* Tests: bad-layer-id checks use an id that can't exist (#3343)
Layer ids come from one process-wide counter (shared with document and
smart-object ids, and bumped by ensure_ids_above on file loads). A full
`cargo test` run passes ids like 9999, so a layer a test just created can
get the "bad" id, the command succeeds and the assertion fails at random
(seen on CI in type_extra_cmds::tests::vertical_orientation_renders_columns_inside_the_canvas).
Use u64::MAX, which the counter never reaches, for every "no such layer"
sentinel in the engine and ui-egui tests. Test-only change.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Tests: use u64::MAX for bad-layer-id sentinels added on main since (#3343)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
fit() computed (y + 1) * h in u32, which passes u32::MAX for a plane
over 2^32 / max rows; the ABR and pattern parsers' edge caps keep real
inputs below that, but the guard lived in another crate. Spans are now
computed in u64. gradient_bake::eval indexed stops[0] and stops[i + 1]
relying on bake's two-stop check; it now handles an empty or lone stop
itself. Same results for every input that worked before.
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Type: type on a path, glyphs follow the curve (#4365)
Add TextShape::Path (path, start offset, flip). The text is laid out as one
point-text line and each glyph is placed rigidly on the flattened path by arc
length, turned to the tangent at its centre; glyphs past the end are hidden and
a degenerate path falls back to straight text. New commands type.attachToPath
(work path or shape layer subpath) and type.detachFromPath. TextShape is no
longer Copy. .pcraft round-trips the new variant.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Automation policy: type.attachToPath/detachFromPath take document vector paths, not host files (#4365)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* docs: regenerate scorecard after merging main
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
* Themes: Soft Dark and Soft Light (#4368)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* docs: regenerate scorecard after merging main
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
RenderVectorMasks keyed compiled masks by the address of the VectorMask it
was given. hiding_mask/effects_source pass temporary clones, whose addresses
get reused, so a later layer received an earlier layer's compiled mask.
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Content-Aware Move: live preview of the result while the pointer rests (#4385)
A cancellable, debounced background job shows the move/extend result during the drag and in the Transform On Drop box.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* docs: regenerate scorecard after merging main
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Type: fall back to installed Indic fonts for document text (#4383)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* docs: regenerate scorecard after merging main
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Clone Source: clip the overlay to a shaped brush tip (#4372)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* docs: regenerate scorecard after merging main
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
* Type tool: spelling suggestions in the edit menu (#4370)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Type spelling menu: cap suggestions at 3 so the menu stays short (#4370)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* docs: regenerate scorecard after merging main
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Type: faux bold keeps antialiased edges at small sizes (#4130)
Faux bold drew each glyph at 8 offsets into one signed-area coverage buffer, so edge pixels from the copies summed and saturated to full coverage (hard, pixelated stems, about 2.2x the ink at 12 px). Each offset now gets its own buffer, merged with max.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Type: faux bold ring radius tuned so stems keep their weight (#4130)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Color Picker: CMYK foreground fills a CMYK document with the picked inks (#4196)
The tool colours are stored as sRGB, so a colour picked as CMYK 100/0/0/0
(outside sRGB) came back as 100/28/0/17 when a CMYK document was filled.
tools.setColors now takes foregroundCmyk/backgroundCmyk, the picker sends
the entered inks, and Edit > Fill (and the fill keys) write them as they
are into a CMYK target. Fill also enters the document's CMYK profile.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Brush and Pencil paint a CMYK foreground with the picked inks in a CMYK document (#4344)
Co-Authored-By: Claude Sonnet 5.5 <[email protected]>
* Paint Bucket and Edit > Stroke: a CMYK foreground writes the picked inks (#4351)
Co-Authored-By: Claude Sonnet 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Color Picker: CMYK foreground fills a CMYK document with the picked inks (#4196)
The tool colours are stored as sRGB, so a colour picked as CMYK 100/0/0/0
(outside sRGB) came back as 100/28/0/17 when a CMYK document was filled.
tools.setColors now takes foregroundCmyk/backgroundCmyk, the picker sends
the entered inks, and Edit > Fill (and the fill keys) write them as they
are into a CMYK target. Fill also enters the document's CMYK profile.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Brush and Pencil paint a CMYK foreground with the picked inks in a CMYK document (#4344)
Co-Authored-By: Claude Sonnet 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
The tool colours are stored as sRGB, so a colour picked as CMYK 100/0/0/0
(outside sRGB) came back as 100/28/0/17 when a CMYK document was filled.
tools.setColors now takes foregroundCmyk/backgroundCmyk, the picker sends
the entered inks, and Edit > Fill (and the fill keys) write them as they
are into a CMYK target. Fill also enters the document's CMYK profile.
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Tests: language-invariant bit-depth labels are allow-listed; add missing tr/hu 'Enable animations' (#4359)
Turkish writes '8 bit'/'16 bit' exactly like the English source, so the
translated-differs assertion needs an explicit allow-list (the entry must
still exist). hu and tr had no 'Enable animations' preference label.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Merge main; drop the Enable animations rows main already has
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
read_layer decoded every part and picked one; use a first-valid-layer reader
that declines all other parts. Cryptomatte now goes through read_meta and
read_layer. Enable exr/rayon on native targets.
Co-authored-by: Claude Opus 5.5 <[email protected]>
- store: `max_blob_bytes as u64 + 1` overflowed for usize::MAX (debug
panic; release take(0), so every blob failed). The blob read and the
tile decode now share decompress_bounded(), which saturates.
- zip: ZipReader::read sliced `data_offset..data_offset + compressed`
unchecked although Entry is pub + Clone; a foreign entry is now a
Corrupt error.
- store: Collect::tile reuses tile_le(); Object::content() gives the
stored bytes once (existing_object_is_valid no longer builds them twice).
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
* Format: check pattern sizes on load (#3478)
A .pcraft pattern's width/height came straight from the manifest, so a
1 KB file could declare a 65535x65535 pattern without tiles; painting it
allocated width*height*16 bytes (abort) and the engine's u32 size math
overflowed.
- format: reject patterns 0 px on a side (Corrupt) or above the PSD
reader's 30 000 px edge (LimitExceeded).
- doc: Pattern::pixel_count / is_paintable with MAX_PAINT_PIXELS (2^26,
a 1 GiB f32 RGBA working copy).
- compose/gpu: patterns too large to paint paint nothing instead of
allocating (Tile::new_in, pattern_rgba, PreparedPatterns, GPU plan).
- engine: brush.texturePattern refuses them; average_color uses u64 math
and a bounded corner.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* gpu: skip unpaintable patterns in the Bevel texture too
The Bevel & Emboss texture element uploaded the pattern through
pattern_rgba, which now returns no pixels for a pattern too large to
paint; filter it like the other GPU pattern lookups.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
U8/U16 depth changes and pure channel-copy layout changes (alpha add/drop, gray to RGB) skip the two intermediate f32 buffers. Output is bit-identical to the f32 route.
Co-authored-by: Claude Opus 5.5 <[email protected]>
A tiny file declaring a huge image reserved the full output buffer before any
data was checked. Add Limits::check_plausible (compression-ratio guard) and a
fallible alloc_zeroed, use them in PNG and WebP, and lower the 32-bit default
max_alloc to 1 GiB.
Co-authored-by: Claude Opus 5.5 <[email protected]>
layer.translate takes target=mask: a layer whose mask is unlinked then shifts that mask only
(the shell adds the target when the Layers panel targets the mask), live preview included.
Co-authored-by: Claude Opus 5.5 <[email protected]>
Studio, Studio Light and Classic showed only the hint 'Drag to draw a
gradient'. The Gradient arm was gated by t.pro; it now runs in every theme.
Co-authored-by: Claude Opus 5.5 <[email protected]>
ZipReader::find scanned every entry per lookup, and a bundle load looks
up one entry per tile reference, so loads were O(refs x entries). Build
a name -> index map once in ZipReader::new (first entry wins for
duplicate names, as the scan did) and look names up through it.
crc32 now delegates to crc32fast (already in Cargo.lock via flate2)
instead of a byte-at-a-time table loop.
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Tools: Shift key switches tools by default, as in Photoshop (#3525)
Use Shift Key for Tool Switch is on by default in Photoshop: T keeps the
current tool, Shift+T cycles. Saved settings keep their stored value.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Tests: the M-key marquee cycling test sends Shift+M, the new default (#3296)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
save_dir removed unreferenced objects with `remove_file(..)?` after the
manifest commit, so a vanished or locked file made a completed save
(autosave) report failure. The cleanup is now best-effort.
