301.7 -> 287.7ms (-4.6%)
Full perf_scenarios P27 with patch: p50 119.3ms (was over by ~30ms,
now over by ~19ms); remaining gap is session/snapshot overhead,
follow-up.
Co-authored-by: Brandon Thomas <[email protected]>
As in Photoshop, a Channels panel row can be dragged onto the footer's
buttons: New Channel duplicates it (the layer mask's row as
"<layer> Mask copy"), Delete deletes an alpha or spot channel, and Load
Channel as Selection loads it. The layer mask's row on Delete asks
"Apply mask to layer before removing?", like its Layers thumbnail.
Colour channels can't be deleted, so Delete ignores them. The dragged
name follows the pointer and the button under it is highlighted.
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
* Free Transform: H and V skew fields in the options bar
Photoshop's Free Transform options bar has H and V skew fields after the
angle; ours stopped at the angle (ui-parity: "Options bar H/V skew
fields | missing", gaps G5).
The bar now reads the box as Photoshop does: the frame scaled (W, H),
skewed (H, V) and rotated about the reference point (`Parts`). Typing a
skew leans the box about the reference point and keeps W, H and the
angle. A box can be read with any V skew, so the session keeps the typed
one (`TransformSession::skew_v`, serde default). Skews stop at ±89°.
A sheared box used to read as taller (H = 100/cos h %); it now reads as
an H skew with H at 100 %. Readouts without skew are unchanged, flips
included.
Docs: ui-parity row done, G5 and target-app-parity notes updated.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* i18n(sr): translate the Free Transform skew field tooltips
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
* fix(picker): the screen color picker no longer crashes on DX12 or traps the overlay on Windows (#4443)
Two Windows-only faults in the Pick screen color window:
- Created always-on-top, the monitor-sized picker window makes the DX12
backend fail swapchain creation (0x887A0001, DXGI_ERROR_INVALID_CALL);
wgpu then panics in Surface::get_current_texture_view. The window is now
created at the normal level and raised once its first frame is painted.
- As a deferred viewport the picker was painted on its own, and the main
window stopped being redrawn while it was up on Windows (OpenGL). A click
or Esc only stored an answer that the main window's tick() never took, so
the overlay could not be left. It is now an immediate viewport, painted
inside the main window's frame.
Verified on Windows 11 / Intel UHD 630: DX12 (default) opens, picks and
cancels; OpenGL picks and cancels; macOS still picks and cancels. Adds a
test that the picker viewport is not built always-on-top.
Co-Authored-By: Claude Sonnet 5.5 <[email protected]>
* Screen picker: raise the window level once per picker window, not every frame
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Sonnet 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
* Status bar: wrap fullscreen zoom scrubbing at horizontal edges (#3344)
* Status bar: preserve keyboard editing and handle fullscreen edge crossings
* widgets: initialise the new FieldOpts field after merging main
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Brandon Thomas <[email protected]>
Co-authored-by: Claude Opus 5.5 <[email protected]>
Opening a file whose type uses a font that isn't installed said nothing
in the desktop app, so the text silently rendered in a fallback face.
The CLI and automation already reported it; Photoshop warns on open.
The open notice now lists each missing family, with the engine's
existing warning text (type_extra_cmds::missing_font_warnings), for both
the synchronous open and the background open the desktop app uses.
Tests: opening_type_in_a_missing_font_warns,
background_open_warns_about_missing_fonts.
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
* Make Edit Transform Rotate and Skew use their own handle drags.
Rotate and Scale both started Free Transform, so a corner drag scaled the box. Skew only remapped edge handles, so corners still scaled. Give Rotate its own mode that turns the box from handles, and skew a corner along its adjacent edge (#3941).
* Rotate mode: fix the Skew doc comment and rustfmt
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Brandon Thomas <[email protected]>
Co-authored-by: Claude Opus 5.5 <[email protected]>
The Serbian catalog (#4436) and the Soft themes (#4378) landed together, so
sr.tsv lacked their four strings and the ui-egui i18n completeness tests failed.
