vectorcraft/ROADMAP.md

VectorCraft Roadmap

VectorCraft is a clean-room, open-source, pure-Rust reimplementation of the Adobe Illustrator workflow. It runs on macOS, Windows, Linux and the web (WASM), and agents can drive it fully over a JSON control channel and MCP.

This file tracks how far we are and what's left. Time estimates are wall-clock hours of continuous Claude Opus 5.5 agent work (including builds and the CI gate), given both for one agent and for 4–6 parallel agents on disjoint crates. They are counted from the remaining work (see Parity estimate), calibrated against measured throughput, and updated as work lands.

Last updated: 2026-10-08 (after M4.14–M4.98, M8.1–M8.20, M14.4–M14.7, the MCP prompts, resource templates, completions and logging, the 2026-10-07 issue fixes, the Layers panel rework, the Pen and shape-tool modifier fixes and the Layers, Artboards, Swatches/Brushes and dialog fixes; see Honest assessment).

Where we are

Dimension	Status
Infrastructure (engine, command registry, history, render, formats, MCP, web, packaging, tests)	~90%
Look & feel vs Illustrator 2026 default workspace (measured)	~75–80%
Feature surface vs full Illustrator (weighted, see below)	~75% on the rubric · 69–75% honest range (self-graded, see Honest assessment)
Parity including interaction fidelity and hardening ("a power user can't tell the difference, but faster")	~40–55%
Time to feature parity (every menu item, tool, panel, effect and dialog functional)	~210–330 h one agent · ~55–95 h with 4–6 agents
Time to full parity (feature parity + interaction-fidelity pass + hardening)	~320–500 h one agent · ~80–145 h with 4–6 agents

Honest assessment (2026-10-05)

In one line: about two-thirds to three-quarters of Illustrator's features exist and work, and for everyday vector illustration (drawing, paths, paint and appearance, SVG/PDF/print) VectorCraft is close to usable. Measured against "a power user can't tell the difference", it is closer to 40–55%. What stands between here and "anyone can switch" is a handful of large subsystems plus a fidelity pass, not a long tail of small fixes.

How much to trust the numbers: area scores are graded by the agents that built the features, from behaviour docs (plan/illustrator/) and tests, not by side-by-side use of Illustrator. Treat them as upper bounds. Look & feel is the only dimension measured against the reference app. Performance budgets haven't been re-run on an idle machine since 2026-10-01.

By dimension

Dimension	Estimate	Evidence and what's missing
Breadth: menus, tools and panels exist	~90%	16 menu items still stubbed; every tool implemented except Touch Type; 51 panel modules
Depth: each feature behaves like Illustrator	~69–75%	Strong: paint, appearance and colour (M3), Pathfinder and booleans, selection, drawing, files (M4). Weak: advanced type (~45%), brushes and symbols (in progress), raster effects (~20%)
Large missing subsystems	0–20%	3D & Materials (0%), Photoshop-style raster effects and the Effect Gallery (~1 of ~56 filters), SVG Filters, CJK composition (vertical type with kinsoku and tate-chu-yoko; ruby, mojikumi and vertical metrics open), Variables (data merge), scripting
Interaction fidelity: modifiers, cursors, small behaviours	~30–40%	The dedicated pass hasn't started, and there has been no side-by-side session with Illustrator yet. A power user notices this first
Look & feel	~75–80%	Measured against Illustrator 2026 screenshots (2026-10-02); the panels added since haven't been re-measured
File interop	~85%	SVG/SVGZ, PDF and PDF-compatible .ai, EPS, DXF, EMF/WMF, raster formats, PSD export, Place and Links, Package, Print, clipboard flavours. Native .ai private data is out of scope by design; DWG has no open spec
Bundled content: brush, symbol, style and swatch libraries	~30%	Ours are original and generated in code, and far fewer than Illustrator ships; brush and symbol libraries are still missing
Performance	unverified	Multithreaded, off-thread rendering and caches are in place. The last budget run (2026-10-01, loaded machine) measured 290 ms for a 50k-path fit against a 16 ms budget. Re-run vectorcraft-cli perf on an idle machine
Robustness	good, new	~2,840 tests, property tests, no panics in shipped code (lints, the guard safety net, import fuzzing), Data Recovery. Missing: a corpus of real-world files, Windows/Linux/browser QA
Platforms and 1.0 polish	~60%	The macOS app and the web build work; hybrid-graphics laptops render on the power-saving GPU by default (#306); Windows/Linux packaging and accessibility are pending
Agent automation	beyond Illustrator	Every command, gesture and dialog is drivable over MCP, the CLI and the control channel

Where we're lacking (in priority order)

Ordered by how much each gap blocks someone from switching. Sizes are one-agent hours from the parity table.