RecoveryStore::new sweeps recovery data nothing could load or clean up:
bundles without a sidecar (crash during a first autosave) and
*.pcsave.tmp files of other processes, only once untouched for 24 hours
so another instance's in-progress save is never touched.
Co-authored-by: Claude Opus 5.5 <[email protected]>
Saves store each distinct tile once (a solid fill shares one Arc<Tile>), but
the loader fetched, decompressed and charged max_total_bytes once per tile
reference and gave every coordinate its own copy. A solid canvas above
~65536² (8-bit) failed to reopen with "bundle expands beyond 17179869184
bytes", and smaller ones lost their sharing (a solid 30000² 32-bit document
went from about 1 MB to about 14 GB in memory).
The loader now keeps the decoded tiles of the current load by sample type and
content hash: each distinct tile is decoded, hash-checked and charged against
the budget once, and every further reference gets the same copy-on-write Arc.
The budget still bounds distinct decoded bytes; extra references cost a map
lookup and an Arc clone each, bounded by max_manifest_bytes.
Co-authored-by: Claude Opus 5.5 <[email protected]>
File › New › Recent was a hard-coded pair of presets plus Clipboard. Each
document created with the dialog now records its settings (size,
resolution, mode, depth, background, display units) through the new
document.recent.add command: newest first, equal entries collapsed, at most
20, persisted with the presets (a damaged entry is dropped on load, the rest
kept). The Recent tab lists Clipboard, those documents, then the defaults
they don't cover; a click restores every setting, a double-click creates,
and the grid scrolls past three rows. document.recent.list exposes the list
to agents; creation stays in file.new. Closes scorecard row UI-217-12.
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
Filter > Vanishing Point now opens a dialog mode on the canvas instead of
the generic parameter dialog:
- Create Plane (C): four clicks, in any order, make a plane (corners are
normalised clockwise from the top-left, the order paste expects).
- Edit Plane (V): drag corner nodes, or edge nodes to slide an edge along
the plane's own perspective; click a plane to select it, Delete removes it.
- The plane grid is drawn at the Grid Size, in the accent colour when the
plane is valid, warning yellow when its perspective is doubtful and red
(outline only) when the quad isn't convex (VpPlane::check).
- With an image on the clipboard the selected plane previews it pasted in
perspective; drag to move it, Width sets its size, New Layer renders it
on a new layer. OK / Enter runs filter.vanishingPoint with the planes and
the paste as one history step; the control channel drives the same
session through {"ui": {...}}.
The engine now rejects a drawn plane whose corners don't form a convex
quad (bow-tie, dented) instead of warping along it.
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
The Clone Source panel gets Photoshop's W/H chain (Maintain aspect
ratio): with it on, a new W or H scales the other by the same factor.
cloneSource.set takes "linked" and cloneSource.list reports it.
The overlay's Darken, Lighten and Difference modes were stored but
never drawn. draw_clone_preview now blends the source with the
composite under the brush (clone_source::overlay_blend), so Difference
goes black where source and image line up.
Co-authored-by: Claude Opus 5.5 <[email protected]>
The mesh was every square grid cell touching the layer's opaque pixels:
a staircase up to a cell outside the shape, and shapes closer than about
a cell shared cells, so pinning one dragged the other along.
build_mesh now traces the outline of the opaque region grown (or shrunk)
by Expansion from a signed distance field, simplifies it (Douglas-Peucker,
corners kept), splits its sides to the Density spacing, fills the inside
with a triangular lattice and triangulates the points (Bowyer-Watson
Delaunay, outline sides recovered by midpoint splits), keeping the
triangles inside the outline. Separate shapes get separate meshes, so an
unpinned one stays put, as in Photoshop. Vertices are numbered in reverse
Cuthill-McKee order to keep the solver's banded factor narrow, and the
density's spacing counts the grown region so a large Expansion on a small
layer no longer builds tens of thousands of vertices.
Scorecard TOOL-214-6 done; docs/gaps.md G7 updated.
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
* Curves: pencil mode, Smooth and Edit points (#3088)
The Curves editor (Image > Adjustments dialog and the adjustment layer's
Properties panel) gains Photoshop's "Edit points to modify the curve" and
"Draw to modify the curve" buttons plus Smooth, with tooltips. A drawn
curve is a 256-level map per channel, evaluated piecewise-linearly.
- doc: Adjustment::Curves gains `pencil` (serde default), with
curve_map / curve_map_outputs helpers.
- compose: curve_map_lut / curve_lut_mode for drawn curves.
- engine: curves params take `pencil` and `smooth`; channels accept
256-level maps; switching modes draws the spline into maps or fits up to
16 points to the drawing. Eyedroppers fit points first.
- io: the PSD `curv` map flag (first byte, psd-tools `is_map`) was read
as padding, so pencil curves from Photoshop were misparsed; they are now
read and written as 256-byte maps, and smart-filter Curves use `Mpng`.
- scorecard UI-217-15 note updated.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Properties: Curves adjustment layers get the black/gray/white eyedroppers (#3110)
The Set Black/Neutral Gray/White Point pickers existed only in the
Image > Adjustments > Curves dialog (#873). The Properties editor of a
Curves adjustment layer now has them too (layer_picker.rs): with one
armed, a click on the image runs one layer.setAdjustment with the new
`eyedropper` param, which samples the image below the layer (the layer
hidden, like its Properties histogram) at the Eyedropper's Sample Size,
so a repeated click keeps the curve and the edit is one undoable,
recordable step agents can send directly. Esc, another tool or another
layer disarms it; ui.pointer and ui.inspect (`layerPicker`) cover it.
Scorecard UI-217-15 is done.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Levels: black, gray and white point eyedroppers (#3116)
Image > Adjustments > Levels and a Levels adjustment layer's Properties
panel get Photoshop's Set Black/Neutral Gray/White Point eyedroppers.
Black/white move each channel's input black/white to the sample, gray
sets each channel's midtone gamma so the sample turns neutral at its
luma (Grayscale: composite input, no gray). The engine takes the same
`eyedropper` param as Curves on image.adjustments.levels,
layer.newAdjustmentLayer.levels and layer.setAdjustment.
On a smart object, image.adjustments.levels/curves with `eyedropper`
now record the resolved adjustment as the smart filter instead of the
raw sample, which re-rendered as an identity (#3127).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Merge upstream/main: Curves in new compose/gpu HDR tests gets the pencil field (#3088)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
* Format: admit the declared .pcraft canvas before loading it (#2935)
A .pcraft manifest's canvas size was copied into the Document unchecked, so
a few bytes of JSON could declare a 300000x300000 (or u32::MAX) canvas that
the CPU reduction, thumbnails and display textures then work against in
proportion to its area.
The loader now refuses an empty canvas, a side above 300000 (Photoshop's PSB
limit, as for PSD and file.new) and an area above 4 gigapixels, right after
reading the manifest and before any tile or blob is decoded. Both limits are
LoadOptions fields so trusted callers can change them.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Format: admit every canvas the app can create on .pcraft load (#2935)
The default pixel budget was 2^32 (65536 x 65536), but file.new, Canvas
Size, Image Size with Resample off and PSB import all reach 300000 x
300000, so a document a user could create and save would not reopen.
The default is now the full 300000^2 PSB canvas; the side limit still
refuses anything larger, and callers handling untrusted files can lower
either budget. Loading stays proportional to the file: layers keep only
the tiles the bundle holds, so a huge declared canvas allocates nothing
for its area.
A compile-time assert in document_preset_cmds ties file.new's
MAX_DIMENSION to the loader's defaults.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Curves: pencil mode, Smooth and Edit points (#3088)
The Curves editor (Image > Adjustments dialog and the adjustment layer's
Properties panel) gains Photoshop's "Edit points to modify the curve" and
"Draw to modify the curve" buttons plus Smooth, with tooltips. A drawn
curve is a 256-level map per channel, evaluated piecewise-linearly.
- doc: Adjustment::Curves gains `pencil` (serde default), with
curve_map / curve_map_outputs helpers.
- compose: curve_map_lut / curve_lut_mode for drawn curves.
- engine: curves params take `pencil` and `smooth`; channels accept
256-level maps; switching modes draws the spline into maps or fits up to
16 points to the drawing. Eyedroppers fit points first.
- io: the PSD `curv` map flag (first byte, psd-tools `is_map`) was read
as padding, so pencil curves from Photoshop were misparsed; they are now
read and written as 256-byte maps, and smart-filter Curves use `Mpng`.