Co-authored-by: Claude Opus 5.5 <[email protected]>
* perf: reuse sampled composite across channel visibility toggles
* test: borrow full composite for sampled-grid oracle
* test: compare the entire channel view after invalidation
* style: keep channel cache construction readable
* fix: format channel test and share band renderer
* fix: invalidate sampled channel composite after edits and previews
* refactor: keep channel rendering optimization isolated from compositor
* test: cover both partial-damage and full channel redraw paths
---------
Co-authored-by: Brandon Thomas <[email protected]>
The preview treated every drag, including Alt plus the right button, as a stroke. That gesture now sets the diameter and density, and a plain left drag still paints. Fixes#4702.
Co-authored-by: Brandon Thomas <[email protected]>
* Sample every visible layer in Content-Aware Fill by default.
An empty layer above the photo used to report a successful fill and stay empty, because only the active layer was sampled. The result is still written to the active layer. sampleAllLayers can be set to false to keep the old behaviour.
Fixes#4026
* Sample other layers in Content-Aware Fill only when asked or the layer is empty.
Reuse the Remove tool's composite, which writes the active layer's format, and leave Photoshop's Sample All Layers checkbox off unless the window has no pixels on this layer. An explicit false still reads only this layer.
---------
Co-authored-by: Brandon Thomas <[email protected]>
A CMYK document with several layers, masks or effects is flattened through the
RGB compositor. Its TIFF and JPEG exports were written as sRGB RGB, losing the
document's mode and ICC profile. The composite is now converted back through the
document's CMYK profile (relative colorimetric with black point compensation)
inside each parallel worker, written as four ink channels plus straight alpha at
the document depth, and tagged with that profile (the built-in coated CMYK
profile when the document is untagged). Invalid, non-CMYK or unusable profiles
are rejected. RGB-only formats keep the direct sRGB composite, and a single
plain raster layer keeps its native samples.
This fixes the output mode and tagging only: the RGB roundtrip does not
preserve original ink separations, black generation or CMYK-native blending.
Claude-Session: https://claude.ai/code/session_01BSB7fMQUccqFQekksDGWpo
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
inpaint::fit fits each channel as gain · source + bias, the gain the
ratio of the patches' deviations within the level's range and the bias
clamped after it. On nearly flat patches that ratio is noise, so the
gain often sat at its limit; scaling about zero, it moved a bright mean
further than Default's (or High's) bias could bring back, each channel
by a different amount: a tinted blotch in a sky gradient (up to 14
levels at Default, 27 at High).
For nearly flat patches (deviations under about 5 levels) whose means
are already within the bias of each other, the gain is now kept where
the bias can still match the means. Textured patches, and flat ones of
clearly different colours (Content-Aware Move's Color, measured against
Photoshop), are fitted as before.
Fixes#4706
Co-authored-by: Brandon Thomas <[email protected]>
#4217 used rayon's par_iter in ui-egui unconditionally, but rayon is a
native-only dependency there, so cargo xtask wasm failed on main.
Co-authored-by: Claude Opus 5.5 <[email protected]>
* panic_hunt: don't fuzz the print commands into a real printer
file.print and file.printOneCopy spool to CUPS, so every run of the adversarial-params test
printed a blank page on the default printer. The hunt now skips those two ids (their params
are validated like everyone else's; spooling is not what the test is for).
* Guard the print spooler itself and the CI environment
- print_cmds: disable_printing() (a process-wide flag the panic hunt sets) and the
PHOTOCRAFT_NO_PRINT environment variable make spool_pdf refuse before running lp; dryRun
still renders and reports the command. Test.
- CI: PHOTOCRAFT_NO_PRINT=1 and LPDEST=photocraft-no-such-printer, so a regression fails
loudly instead of printing. Documented in docs/development.md › Environment variables.
* Type: type on a path, glyphs follow the curve (#4365)
Add TextShape::Path (path, start offset, flip). The text is laid out as one
point-text line and each glyph is placed rigidly on the flattened path by arc
length, turned to the tangent at its centre; glyphs past the end are hidden and
a degenerate path falls back to straight text. New commands type.attachToPath
(work path or shape layer subpath) and type.detachFromPath. TextShape is no
longer Copy. .pcraft round-trips the new variant.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Automation policy: type.attachToPath/detachFromPath take document vector paths, not host files (#4365)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* docs: regenerate scorecard after merging main
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
* Themes: Soft Dark and Soft Light (#4368)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* docs: regenerate scorecard after merging main
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
* feat: linux caption buttons follow the desktop: layout, style and icon theme
The title bar's minimize/maximize/close buttons now match the desktop:
- Layout and side: GNOME button-layout via the settings portal (live),
KDE kdeglobals ButtonsOnLeft/Right, else gtk-3.0 settings.ini.