1. Interaction fidelity: go tool by tool and panel by panel against plan/illustrator/05-tools.md, 06-panels.md and 09-shortcuts.md, covering modifier keys, cursors, the Properties panel per context and isolation mode. Do it side by side with Illustrator where the owner allows. 60–90 h.
2. Photoshop-style raster effects and the Effect Gallery: about 55 filters (Artistic, Brush Strokes, Distort, Pixelate, Sketch, Stylize, Texture, Video) on the raster pipeline that drop shadows already use, applied at Document Raster Effects Settings resolution. Parallelizes well across agents. 28–42 h.
3. 3D and Materials: Extrude & Bevel, Revolve, Inflate and Rotate with lighting and materials, using a software renderer in its own crate (layering allows it below L6), with output in SVG/PDF as rasters or projected vectors. The largest single gap. 50–80 h.
4. Advanced type: CJK composition for vertical type (ruby, mojikumi, vertical font metrics, manual tate-chu-yoko), Optical Margin Alignment, the composer/hyphenation options, tab leaders, a spell-check dictionary (open licence), Touch Type and Snap to Glyph. Vertical point, area and path type have initial support. 35–48 h across type core and advanced.
5. Brushes, symbols and libraries: brush options depth; original brush, symbol and graphic-style libraries generated in code (never Adobe's); dynamic symbols; Start Global Edit. 14–22 h.
6. Automation: Variables (data merge), a scripting surface over the command registry, batch. 8–12 h.
7. Views and windows: multiple windows and arrange, Consolidate All Windows, video rulers. 15–25 h.
8. Hardening at scale: a corpus of real-world SVG/PDF/EPS files, idle-machine perf budgets, Windows, Linux and browser QA, accessibility, packaging. 50–80 h.

Where we're going

• Next: start the interaction-fidelity pass (1) in parallel with the raster-effects package (2). Both are broad, so they split well across agents, and they move the "can't tell the difference" number most.
• Then: 3D (3) and advanced type (4), each a focused milestone with its own plan in plan/ before coding.
• Alongside: keep closing the stubbed menu items. Run vectorcraft-cli perf on an idle machine, and fix any budget it misses before 1.0.
• 1.0: feature parity plus the fidelity pass, hardening (8) and packaging for all three desktop OSes and the web.

For agents: pick work from the list above (or the milestone rows below), and write a task plan before coding. When a task lands, update this section, the parity table and "Shipped so far" in the same PR. Keep the scores honest: grade by behaviour against plan/illustrator/, not by whether a menu item exists.