- scorecard UI-217-15 note updated.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Properties: Curves adjustment layers get the black/gray/white eyedroppers (#3110)
The Set Black/Neutral Gray/White Point pickers existed only in the
Image > Adjustments > Curves dialog (#873). The Properties editor of a
Curves adjustment layer now has them too (layer_picker.rs): with one
armed, a click on the image runs one layer.setAdjustment with the new
`eyedropper` param, which samples the image below the layer (the layer
hidden, like its Properties histogram) at the Eyedropper's Sample Size,
so a repeated click keeps the curve and the edit is one undoable,
recordable step agents can send directly. Esc, another tool or another
layer disarms it; ui.pointer and ui.inspect (`layerPicker`) cover it.
Scorecard UI-217-15 is done.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Merge upstream/main: Curves in new compose/gpu HDR tests gets the pencil field (#3088)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
Limits::max_alloc budgets the decoded pixel buffer, but the PNM decoder
collected one u32 per sample first (4x an 8-bit image, plus a u16 copy
for 16-bit) and PFM built a Vec<f32> beside the output bytes. Samples are
now rescaled and written straight into the native-endian output buffer
(reserved fallibly), so the only header-sized allocation is the one
Limits::check already charged.
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Curves: pencil mode, Smooth and Edit points (#3088)
The Curves editor (Image > Adjustments dialog and the adjustment layer's
Properties panel) gains Photoshop's "Edit points to modify the curve" and
"Draw to modify the curve" buttons plus Smooth, with tooltips. A drawn
curve is a 256-level map per channel, evaluated piecewise-linearly.
- doc: Adjustment::Curves gains `pencil` (serde default), with
curve_map / curve_map_outputs helpers.
- compose: curve_map_lut / curve_lut_mode for drawn curves.
- engine: curves params take `pencil` and `smooth`; channels accept
256-level maps; switching modes draws the spline into maps or fits up to
16 points to the drawing. Eyedroppers fit points first.
- io: the PSD `curv` map flag (first byte, psd-tools `is_map`) was read
as padding, so pencil curves from Photoshop were misparsed; they are now
read and written as 256-byte maps, and smart-filter Curves use `Mpng`.
- scorecard UI-217-15 note updated.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Merge upstream/main: Curves in new compose/gpu HDR tests gets the pencil field (#3088)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
Preferences › Interface › Enable animations (interface.enableAnimations, on by
default). Off, prefs_ui::sync_animations sets egui's animation_time to 0 and
scroll_animation to none in both the dark and light styles, so menus, popups
and collapsing sections change at once and scroll areas jump. It is re-applied
each frame, so a theme change keeps it. Translated in all 16 catalogs; the
scorecard row UI-217-10 goes to partial.
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
* Layers panel: Shift+Plus/Minus cycle blend modes; effects dropped on the Trash are deleted (#3102)
- blend_keys.rs: Shift+Plus / Shift+Minus step to the next / previous blend mode, wrapping:
the brush's mode with the Brush or Pencil (tools.setBrush), the Gradient's with the Gradient
tool, otherwise the active layer's (layer.setProps; groups include Pass Through, the
Background is left alone). One undo step per press.
- panels.rs: an effect row dragged onto the footer's Delete button deletes that effect, the
"Effects" row clears the whole style (layer.layerStyle.clear).
- engine: layer.layerStyle.clear takes an optional "effect" index ("Delete Effect" step);
bad indices and layers return Err.
- scorecard UI-217-14 -> done (its wheel, footer drop and thumbnail checker parts were already
on main via #1961, #965).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Layers panel: Shift+Plus/Minus step the blend mode on a German layout too (#3102)
On layouts with a key of its own for `+` (German, Italian, Spanish) Shift+`+`
types `*`, which egui has no key for, so egui-winit reports the physical key:
`]` on German. That matched Shift+] (Increase Brush Hardness) before the blend
keys ever saw it. Shift+`-` types `_` and arrives as the physical `/`.
shortcuts::layout_symbols now turns such a fallback press (Shift, the key equal
to its physical key, not a digit, next to the text `*` or `_`) into `+` / `-`
before any shortcut is dispatched. A US Shift+] still arrives as `}` and keeps
raising the hardness; US Shift+8 (`*`) stays a digit for the opacity keys.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Shortcuts: Ö / # are the brush keys on a German layout (#3109)
Photoshop's German shortcuts step the brush size with Ö / # and the hardness
with Shift+Ö / Shift+#, since [ and ] need AltGr there (and that press carries
Alt on the Mac and Windows, which the shortcut match rejects). egui can't name
ö or #, so they arrived as the physical ; and \ and matched nothing; Shift+#
types ' and arrived as Quote.
shortcuts::layout_symbols (from #3102) now reads a table of typed symbol and
Shift: ö / Ö -> [, # / ' -> ], next to * -> + and _ -> -. It runs at the top of
shortcuts::handle (unless a text field has focus), so Liquify's and the
Magnetic Lasso's [ ] get the German keys too. Only presses whose key egui took
from the physical key or from that very text change, and never digits.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Layers panel: a mask dragged onto the Trash asks to apply or delete it (#3113)
A drag that started on a layer's mask thumbnail dragged the whole row, and
dropping it on the Trash deleted the layer. Now a drag from the pixel mask
thumbnail (where it was drawn last frame) drags the mask: it shows a "Layer
Mask" ghost and starts neither a layer reorder nor a cross-document transfer.
Dropped on the Trash it opens Photoshop's prompt "Apply mask to layer before
removing?" with Apply (layer.layerMask.apply, greyed out where it can't run),
Delete (layer.layerMask.delete) and Cancel. Clicking the Trash still deletes
the targeted mask at once (#2197).
The prompt (mask_trash_prompt.rs) is an ordinary dialog: ui.dialog.confirm
applies, ui.dialog.set {"choice": "delete"} + confirm deletes, cancel keeps.
Two new strings in all 16 catalogs.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Layers panel: dragging the vector mask to the Trash asks to delete just the mask (#3119)
A drag that started on a row's vector mask thumbnail picked up the whole
layer row, so dropping it on the Trash deleted the layer. The mask drag
from #3113 now covers both thumbnails: a vector mask dropped on the Trash
opens Photoshop's "Delete the vector mask?" (OK / Cancel), and OK runs
layer.vectorMask.delete. Clicks on the thumbnail are unchanged.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Brush keys: layout table plus bracket-position fallback for every layout (#3109)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* layout_keys: drop unused field, fmt
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
The palette PNG encoder never wrote a pHYs chunk, so an Indexed Color
document saved as PNG reopened at 72 ppi while the RGB path kept its
resolution. encode_png_indexed now takes an optional dpi and the flat
exporter passes the document resolution under the same embed_metadata
rule as the ordinary PNG encoder. Save for Web PNG-8 is unchanged.
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Layers panel: Shift+Plus/Minus cycle blend modes; effects dropped on the Trash are deleted (#3102)
- blend_keys.rs: Shift+Plus / Shift+Minus step to the next / previous blend mode, wrapping:
the brush's mode with the Brush or Pencil (tools.setBrush), the Gradient's with the Gradient
tool, otherwise the active layer's (layer.setProps; groups include Pass Through, the
Background is left alone). One undo step per press.
- panels.rs: an effect row dragged onto the footer's Delete button deletes that effect, the
"Effects" row clears the whole style (layer.layerStyle.clear).
- engine: layer.layerStyle.clear takes an optional "effect" index ("Delete Effect" step);
bad indices and layers return Err.
- scorecard UI-217-14 -> done (its wheel, footer drop and thumbnail checker parts were already
on main via #1961, #965).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Layers panel: Shift+Plus/Minus step the blend mode on a German layout too (#3102)
On layouts with a key of its own for `+` (German, Italian, Spanish) Shift+`+`
types `*`, which egui has no key for, so egui-winit reports the physical key:
`]` on German. That matched Shift+] (Increase Brush Hardness) before the blend
keys ever saw it. Shift+`-` types `_` and arrives as the physical `/`.
shortcuts::layout_symbols now turns such a fallback press (Shift, the key equal
to its physical key, not a digit, next to the text `*` or `_`) into `+` / `-`
before any shortcut is dispatched. A US Shift+] still arrives as `}` and keeps
raising the hardness; US Shift+8 (`*`) stays a digit for the opacity keys.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Shortcuts: Ö / # are the brush keys on a German layout (#3109)
Photoshop's German shortcuts step the brush size with Ö / # and the hardness
with Shift+Ö / Shift+#, since [ and ] need AltGr there (and that press carries
Alt on the Mac and Windows, which the shortcut match rejects). egui can't name
ö or #, so they arrived as the physical ; and \ and matched nothing; Shift+#
types ' and arrived as Quote.
shortcuts::layout_symbols (from #3102) now reads a table of typed symbol and
Shift: ö / Ö -> [, # / ' -> ], next to * -> + and _ -> -. It runs at the top of
shortcuts::handle (unless a text field has focus), so Liquify's and the
Magnetic Lasso's [ ] get the German keys too. Only presses whose key egui took
from the physical key or from that very text change, and never digits.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Layers panel: a mask dragged onto the Trash asks to apply or delete it (#3113)
A drag that started on a layer's mask thumbnail dragged the whole row, and
dropping it on the Trash deleted the layer. Now a drag from the pixel mask
thumbnail (where it was drawn last frame) drags the mask: it shows a "Layer
Mask" ghost and starts neither a layer reorder nor a cross-document transfer.