- Style family (GNOME round, Breeze chevrons, Windows) follows the
desktop, then the GTK theme.
- Glyphs come from the icon theme's window-*-symbolic.svg (freedesktop
lookup with Inherits and hicolor; unlisted theme directories such as
symbolic/ui are searched lazily), rasterized with resvg at the real
pixel size, recoloured and cached; missing icons fall back to the
built-in vector glyphs. Override: PHOTOCRAFT_CAPTION_ICONS=<theme>|none.
- Theme and portal work runs on a worker thread (10-22 ms per theme).
* feat: linux caption buttons follow the desktop: layout, style and icon theme
The title bar's minimize/maximize/close buttons now match the desktop:
- Layout and side: GNOME button-layout via the settings portal (live),
KDE kdeglobals ButtonsOnLeft/Right, else gtk-3.0 settings.ini.
- Style family (GNOME round, Breeze chevrons, Windows) follows the
desktop, then the GTK theme.
- Glyphs come from the icon theme's window-*-symbolic.svg (freedesktop
lookup with Inherits and hicolor; unlisted theme directories such as
symbolic/ui are searched lazily), rasterized with resvg at the real
pixel size, recoloured and cached; missing icons fall back to the
built-in vector glyphs. Override: PHOTOCRAFT_CAPTION_ICONS=<theme>|none.
- Theme and portal work runs on a worker thread (10-22 ms per theme).
---------
Co-authored-by: Brandon Thomas <[email protected]>
Co-authored-by: Claude Opus 5.5 <[email protected]>
* i18n(sr): add a Serbian (Latin, Ekavian) UI catalog
Adds sr.tsv with 4,022 rows: every key the i18n-coverage tool measures
plus the union of the dynamic labels the other catalogs translate. The
catalog is written in Latin script, Ekavian; every Serbian locale
(sr-RS, sr-Latn-*, sr_RS@latin and Cyrillic sr-Cyrl-*) resolves to it.
Plurals use the one/few/many rule (plural_russian) with three forms per
@plural entry.
Original translations from the plain meaning of the English labels; no
proprietary localisation resources were used (ATTRIBUTION.md and
LICENSE-translations.txt updated). Tests cover locale resolution,
contextual and id overrides, placeholders, and plurals across teens and
compound counts.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Info.plist: declare the Serbian localization
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Dejan Port <[email protected]>
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
Open .kra and .krz with paint layers (8/16-bit RGBA and gray, any offset), nested
and pass-through groups, names, visibility, opacity, locks, blend modes and
transparency masks, plus the image's ICC profile and resolution. Vector, filter,
fill, file and clone layers and the other mask kinds are left out with a warning;
float, CMYK and Lab documents open as Krita's merged image (preview). Import only:
Save suggests .ora. Checked against 35 Krita 5.2.9-authored files.
Co-authored-by: Scott Campbell <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
Co-authored-by: Claude Opus 5.5 <[email protected]>
RenderVectorMasks keyed compiled masks by the address of the VectorMask it
was given. hiding_mask/effects_source pass temporary clones, whose addresses
get reused, so a later layer received an earlier layer's compiled mask.
Co-authored-by: Claude Opus 5.5 <[email protected]>
The built-in "Pure" group's hues are vivid but not pure (its green is
#28C850), so picking it for text looked dull next to Photoshop's #00FF00.
Add a Photoshop-style "RGB" group (#FF0000, #FFFF00, #00FF00, #00FFFF,
#0000FF, #FF00FF) right after Grays. Pure is kept unchanged so existing
documents, actions and saved swatches that use it keep their colours.
* Content-Aware Move: live preview of the result while the pointer rests (#4385)
A cancellable, debounced background job shows the move/extend result during the drag and in the Transform On Drop box.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* docs: regenerate scorecard after merging main
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Some DNG writers state a white level the sensor never reaches (an iPhone
15 Pro Max Bayer DNG states 4095 and clips at 3567). Development clips
each channel at 1 after white balance, so red and blue reached 1 while
green stayed at 0.85 and blown highlights turned magenta. On decode, a
per-colour pile-up clearly below the white level is now raised to it, as
in storytold/lightcraft#586.