Shipped so far

• Architecture: 19+ crates with enforced layering (cargo xtask layers). Every action is a command (~400 engine + ~50 UI). Undo is unlimited via structural sharing. command.batch runs several commands as one transaction.
• Automation:
  • Actions panel (record/playback, persisted), generic parameter dialogs for every "…" command.
  • JSON-lines control channel with real egui pointer and keyboard injection.
  • MCP server with 25 tools (drawing, text, effects, Pathfinder, transforms, graphs, text wrap, export, screenshots, any command), attached to the running app or headless. Tool descriptions and replies agree with the engine: format lists come from its format table, save_file says it keeps the document's own format, inspect_document reports the paint type's characters show, and selection exports report the encoder's warnings.
  • MCP protocol: five prompts (prompts/list / prompts/get: poster, icon set, recolour, trace-and-style, export set), completion/complete for prompt arguments and template variables read from the live catalogues (formats, effect ids, command ids, trace presets, swatch and object ids), four resource templates (vectorcraft://object/{id}, //command/{id}, //effect/{id}, //swatch/{name}) so an agent reads one thing instead of the whole document, and logging/setLevel with notifications/message. docs/mcp.md has a Protocol section covering the capability table and what is deliberately absent (subscriptions, progress, cancellation, sampling, elicitation, Streamable HTTP — all of which need the transport to interleave reads).
  • Headless CLI (vectorcraft-cli run, convert, info, bench, perf, mcp).
  • Actions panel that records and plays back commands.
• UI: Illustrator 2026 layout restyled to measured values:
  • Medium Dark theme, categorized and Advanced toolbars, 35 pt document tabs, 33 pt panel tabs.
  • Hint bar, contextual task bar, 19 dock panels with ≡ menus.
  • The dock's double arrow collapses Properties, Layers and Libraries to icons at the top of the icon column, popping out like the other icon panels, and expands them again (window.collapseDock, kept with the preferences and in saved workspaces). The icon column's own arrow (expanding the icon panels into a full column) is not done.
  • Localised UI: menus (in-window and native), panels, dialogs, toolbar and Preferences read from per-language catalogs (crates/ui-egui/src/i18n, see docs/development.md); Traditional Chinese (Taiwan) ships complete, and Czech and Japanese cover every menu label, with system-locale detection on macOS, Windows and Linux, a VectorCraft ▸ Language menu and a Language preference. Names are never translated (fonts and their styles, layers, artboards, saved presets, user libraries, custom workspaces, recent files, plug-ins).
  • Native macOS menu bar, vector tool cursors, a ⌘K command palette, middle-button panning with any tool.
  • A canvas context menu: right-click selects the object under the pointer and lists what applies to the selection (Undo/Redo, clipboard, group, isolation, join, Remove Anchor Points when anchors are selected, masks, compound paths, guides, Transform, Arrange, Select, Export Selection), or the view commands on empty canvas.
  • Save / Don't Save / Cancel before closing or quitting with unsaved documents (tabs, Close, Close All, Quit, window close).
  • Four brightness themes, persistent preferences.
  • Dialogs open with their first field focused and its value selected: type a value and press Enter (Move, Rotate, Scale…).
  • On Windows and Linux the app bar is the window's title bar (its own minimize, maximize and close buttons, drag to move, edges to resize), with the dragon app icon as the brand mark; dialogs and menus size to their content. As on a native menu bar, once one menu is open, moving the pointer onto another title opens that one.
• Tools:
  • Selection: Selection, Direct/Group Selection, Magic Wand, Lasso.
  • Drawing: Pen, Curvature, anchor tools, Pencil, Paintbrush, Blob Brush, Smooth, Path Eraser, Join. Direction handles dragged with Direct Selection or the Anchor Point tool snap to smart guides, and Shift keeps them at 45° steps from their anchor.
  • Shapes: all shape tools (including Flare) and the line, arc, spiral and grid tools. Space held while dragging out a shape, line, arc, spiral or grid moves it at its current size. While a grid is dragged out, Up/Down change its rows (concentric dividers) and Left/Right its columns (radial dividers).
  • Cutting: Eraser, Scissors, Knife, Mirror & Cut, Line Cut and Rectangle Cut (real geometry, compound paths keep their holes).
  • Transform: Rotate, Reflect, Scale, Shear (click or Alt-click snaps the reference point to anchors and centres), Reshape, Free Transform (free and perspective distort and shear, switched by the keys held during a handle drag).
  • Live Corners: drag a live rectangle's corner widgets (Selection or Direct Selection) to round all corners, with a radius readout. Corners stay circular when the rectangle is scaled unevenly or along its own sides when rotated (the radius keeps its size, or scales by the mean scale with Scale Corners on); only a shear distorts them.