Dropped on the Trash it opens Photoshop's prompt "Apply mask to layer before
removing?" with Apply (layer.layerMask.apply, greyed out where it can't run),
Delete (layer.layerMask.delete) and Cancel. Clicking the Trash still deletes
the targeted mask at once (#2197).
The prompt (mask_trash_prompt.rs) is an ordinary dialog: ui.dialog.confirm
applies, ui.dialog.set {"choice": "delete"} + confirm deletes, cancel keeps.
Two new strings in all 16 catalogs.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Brush keys: layout table plus bracket-position fallback for every layout (#3109)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* layout_keys: drop unused field, fmt
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
* Layers panel: Shift+Plus/Minus cycle blend modes; effects dropped on the Trash are deleted (#3102)
- blend_keys.rs: Shift+Plus / Shift+Minus step to the next / previous blend mode, wrapping:
the brush's mode with the Brush or Pencil (tools.setBrush), the Gradient's with the Gradient
tool, otherwise the active layer's (layer.setProps; groups include Pass Through, the
Background is left alone). One undo step per press.
- panels.rs: an effect row dragged onto the footer's Delete button deletes that effect, the
"Effects" row clears the whole style (layer.layerStyle.clear).
- engine: layer.layerStyle.clear takes an optional "effect" index ("Delete Effect" step);
bad indices and layers return Err.
- scorecard UI-217-14 -> done (its wheel, footer drop and thumbnail checker parts were already
on main via #1961, #965).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Layers panel: Shift+Plus/Minus step the blend mode on a German layout too (#3102)
On layouts with a key of its own for `+` (German, Italian, Spanish) Shift+`+`
types `*`, which egui has no key for, so egui-winit reports the physical key:
`]` on German. That matched Shift+] (Increase Brush Hardness) before the blend
keys ever saw it. Shift+`-` types `_` and arrives as the physical `/`.
shortcuts::layout_symbols now turns such a fallback press (Shift, the key equal
to its physical key, not a digit, next to the text `*` or `_`) into `+` / `-`
before any shortcut is dispatched. A US Shift+] still arrives as `}` and keeps
raising the hardness; US Shift+8 (`*`) stays a digit for the opacity keys.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Shortcuts: Ö / # are the brush keys on a German layout (#3109)
Photoshop's German shortcuts step the brush size with Ö / # and the hardness
with Shift+Ö / Shift+#, since [ and ] need AltGr there (and that press carries
Alt on the Mac and Windows, which the shortcut match rejects). egui can't name
ö or #, so they arrived as the physical ; and \ and matched nothing; Shift+#
types ' and arrived as Quote.
shortcuts::layout_symbols (from #3102) now reads a table of typed symbol and
Shift: ö / Ö -> [, # / ' -> ], next to * -> + and _ -> -. It runs at the top of
shortcuts::handle (unless a text field has focus), so Liquify's and the
Magnetic Lasso's [ ] get the German keys too. Only presses whose key egui took
from the physical key or from that very text change, and never digits.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Brush keys: layout table plus bracket-position fallback for every layout (#3109)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* layout_keys: drop unused field, fmt
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Drop shortcuts::layout_symbols left by the merge: layout_keys::apply replaces it
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
* Layers panel: Shift+Plus/Minus cycle blend modes; effects dropped on the Trash are deleted (#3102)
- blend_keys.rs: Shift+Plus / Shift+Minus step to the next / previous blend mode, wrapping:
the brush's mode with the Brush or Pencil (tools.setBrush), the Gradient's with the Gradient
tool, otherwise the active layer's (layer.setProps; groups include Pass Through, the
Background is left alone). One undo step per press.
- panels.rs: an effect row dragged onto the footer's Delete button deletes that effect, the
"Effects" row clears the whole style (layer.layerStyle.clear).
- engine: layer.layerStyle.clear takes an optional "effect" index ("Delete Effect" step);
bad indices and layers return Err.
- scorecard UI-217-14 -> done (its wheel, footer drop and thumbnail checker parts were already
on main via #1961, #965).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Layers panel: Shift+Plus/Minus step the blend mode on a German layout too (#3102)
On layouts with a key of its own for `+` (German, Italian, Spanish) Shift+`+`
types `*`, which egui has no key for, so egui-winit reports the physical key:
`]` on German. That matched Shift+] (Increase Brush Hardness) before the blend
keys ever saw it. Shift+`-` types `_` and arrives as the physical `/`.
shortcuts::layout_symbols now turns such a fallback press (Shift, the key equal
to its physical key, not a digit, next to the text `*` or `_`) into `+` / `-`
before any shortcut is dispatched. A US Shift+] still arrives as `}` and keeps
raising the hardness; US Shift+8 (`*`) stays a digit for the opacity keys.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
* Content-Aware Scale: transform box with live preview (#3096)
Edit > Content-Aware Scale opened a parameter dialog. Photoshop has no
dialog: it puts a scale-only transform box on the layer (or the
selection's bounds). The menu now opens that box.
- The box reuses Free Transform. Corner and edge drags scale and an
inside drag moves; dragging outside does not rotate, Cmd does not
skew or distort, and the Warp switch and the Transform modes are off.
- The options bar shows X/Y and W/H, then Amount, Protect (an alpha
channel) and Protect skin tones.
- The live preview runs the command's own carving
(ContentAwareScalePreview) on a 384 px copy on a worker thread. A
run for a box that has changed since is cancelled after 150 ms, and
the latest result is drawn through the box.
- Enter runs edit.contentAwareScale with the box's size and its new
x/y params as one history step; Esc cancels.
- With params the command still runs directly.
Scorecard TOOL-214-7: done.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Content-Aware Move's transform box: set the new content_aware field
#3095 (Transform On Drop) builds a TransformSession by hand; this PR adds
content_aware to it.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
* Numeric fields: typed units, scrubby labels, double-click reset (#3099)
- Value fields convert a unit typed after a number into the field's unit
(1in, 2.54cm, 72pt, 1pica/pc, 10px, 50%) at the active document's
resolution; Image Size and New Document use their own resolution. A
unit that can't convert, or bad arithmetic, keeps the old value.
- widgets::scrub_label: dragging a label scrubs the value field right
after it on its row (a step a point, Shift x10, Alt a tenth as fast),
with a horizontal-resize cursor. Used by options-bar labels, slider
rows and the Character panel icons. A slider row reports the scrub as
one drag, so adjustment edits coalesce into one history step.
- Adjustment slider rows with a known default and filter dialog sliders
reset on double-click, like Color Balance already did.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Scrubby labels: drag-only, not focusable, so Tab skips them
Sense::drag() is focusable in egui 0.36, so every scrubby label became an
extra Tab stop and tab_focus_reveals_the_final_narrow_tool_option could no
longer reach the last tool option.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
* Content-Aware Move: Transform On Drop (#3071)
The Content-Aware Move tool gains Photoshop's Transform On Drop checkbox. With it on, the drop
puts a transform box on the moved patch (the Free Transform box's handles, limited to move,
scale and rotate); Enter, the check button or a double-click computes the content-aware blend
with the transformed patch, Esc or the cancel button drops the whole move. The document is
untouched until the commit, so the move stays one History step.
Engine: paint.contentAwareMove takes scaleX / scaleY (%, 1..10000, negative flips) and rotate
(degrees, clockwise) about the selection's centre before the offset, validated (Err, not a
panic, for non-finite, out-of-range or off-canvas placements). The content and the selection's
shape are resampled through the inverse map on float samples (any depth); the selection is
transformed with the content. A plain move keeps the old, exact code path.