* Type: fall back to installed Indic fonts for document text (#4383)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* docs: regenerate scorecard after merging main
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Fix macOS system dialog localization
* Info.plist: declare the Hungarian and Turkish localizations too
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Brandon Thomas <[email protected]>
Co-authored-by: Claude Opus 5.5 <[email protected]>
The dialog had no colour control at all: the engine defaulted the From
colour to the foreground and the spec's `color` param rendered nothing.
It now shows a Color row (swatch opens the Color Picker, seeded from the
foreground) plus a pipette that arms a canvas eyedropper: the next click
on the image samples the merged composite into the field, like the
Curves picker and Photoshop's Replace Color.
Co-authored-by: highperfocused <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
Co-authored-by: Claude Opus 5.5 <[email protected]>
An open tool flyout closed only on a click outside it. Dragging on the
canvas (cropping, painting) isn't a click, so the flyout stayed open
over the work.
Any press that starts outside the flyout and its button now closes it,
as in Photoshop. A press on the flyout itself still keeps it open for
the row it picks on release, and Escape still closes it.
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
Committing Free Transform on a 300-550 MP layer ran the bicubic warp on the UI
thread: several seconds of a frozen window with no feedback. On a 20000x16000
layer the warp alone took about 6.6 s.
edit.transform is now a background job (edit_job): the warp reports progress per
tile and stops when cancelled. The transform session stays open while it runs,
showing the moving pixels without the box, so the layer doesn't jump back to its
old place until the result lands. The modal progress dialog shows after the
usual delay, and Esc or Cancel cancels the job. A copy or placed layer the
session made is folded into the step, or taken back, in its own document.
Undo and Redo are refused while the commit runs.
Tests and scripts run inline as before.
Co-authored-by: Brandon Thomas <[email protected]>
Co-authored-by: Claude Opus 5.5 <[email protected]>
Holding a tool button to open its flyout showed that button's tooltip on
top of the flyout, and other toolbar buttons kept showing theirs while it
was open. The flyout is our own Area, so egui's rule that hides tooltips
while a popup is open didn't apply.
The toolbar's buttons (the tools, Quick Mask, Change Screen Mode) now skip
their tooltips while a tool flyout is open or the mouse button is held.
icons::button_with_icon_size_tip keeps the tooltip text as the button's
label when the tooltip is hidden.
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
With File name extensions shown in Explorer, the Windows save dialog keeps
a visible extension when the user picks another type: image.psd saved as
PhotoCraft stayed image.psd. Given a bare name, the dialog adds the chosen
type's own extension (rfd sets the default extension, which Windows
updates on every type change).
On Windows the dialog now starts with the stem, and the suggested type
leads the type list with the suggested extension first (so .psb, .fit and
.jpeg stay what they were). Names with a second dot or an upper-case
extension keep the whole name. macOS and Linux are unchanged.
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
* Pen: Auto Add/Delete anchors on the active path (#4144)
With the Pen's new Auto Add/Delete option (options bar, on by default as
in Photoshop), a click on a segment of the active path adds an anchor
there and a click on one of its anchors deletes it, one History step
each, instead of starting a new path. The active path is the targeted
vector mask or the active shape layer's path, then the work path.
The end points of an open subpath, a path being drawn, and Shift, Alt
or Cmd/Ctrl held leave the click to the Pen. Hovering highlights the
segment or anchor and the cursor shows + or -, like the Add/Delete
Anchor Point tools, which share the same code (anchor_tools::apply).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Pen: keep the close-drag test off Auto Add/Delete when it redraws over a finished path
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
The options bar's Mode dropdowns now use widgets::dropdown_wheel_hovered, the wheel stepping the
Layers panel's Blend Mode already has (#1747): down picks the next mode, up the previous one, one
per notch, stopping at the ends, over the button or the open list. The Brush and Pencil list keeps
Photoshop's Clear after Dissolve. Adds my contributors/people.toml entry.
Claude-Session: https://claude.ai/code/session_01RXND3Ywis6CuB5mv6fLYU7
Co-authored-by: megaDon101 <[email protected]>
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