  • Pen: Alt pressed in the middle of dragging out an anchor splits its handles and keeps the curve already shaped into it (only the outgoing handle follows the pointer); Space held while dragging out an anchor moves it, handles and all. Clicking the last anchor of the path being drawn retracts its outgoing handle (convert cursor), and dragging from it pulls out a new one on its own. Auto Add/Delete: over a selected path, a click on a segment adds an anchor and a click on an anchor deletes it (add and delete cursors); Shift held, or Preferences › General › Disable Auto Add/Delete, starts a new path instead.
  • Graphs: Column, Stacked Column, Bar, Stacked Bar, Line, Area, Scatter, Pie and Radar graph tools with Graph Data and Graph Type.
  • Other: Eyedropper, Gradient annotator, Artboard (Alt-drag duplicates an artboard, and its art with Move/Copy Artwork with Artboard on), Measure, Type, Hand, Zoom, Rotate View.
  • Editing type: double-clicking type with a selection tool switches to the Type tool with the caret where it was clicked.
  • Temporary tools: Cmd with any other tool drags with the selection tool used last (Selection, Direct Selection or Group Selection). Held Space pans and Cmd+Space zooms (Cmd+Alt+Space out) whatever the tool.
  • Panel drag and drop: art dragged off the canvas onto the Symbols panel becomes a symbol, onto the Swatches panel a pattern swatch and onto the Brushes panel an Art brush; a symbol dragged onto the canvas places an instance where it is dropped, and a brush dragged onto a path is applied to it.
  • Tool double-clicks: double-clicking a tool's button opens its options: Hand fits the artboard in the window, Zoom shows 100 %, Rotate, Scale, Reflect and Shear open their Object › Transform dialogs, Gradient, Eyedropper, Blend and the Liquify tools their panels or options.
• Layers panel: every layer, sublayer, group and object is a clickable row at any depth: a click highlights it and makes its layer current (new art goes there), Shift-click a range, Ctrl/Cmd-click toggles. Sublayers are no longer treated as objects: clicks, marquees, Select All and the Select menu take the art inside them, and each sublayer selects in its own colour. Selection squares on rows with selected art (click selects a row's art, Shift adds or removes; dragging the square moves the selection to another row, Alt copies), the eye and lock on every row with drag-down-the-column (one undo step), Ctrl/Cmd-click an eye for per-layer Outline, Alt-click an eye or lock to hide or lock the other layers (again: show or unlock them all), triangles with Alt to open or close everything inside, drag and drop rows above, below or into layers and groups with a drop line (Alt copies, the trash deletes), inline rename, Delete key on highlighted rows. Buttons and the full panel menu: New Layer/Sublayer (Alt: options, Ctrl: on top), Duplicate, Delete, Options for Selection, clipping mask, isolation, Locate Object, Merge Selected, Flatten Artwork, Collect in New Layer, Release to Layers (Sequence and Build), Reverse Order, Template, Hide/Outline/Lock Others and Show/Preview/Unlock All, Paste Remembers Layers, Panel Options (row size, thumbnails per kind, Show Layers Only). Layer Options: name, colour (presets or custom), Template, Lock, Show, Print, Preview (outline drawing and clicking) and Dim Images to %. Every operation is a command (layer.move, layer.highlight, layer.merge…) with validation against cycles and invalid nesting.
• Drawing aids: Smart Guides and snapping, guides dragged out of the rulers, and Draw Normal / Behind / Inside modes.
• Views: the status bar's artboard navigator (first, previous, next, last; view.goToArtboard) goes to an artboard and fits it, and Fit Artboard in Window and Actual Size show the navigator's artboard. The Artboards panel highlights that active artboard: clicking a row makes it active (the Artboard tool's too, while it is chosen) as does clicking an artboard with the Artboard tool, double-clicking its number also fits it in the window and double-clicking its name renames it.
• Geometry and effects:
  • Pathfinder (10 exact curve booleans), Offset, Outline Stroke, Simplify, Clean Up, Split Into Grid, Divide Objects Below. Object › Path › Remove Anchor Points (path.removeAnchors) removes the direct-selected anchors without opening their paths (the Delete key still deletes them with their segments): the neighbours keep their handle directions and their facing handles are refitted so one cubic follows the two old segments, and straight sides stay straight. The Delete Anchor Point tool uses the same refit. The Control bar, the contextual task bar, the Properties quick actions and the canvas context menu offer it when anchors are selected.