UI: cam_transform.rs holds the box (UiState.cam_transform, view state); the option is remembered
in ToolOptions and settable with ui.set camTransformOnDrop; ui.inspect reports camTransform.
Scorecard TOOL-213-4 stays partial: no live preview of the blended result yet.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Tests: keep Transform On Drop cases in the Content-Aware Move test, not Patch (#3071)
paint.patch takes no scaleX/scaleY/rotate, so those cases (which only
paint.contentAwareMove rejects) failed patch_fails_gracefully. They are
already covered by content_aware_move_fails_gracefully.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
filter.lastFilter was journaled as itself, so a recorded Ctrl+F step
looked up the playing session's last filter: it failed in a new session
("no filter applied yet") and applied whatever filter ran last otherwise.
dispatch now runs Last Filter as the filter it repeats, so that filter is
journaled, recorded, faded and run as a job, as Transform Again records
its transform (#1440).
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Tools: Freeform Pen and Curvature Pen (#1054)
The Pen flyout (P / Shift+P) now holds Pen, Freeform Pen and Curvature Pen.
Freeform Pen: a drag draws freehand; on release the trace is fitted with
cubic Beziers within the options bar's Curve Fit (default 2 px) by
photocraft_vector::trace::fit_trace (Schneider, "An Algorithm for
Automatically Fitting Digitized Curves", Graphics Gems 1990, the fitting
Make Work Path already uses), keeping turns sharper than 60 degrees as
corners. Releasing on the start point closes the path.
Curvature Pen: each click adds a smooth point and the path runs through
every point (Catmull-Rom style handles from
photocraft_vector::edit::curvature_knots); dragging a point moves it,
double-clicking toggles corner/smooth, clicking the first point closes,
Enter/Esc finish and Backspace removes the last point, as with the Pen.
Both commit through the Pen's path: a shape layer in Shape mode, else the
targeted vector mask, else the work path, as one History step.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Freeform Pen: Alt-clicks draw straight segments; Cmd/Ctrl is Direct Selection with the new pens (#3085)
The Freeform Pen now draws through lasso_ui, as the Lasso does: Alt held at
the release keeps the path open, each Alt-click adds a straight segment,
releasing Alt with the button down goes on freehand, with it up finishes
the path; clicking the start point closes it. freeform_finish fits each
freehand run on its own and joins the runs with straight segments between
corner anchors. Cmd/Ctrl with the Freeform or Curvature Pen is the
temporary Direct Selection, as with the Pen (#790); it finishes a path in
progress first.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
fit_canvas only grew the canvas to the boards' right/bottom edges, so a
board moved left of or above the origin (Move tool drag, layer.translate,
layer.artboard.set with negative x/y) stayed partly off-canvas. It now
shifts the whole document (boards, contents, guides, paths...) right/down
by the overhang via image_cmds::translate_doc and grows the canvas, inside
the move's undo step, like Photoshop's artboard documents.
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
* Actions: a command that runs other commands is recorded once (#3067)
A journaled command that called Session::execute journaled the inner
calls as well as its own entry, so a recorded action replayed them twice
(Straighten Layer: rotate + crop, then Straighten again). dispatch now
remembers the journal length when a command starts; when a replayable
command succeeds its entry replaces the entries of the commands it ran.
Edit > Transform > Again is not replayable and keeps its concrete transform.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Actions: Again on a Copy records its steps; taken-back steps are dropped (#3067)
- edit.transform.againCopy is not replayable, like Transform Again (#1440):
it records layer.duplicate + edit.transform, which play in a session
that never ran a transform. With one layer selected the duplicate names
no layer id, so it plays on any document.
- compound, Again on a Copy and Frame from Layers take back what they ran
when they fail; they now also drop those commands from the journal, so
recording does not replay an undone edit.
- Recording pauses while a replayable command runs: a script that plays an
action no longer flushes its earlier steps into the recording and loses
its own entry.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Tools: Horizontal and Vertical Type Mask (#1055)
The Type flyout (T, Shift+T cycle) gains Vertical Type Mask and Horizontal
Type Mask, in Photoshop's order. They type like the Type tools, with the
canvas under Quick Mask's colour and the glyphs clear while editing. On
commit the glyph coverage replaces the selection; no layer is left behind
and the whole session is one "Type Mask" history step. Escape always
cancels and leaves the selection unchanged.
The commit runs a new engine command, type.createSelection: a type layer's
glyphs (optionally removing that layer, the tools' hidden working text) or
type.create's keys directly, with new/add/subtract/intersect and an
anti-aliasing override. type.create's layer building is shared through
type_cmds::new_text_layer.
Original dashed-T icons (ATTRIBUTION.md), tool label translations in every
catalog, README tool list and the gaps/parity docs updated.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Type Mask: Shift/Alt at commit combine with the selection; no Layers row for the working text (#3036)
Committing a Type Mask with Shift held (click outside, Cmd+Shift+Enter or
the check button) adds the glyphs to the selection, Alt subtracts them and
Shift+Alt intersects, as in Photoshop; without modifiers it still replaces.
The Layers panel no longer lists the hidden working text layer while a
Type Mask session is open (layer_tree_ui::panel_rows).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Tools: Artboard tool (#2858)
Photoshop's Artboard tool in the Move flyout (V, ⇧V cycles Move ↔ Artboard):
dragging on an empty spot draws a new board (`layer.new.artboard`), clicking a
board selects it, dragging it moves it with its contents, and the selected
board's edge and corner handles resize it (`layer.artboard.set`,
moveContents: false). Each gesture is one undo step. Options bar: Size preset,
W/H, Make Portrait, Make Landscape, Add New Artboard. Original toolbar glyph
(assets/icons/artboard.svg, ATTRIBUTION.md row).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Artboard tool: '+' buttons add a board beside the selected one; ⇧ keeps proportions (#3033)
With the Artboard tool, the selected board shows a "+" button beside each
side. A click adds an empty board of the same size (background and preset
copied) on that side, the 100 px artboard gap away and past any board in
the way; ⌥-click adds a copy with its contents instead. A board left of or
above the canvas origin shifts the whole document right/down and grows the
canvas, so it stays visible. Both go through the new engine command
`layer.artboard.addBeside` {layer?, side, duplicate} (one undo step).
⇧ while dragging a corner handle keeps the board's aspect ratio: the
opposite corner stays and the board scales by the larger axis factor.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Paths: Stroke Path with any brush-based tool and Simulate Pressure (#2978)
path.stroke now takes every brush-based tool of Photoshop's Stroke Path
dialog: besides the Brush, Pencil and Eraser it renders itself, the
Background Eraser, Clone and Pattern Stamp, Healing and Spot Healing
Brush, History Brush, Blur, Sharpen, Smudge, Dodge, Burn, Sponge, Color
Replacement and Mixer Brush run their paint.* command along each
subpath, in one history step, with only path.stroke journalled.
simulatePressure resamples each subpath and ramps the pressure from 0 at
its start to full at the middle and back to 0 at its end, so a brush
whose size follows pen pressure tapers at both ends.
The Stroke Path dialog (Pen/Path Selection right-click menu, the Paths
panel row menu, Alt-click on the panel's Stroke button) asks for the
tool and Simulate Pressure, as in Photoshop. Scorecard TOOL-214-11 done.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Automation: classify path.stroke's params as a document vector path (#2978)
The new Stroke Path params doc says the tools run "along the path", which
registry_filesystem_path_params_are_classified reads as a possible host
file path. path.stroke strokes a document path and forwards only to
paint.* commands that take no files, so it joins the vector-path list.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
select.rect takes an optional `line` ("row"|"column"); the canvas sends it
for the Single Row / Single Column Marquee, so History records
"Single Row Marquee" / "Single Column Marquee" instead of
"Rectangular Marquee". An unknown `line` is an error.
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Transform: Distort, Perspective and Warp keep shape layers live (#3009)
Edit › Transform › Distort / Perspective and Warp on a shape layer let the
user edit the box or mesh and then refused at commit ("needs a rasterized
shape"). Photoshop maps the shape's path and keeps it a shape.
- photocraft-vector: new `map` module. `map_points` sends every anchor and
control point through a map (Distort / Perspective: exact for straight
segments, exact end tangents for curves). `map_path` follows a curved map
(Warp), halving each segment until the mapped control points follow the
mapped curve within a tolerance (at most 64 pieces a segment, bounded in
total); straight segments whose image is straight stay straight.
- engine: `transform_layer` and `warp_layer` map a shape's path instead of
refusing; a live rectangle/ellipse/polygon/line becomes a plain path. A
linked vector mask now follows Distort / Perspective / Warp too. A map that
sends a point to infinity is an error, not a corrupt path.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Transform Path: Distort, Perspective and Warp apply to paths (#3027)
path.transform accepted only an affine matrix, so the Free Transform
Path commit refused any box pulled out of a parallelogram ("Distort and
Perspective can't be applied to a path"), and Warp was not offered on a
path at all. path.transform now also takes a `quad` (with an optional
`rect` frame, default the path's control bounds) and a warp (`style`,
`mesh` or `warp`, as edit.transform.warp), validated (finite numbers,
magnitude at most 1e6, non-degenerate quad) and mapped with the
vector::map helpers from #3025. A parallelogram quad stays affine, so a
live shape stays live. The UI commit sends the quad or warp instead of
refusing, and Transform Path offers Warp; each is one undo step.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Type: scan system fonts off the UI thread (#3021)
The first `photocraft_text::shared()` call scans every installed font, and
nothing made that call before the Type tool's options bar drew its font
menu, so the scan ran inside a UI frame (over 60 s on some Macs, #2518).
- photocraft-text: `warm_shared()` starts the scan on a background thread;
`try_shared()` returns the engine without blocking (None while the scan
runs, started there if nobody warmed it; built in place on the web, in
tests, if the thread can't start or the worker died). `shared()` keeps
its blocking behaviour for engine commands.
- The desktop app warms the fonts at start-up.
- Font menus that draw every frame (options bar, Character, Glyphs and the
Character/Paragraph Styles family menus) show a disabled "Loading fonts…"
box and repaint until the scan is done. "Loading fonts…" is in all 16
catalogs.
Complements #2644 (CoreText discovery on macOS): this changes where the
scan runs, not how fonts are discovered.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Type: axis sliders wait for the background font scan too
#2996 (landed on main) added axis_sliders, which called the blocking
photocraft_text::shared() every frame; use try_shared() so the Character
section doesn't stall while the scan runs.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
Edit › Transform › Distort / Perspective and Warp on a shape layer let the
user edit the box or mesh and then refused at commit ("needs a rasterized
shape"). Photoshop maps the shape's path and keeps it a shape.
- photocraft-vector: new `map` module. `map_points` sends every anchor and
control point through a map (Distort / Perspective: exact for straight
segments, exact end tangents for curves). `map_path` follows a curved map
(Warp), halving each segment until the mapped control points follow the
mapped curve within a tolerance (at most 64 pieces a segment, bounded in
total); straight segments whose image is straight stay straight.
- engine: `transform_layer` and `warp_layer` map a shape's path instead of
refusing; a live rectangle/ellipse/polygon/line becomes a plain path. A
linked vector mask now follows Distort / Perspective / Warp too. A map that
sends a point to infinity is an error, not a corrupt path.
Co-authored-by: Claude Opus 5.5 <[email protected]>
Smart Radius, Shift Edge, Decontaminate, Output and the Refine Edge
title had no catalog rows, so the Select and Mask dialog stayed partly
English in every language; Greek and Polish also missed Modify's
Apply At Canvas Bounds. A new test checks every generated select.*
dialog (params, choices, title) in all registered languages.
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
Distort and Perspective are greyed for editable type (#2701) and the engine
refuses them at commit, but the box's ⌘ / ⌘⌥⇧ corner drags didn't look at the
layer, so the box distorted and the commit then failed. On a box over live type
those drags now act as a plain corner drag (⌥ and ⇧ keep their meaning).
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Type: ask to rasterize before Warp on live type (#3004)
Edit › Transform › Warp (the menu, or the warp toggle of an open transform
box) on editable type opened Warp mode, let the user shape the mesh, then
failed on commit with "Warp needs rasterized type". It now opens Photoshop's
"This type layer must be rasterized before proceeding…" prompt, the one the
pixel tools already use. OK applies an open transform box, rasterizes the
type (its own history state) and opens Warp on the pixels; Cancel does
nothing. The prompt's continuation is a menu command from an allow-list,
run with the egui context right after the confirm (control channel, OK
button) or on the next frame.
Distort and Perspective stay greyed for type (#2701), Puppet Warp and
Perspective Warp stay greyed for non-pixel layers, as in Photoshop.
Scorecard TYPE-218-9 -> done.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Type: Warp on live type takes the warp styles, no rasterize prompt (#3004)
Photoshop 2026 keeps Edit › Transform › Warp enabled on live type and asks
nothing: the mesh can't be dragged, only the options bar's warp styles
(Warp Text's) apply, and the type stays editable. The earlier version of
this change asked to rasterize first; that is gone (and with it the prompt
continuation, which nothing else used).
Warp mode on a type layer now starts from the layer's own Warp Text style
over the unwarped type, ignores mesh drags and splits (Split, Grid and the
Custom style are greyed/hidden, the split menu items are greyed), and the
commit runs edit.transform.warp, which on type sets the Warp Text: one
history step, recordable, the layer stays Text. None takes a warp off. A
box scaled or rotated before toggling Warp is applied first.
Scorecard TYPE-218-9 note updated: Photoshop doesn't prompt for Warp;
Distort and Perspective stay greyed (#2701).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
Alt during a drag unlinks the handle pair (only the outgoing one keeps following),
Alt-press on the last anchor's outgoing handle turns that handle alone, and pressing
the first anchor now closes on release, so a drag pulls out that anchor's handles
(a stand-in knot folded into the first one on commit). A plain click still closes
without touching the first anchor's handles. Still one History step per path.
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Select and Mask: Output To New Document, with or without a layer mask (#2998)
select.refineEdge takes output newDocument / newDocumentWithMask: a new
document like the source (size, mode, depth, resolution, profile) with
the active layer cut out by the refined edge, or with the matte as a
layer mask. The source document is left untouched. The dialog's Output
choice lists all six targets, translated in every catalog.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* i18n: drop the duplicate pt-br New Layer row (main already has it)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
The first type.create starts the shared text engine, which scans every
system font once (3.5-5 s under load). panic_hunt billed that to
type.create against its 4 s deadline and failed intermittently. A real
hang reproduces, one-time setup does not: a timeout now counts only if a
rerun on a fresh session times out too.
Co-authored-by: Claude Opus 5.5 <[email protected]>
The Character section (Properties and Window > Character) shows one slider
per axis of the style's variable font below the font style (Weight, Width,
Slant, Italic, or the font's own tag), setting type.setStyle variations; a
drag is one history step. Optical size has no slider: the layout now sets
opsz to the type size unless the style sets it, as CSS font-optical-sizing
auto. Picking a font style or weight resets the wght axis to it, so an
earlier slider value no longer overrides the style the dropdown shows.
Scorecard TYPE-218-4 -> done.
Co-authored-by: Claude Opus 5.5 <[email protected]>
The GPU canvas built a full-resolution, mipmapped texture set covering the
whole declared canvas (DocTextures::new) with only per-texture side limits,
so a document's size alone decided how much GPU memory was committed: a
300000x300000 canvas asks for hundreds of gigabytes.
canvas_texture_bytes prices the set in closed form (every tile and mip
level) and DocTextures::new refuses one over canvas_budget (a quarter of
RAM, at least MIN_GPU_BUDGET) without creating anything. refresh reports
"over-budget" and ensure_gpu then draws the document on the reduced CPU
canvas, so a supported large document still displays.
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Rulers: stay level and fully ticked on a rotated view; guides turn with the image (#3233, #3277)
The rulers measured along the rotated document axes, so at most angles the
ticks were squeezed into a few pixels (none at 90°) and the rest of the
ruler was empty. They now measure with the view minus its rotation: same
zoom, flip and pixel aspect, same document point under the canvas centre.
Guides were drawn as screen-level lines through the screen position of
(pos, 0), so on a rotated view they no longer marked their document
coordinate while hit-testing still used it. They are now drawn along the
document line across the clip rect.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Rulers: anchor a rotated view's rulers at the document origin (#3233)
Photoshop 2026 keeps the rulers level at zoom scale on a rotated view, with 0
at the screen position of the document origin (where the rotated image's
top-left corner lands), not at the unrotated frame through the canvas centre.
ruler_xform now re-centres the level mapping so the origin projects where the
rotated view draws it; tick spacing still follows zoom, flip and pixel aspect.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Rulers: label distances before the origin without a minus sign (#3233)
Photoshop's rulers print the distance from the origin, so ticks left of /
above it read "1000 500 0 500 1000", not "-1000 -500 0". The label is now
the absolute value (extracted into `ruler_label`), for every view.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Select and Mask: live preview in Photoshop's view modes (#1754)
The Select and Mask dialog had no preview of the refined selection. It now
previews live in Photoshop's view modes: Onion Skin (default), Marching
Ants, Overlay, On Black, On White, Black & White and On Layers, with a
per-view Opacity, Show Edge (J) and Show Original (P). F cycles the views,
O/M/V/A/T/K/Y pick one and holding X shows the image without a view.
The view state lives in the dialog's fields, so ui.dialog.set drives it.
The preview runs select.refineEdge on the proxy with output=selection and
builds the view from it (veil fill layers, a layer mask, or the refined
selection, whose marching ants the canvas draws scaled back up), through
the existing filter-preview worker.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Select and Mask: Refine Edge Brush (#2972)
Select and Mask had no Refine Edge Brush. select.refineEdge now takes
refineStrokes: [{"points":[[x,y],...],"size":px,"mode":"add|subtract"}],
applied in painting order. Added areas become unknown and take a colour
estimate: each pixel's colour projected on the line between the mean known
foreground and background colours around it (normalised convolution over
a box of the brush size, four times as far where none are near), so hair
or fur beyond the edge-detection band joins the selection. Subtracted
areas keep the original edge. Malformed or oversized strokes are rejected
(stroke / point / swept-area limits), never a panic.
The dialog gets the brush: Refine Edge Brush (R), Mode (Expand Detection
Area / Restore Original Edge, Alt swaps), Size ([ and ]) and Clear Brush
Strokes. With it on, dragging on the canvas paints strokes into the
dialog's refineStrokes field, so the live preview, Show Edge and OK use
them, and ui.dialog.set / agents drive them like any other param.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
- menu_catalog: add Type › Anti-Alias › None before Sharp, as in Photoshop.
It used to come from the engine list, appended after Windows and built
without a checked state, so a layer set to None showed no check.
- view_cmds::type_checked reads type_tool::target_text (the edited layer,
else the active or a selected type layer), as the options bar and the
Type commands do, not only the active layer.
- Anti-alias and orientation items stay check items (Some(false)) with no
type layer, so the native menu doesn't rebuild.
- Parity floor 629 -> 630; docs/parity-checklist.md regenerated.
Co-authored-by: Claude Opus 5.5 <[email protected]>
The file-open path rejects PSDs nested past MAX_GROUP_DEPTH before
conversion, but the public psd_to_document built file.layer_tree() to the
file's full depth (~16000 levels) before Ctx::build capped it, and layered
TIFF reached it with no preflight at all.
- photocraft-psd: PsdFile::layer_tree_max_depth(n) builds the tree
iteratively and drops the children of groups nested n deep, so walking
or dropping it recursively is bounded. layer_tree() is the uncapped case.
- psd_to_document uses it with MAX_GROUP_DEPTH, the same cap Ctx::build
and apply_link_groups apply, so imports are unchanged.
- Layered TIFF rejects nesting past the cap with the same error as a PSD
(shared psd_import::check_group_depth).
Co-authored-by: Claude Opus 5.5 <[email protected]>
The Select and Mask dialog had no preview of the refined selection. It now
previews live in Photoshop's view modes: Onion Skin (default), Marching
Ants, Overlay, On Black, On White, Black & White and On Layers, with a
per-view Opacity, Show Edge (J) and Show Original (P). F cycles the views,
O/M/V/A/T/K/Y pick one and holding X shows the image without a view.
The view state lives in the dialog's fields, so ui.dialog.set drives it.
The preview runs select.refineEdge on the proxy with output=selection and
builds the view from it (veil fill layers, a layer mask, or the refined
selection, whose marching ants the canvas draws scaled back up), through
the existing filter-preview worker.
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Type: Edit › Paste, Copy and Select › All work on the text being typed (#2893)
While editing type, Edit › Cut already worked on the selected characters (#1355), but the other
menu rows still ran their pixel commands: Edit › Paste tried to paste an image (and did nothing
with text on the clipboard), Edit › Copy copied rendered pixels, and Select › All selected the
canvas. Route them through the type editor like the keyboard: Paste asks the window for the
clipboard text, which arrives as a Paste event and replaces the selection; Copy copies the
selected characters; Select › All selects every character. Copy is enabled for a non-empty
character selection, Paste and Select › All while typing.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Type tool: right-click menu while editing text (#2968)
A right-click inside an on-canvas type edit opened nothing: the Type tool
had no canvas menu, and the inline type editor is not an egui TextEdit, so
the text-field menu doesn't reach it. It now opens Photoshop's type edit
menu (canvas_tool_menu.rs TYPE_EDIT_MENU), built from existing commands:
Undo, Cut, Copy, Paste and Select All (dispatched as the Edit/Select menu
items, which act on the text being edited), Check Spelling..., Find and
Replace Text..., Faux Bold/Italic (type.setStyle on the edit's selection,
checked), Rasterize Type, Create Work Path, Convert to Shape (these and the
paragraph/point conversions end the edit first), Horizontal/Vertical and
the anti-alias modes (checked), Convert to Paragraph/Point Text and
Warp Text.... The right-click keeps the text selection. While the menu is
open the keyboard belongs to it: Esc closes only the menu instead of
committing the edit. Agents open it through ui.pointer as for the other
canvas menus.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
validate_planes bounded its zlib loop by the uncapped declared size, so a
PSD/PSB declaring more than MAX_DECODED_BYTES of merged image could make
PsdFile::from_bytes decompress far past the decode budget before any
error. decode_planes refuses such a layout with LimitExceeded anyway, so
the stream is now kept verbatim without inflating it, like an unknown
compression method. A layered file whose merged composite is too large
still opens (the importer only warns when the composite can't be decoded).
Co-authored-by: Claude Opus 5.5 <[email protected]>
While editing type, Edit › Cut already worked on the selected characters (#1355), but the other
menu rows still ran their pixel commands: Edit › Paste tried to paste an image (and did nothing
with text on the clipboard), Edit › Copy copied rendered pixels, and Select › All selected the
canvas. Route them through the type editor like the keyboard: Paste asks the window for the
clipboard text, which arrives as a Paste event and replaces the selection; Copy copies the
selected characters; Select › All selects every character. Copy is enabled for a non-empty
character selection, Paste and Select › All while typing.
Co-authored-by: Claude Opus 5.5 <[email protected]>
View › Rulers (⌘R) now writes unitsAndRulers.showRulers, which is applied
at launch and whenever the preference changes, so new and opened documents
show the rulers as last set, as in Photoshop. The Preferences dialog doesn't
list it: the View menu sets it.
Guides are Vec<f64> (doc, New Guide/Move Guide, guide layouts, artboard and
canvas geometry, snapping, PSD resource 1032), so a guide placed in ruler
units or read from a PSD's 1/32 px positions keeps its exact place.
Scorecard UI-217-20 done (part of #217).
Co-authored-by: Claude Opus 5.5 <[email protected]>
* Text fields: right-click edit menu (#2921)
Right-clicking in any text field (layer rename, a number field being
typed into, dialog and panel fields) opens Undo, Cut, Copy, Paste,
Delete and Select All at the pointer, acting on that field. A
right-click inside the selection keeps it, Esc closes only the menu,
and clicking the menu doesn't take the field's focus (the layer rename
would commit). The right-click never reaches the canvas or tool menus.
An egui plugin (text_field_menu.rs) opens and closes the menu for
every TextEdit; the app draws it before any field, so a chosen item is
handed to the field as its keyboard input in the same pass. Paste asks
the window for the clipboard text like Cmd+V in a field. No spelling
suggestions: there is no spell checker (UI-217-8 stays partial).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Text field menu: correct the spell-checker note (#2921)
PhotoCraft has a spell checker (edit.checkSpelling with a suggest
action); it just isn't wired into the text-field context menu yet.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Context-menu parity doc: same spell-checker correction (#2921)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
Every effect with a contour (Drop/Inner Shadow, Outer/Inner Glow, Satin,
Bevel & Emboss Gloss Contour and Contour element) now shows a contour
thumbnail with a preset picker and an Anti-aliased checkbox. Clicking the
thumbnail opens the Contour Editor: add/drag/delete points (the shared
point-curve editor), Corner per point, Input/Output, Preset, and Load…/Save…
of .shc contour files, read and written from Adobe's public File Formats
Specification (Contours). Edits go to the dialog's pending params, so the
preview follows and OK applies them in the one layer.layerStyle.replace.
- doc: Contour::Custom gains per-point corner flags (serde default).
- compose: contour_curve_lut splits the spline at corner points; CPU and
GPU effects use it.
- engine: the 12 standard presets with our own control points (older names
still accepted); `contour` params also take a curve object
{name, points, corners}; antiAlias params; Satin contour; the bevel
Contour element edits in place; contours_from_shc / contour_to_shc.
- io: PSD contour points read and write the Cnty (continuity) flag.
- psd: shc.rs parser/writer.
- scorecard FILE-215-15 missing -> partial.
Co-authored-by: Claude Opus 5.5 <[email protected]>
* perf: Duplicate Layer recomposites only where the copy draws (#2883)
Duplicating a layer reported no damage, so the canvas recomposited the
whole document after every Duplicate Layer (P8/P9). The copy itself was
already cheap (tiles are shared Arcs). Report the copy's change bounds
instead, through the step_damage walk extended to bounded additions:
self-contained added layers (not an adjustment, not a new clipping base,
no video or excluded channels) contribute their change bounds; anything
else still recomposites everything.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* perf: pasting a layer recomposites only where it draws (#2901)
Paste (and Paste in Place, Paste Into, Paste Outside) inserted the
pasted layer through Session::edit, which reports no damage, so every
paste recomposited the whole document (P10/P11). Capture the document
before the paste and report the new layer's change bounds with
note_insert, as Duplicate Layer does (#2884). Anything that isn't
self-contained (a new clipping base, video, excluded channels) still
recomposites everything.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
The Frame tool (K, its own toolbar slot after the Crop group) draws a
rectangular or elliptical frame; the options bar picks the shape, Shift
constrains to a square or circle and Alt draws from the centre. A frame
drawn over the selected pixel layer's content takes that layer in;
otherwise it is an empty frame.
Frames are built as Frame from Layers builds them: a group clipped by a
layer mask (rectangular or anti-aliased elliptical). The new engine
command layer.new.frame does it in one Session::edit, so one undo step.
Co-authored-by: Claude Opus 5.5 <[email protected]>
The Elliptical Marquee tested and wrote every pixel one at a time
(Surface::write_pixel), single-threaded, with no shared full tiles. The
add/subtract/intersect modes read both selections over the whole canvas
into f32 buffers. On 6000x4000 an ellipse took ~0.6-1.1 s and a mode
combination ~0.3-0.5 s.
ellipse_surface builds the shape per row: a run of fully selected pixels
(bounded analytically, checked with the exact f32 tests at both ends)
and edge pixels that get the original per-pixel coverage test. Tiles are
built in parallel, and fully selected tiles share one tile.
combine_surfaces maps two GRAY8 selections tile by tile through a
256x256 byte table, sharing tiles that come through unchanged. Both
produce exactly the old bytes (equivalence test against the old
per-pixel code).
Co-authored-by: Claude Opus 5.5 <[email protected]>
A dab that painted past a layer's stored tiles changed its resident page
region, which recreated the texture and converted and uploaded every tile
of the layer in that page cell again. Copy the overlap from the old
texture on the GPU instead (in its own submission, ahead of the queued
tile writes) and keep its tile map, so only new or changed tiles upload.
32-bit float RGB/gray tiles also convert to RGBA16F straight from their
samples (same bytes as the general path) instead of decoding into a float
buffer and converting pixel by pixel.
P16 (32-bit, 20 layers) brush dab + refresh, median of 6 alternating runs:
p50 8.9 -> 3.1 ms, p95 27.2 -> 7.5 ms. P13 is unchanged (~1.6 / ~4.5 ms).
Co-authored-by: Claude Opus 5.5 <[email protected]>
Duplicating a layer reported no damage, so the canvas recomposited the
whole document after every Duplicate Layer (P8/P9). The copy itself was
already cheap (tiles are shared Arcs). Report the copy's change bounds
instead, through the step_damage walk extended to bounded additions:
self-contained added layers (not an adjustment, not a new clipping base,
no video or excluded channels) contribute their change bounds; anything
else still recomposites everything.
Co-authored-by: Claude Opus 5.5 <[email protected]>
The blur itself was already parallel (9-15 ms on 24 MP); most of the
command was serial glue around it. Modify copied the mask into a padded
buffer and back out sample by sample even with no padding, and combine
built a full-canvas byte buffer, scanned it, then copied it into tiles
on one thread.
- modify: use the mask as is when the selection is clear of the canvas
edge (pad 0); pad and crop row by row otherwise.
- combine / mask_to_surface: fill selection tiles in parallel straight
from the mask, a row at a time; fully selected tiles share one
copy-on-write tile.
Bit-identical: the per-sample oracles (combine, now with whole tiles,
and the old pad/crop) are compared in tests.
Co-authored-by: Claude Opus 5.5 <[email protected]>
Select Subject recomputed superpixels, saliency, GrabCut and the
full-resolution re-cut on every call (P29: 260-370 ms on 24 MP here,
693 ms p95 in the baseline). The session now keeps the last result,
keyed by the pixels it came from: `same_pixels` (tile pointers) against
a weakly held document, plus the sampled target (composite or layer).
Selection-only edits such as Deselect keep it valid; the mode
(replace/add/subtract/intersect) is still applied each time. One entry
per session, dropped on pixel edits and when its document closes.
Repeat: 7-10 ms p95 (was 270-370 ms). First run unchanged.
Co-authored-by: Claude Opus 5.5 <[email protected]>
Photoshop's Actions panel has a check column: an unchecked step is skipped
by playback, Batch and droplets. PhotoCraft could reorder and delete single
steps but always ran every step.
- Action gains `disabled` (0-based step indices, omitted from actions.json
when empty), kept in step with actions.move and actions.delete.
- New command actions.toggle {action, step?, enabled?}: one step, or every
step like the action's own check; bad indices and types are errors.
- actions.play, the desktop playback path and the steps handed to Batch and
Create Droplet skip unchecked steps; actions.get reports `disabled`.
- Panel: a check box per step, dimmed label when off, "2/3 steps" count.
Part of #219 (AUTO-219-2).
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
New Perspective Crop tool in the Crop flyout (C): drag a box or click four
corners, drag corners independently onto a skewed object, perspective grid
(Show Grid), Enter commits, Esc cancels. W/H/Resolution come from the Crop
tool's fields (Front Image, Clear), or the quad's mean side lengths.
Engine: image.perspectiveCrop {corners, width?, height?, resolution?,
interpolation?} maps the quad onto an upright canvas through the
quad-to-rectangle homography (Heckbert's square-to-quad map, inverted):
every raster layer, mask, alpha channel and the Quick Mask, one undo step.
The Background stays opaque over the background colour; type, shape, fill
and smart object layers are rasterized first; vector geometry follows the
nearest affine map. Non-convex, self-crossing, counter-clockwise or
degenerate quads are refused with an error.
algo: warp_surface_clipped bounds the per-tile warp by the new canvas even
when a layer reaches past the map's horizon; convex_quad, quad_size,
quad_to_rect.
Co-authored-by: Claude Opus 5.5 <[email protected]>
Photoshop's Artboard tool in the Move flyout (V, ⇧V cycles Move ↔ Artboard):
dragging on an empty spot draws a new board (`layer.new.artboard`), clicking a
board selects it, dragging it moves it with its contents, and the selected
board's edge and corner handles resize it (`layer.artboard.set`,
moveContents: false). Each gesture is one undo step. Options bar: Size preset,
W/H, Make Portrait, Make Landscape, Add New Artboard. Original toolbar glyph
(assets/icons/artboard.svg, ATTRIBUTION.md row).
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
The Type flyout (T, Shift+T cycle) gains Vertical Type Mask and Horizontal
Type Mask, in Photoshop's order. They type like the Type tools, with the
canvas under Quick Mask's colour and the glyphs clear while editing. On
commit the glyph coverage replaces the selection; no layer is left behind
and the whole session is one "Type Mask" history step. Escape always
cancels and leaves the selection unchanged.
The commit runs a new engine command, type.createSelection: a type layer's
glyphs (optionally removing that layer, the tools' hidden working text) or
type.create's keys directly, with new/add/subtract/intersect and an
anti-aliasing override. type.create's layer building is shared through
type_cmds::new_text_layer.
Original dashed-T icons (ATTRIBUTION.md), tool label translations in every
catalog, README tool list and the gaps/parity docs updated.
Co-authored-by: Claude Opus 5.5 <[email protected]>
Co-authored-by: Brandon Thomas <[email protected]>