  • Live effects with previewing dialogs: Distort & Transform, Path, Convert to Shape, 15 Warp styles, Round Corners, Scribble, Effect → Pathfinder (all 10 operations, live on groups; several loose objects are grouped first, in one undo step), Color Adjustments (Brightness/Contrast, Curves, Levels, Hue/Saturation, Shift to Color, Temperature/Tint, on vectors, live type and embedded images), and raster drop shadow, glows and feather. SVG and PDF export keep live effects (geometry baked; SVG raster effects as filters).
• Type: Text Wrap, Type on a Path effects (Rainbow/Skew/3D Ribbon/Stair Step/Gravity), Character and Paragraph Styles (override-preserving redefine), Area Type Options (rows/columns/inset/first baseline), threaded text across any closed shapes, Fit Headline. Area type resizes like Illustrator's type areas: a bounding-box handle drag (Selection tool) or Area Type Options Width/Height size the frame and the text reflows at its size (threads too); Direct Selection drags a frame corner or edge (text.reshapeArea). Point type still scales. Variable fonts list every named instance as a style of their family (Figtree Light to Black and their italics, Bahnschrift, Segoe UI Variable), and the instance chosen is shaped, drawn, outlined and measured at its axis settings; PDF and SVG embed it as that instance. Variation axis sliders are not done.
• Interface languages, vertical type: VectorCraft ▸ Language (or Preferences ▸ User Interface) picks Automatic (the system locale) or a registered language, persisted as interfaceLanguage. Translations come from per-language catalogs (i18n/*.tsv): Traditional Chinese covers the whole interface, Czech and Japanese every menu label (tested); untranslated text stays English. Japanese and Chinese glyphs come from the craft-fonts build input (release builds) or the installed fonts, Czech ones from the bundled UI fonts. Vertical Type, Vertical Area Type and Vertical Type on a Path create vertical text (columns right to left, upright CJK glyphs and marks with vert alternates, Latin and longer numbers on their side, two- and three-digit numbers set as tate-chu-yoko in one em of the column (kept whole when justified), upright glyphs centred on the column (tracked or justified too), point type's anchor on the first column's centre line); kinsoku (the strict set) applies to horizontal and vertical Japanese; Type ▸ Type Orientation switches existing text; caret, selection, hit testing and arrow keys follow the writing direction. Vertical text exports to PDF as real text and to SVG as outlines.
• Transparency: opacity masks (clip/invert/disable/link), exported as SVG <mask> and PDF soft masks.
• Advanced art: live Blends (steps/distance/smooth colour, editable spine, anchor-targeted Blend tool, faithful interpolation, knockout), Envelope Distort (warp/mesh/top object, Reset, full Envelope Options, mesh handles, Edit Contents; type, images, symbols, gradients, patterns and appearance distorted everywhere), Liquify tools with options and pen pressure, Puppet Warp with rotating pins, Perspective Grid with presets, movable planes and projected type (choosing a perspective tool shows the grid; Hide Grid hides it with the tool still chosen), Gradient Mesh, Shape Builder, Live Paint (every path an edge, open lines included), Image Trace (12 presets), pattern swatches with pattern editing mode, live Repeat (radial/grid/mirror).
• Paint and appearance (M3):
  • Swatches: names follow the colour model and are unique; Swatch Options (process/spot, Global, Gray/RGB/HSB/CMYK/Web, live preview); editing a global or spot swatch recolours every linked fill, stroke and text run in one undo step; multi-select and delete with confirmation; New Swatch and New Color Group dialogs (a group from the selected artwork's colours); swatches in colour groups convert, separate and count like any other. The Swatches panel selects ranges and whole groups, has a find field, and drags swatches to reorder, regroup or paint art; Add Used Colors, Select All Unused, Merge, Ungroup and Sort by Kind; a CMYK document keeps applied colours in CMYK. Swatch libraries: nine generated colour libraries and five gradient libraries in a library panel, saved and loaded as .vcswatches, .gpl or CSS. Tints of global and spot colours ("Name 40%") stay linked and separate as a percentage of their plate. Spot colours can be defined in Lab (Spot Colors options). A built-in [Registration] swatch prints on every plate.
  • Colour: a Color Picker (colour field, H/S/B/R/G/B channel slider, HSB/RGB/Lab/CMYK fields, hex, web-only snapping, out-of-gamut correction); the Color panel follows each colour's own model and Alt-click paints the other proxy; proxies look through groups and show "?" for mixed paint; Invert, Complement, Apply Last Color (,) and Apply Last Gradient (.) keep the colour model; every paint command feeds the recent colours. The Color Guide has 21 harmony rules, Steps and Variation options and Limit to Library. Adjust Color Balance (its Global mode shifts tints) and Saturate preview live; Edit Colors and Recolor also reach meshes, images and patterns. Recolor Artwork has colour reduction, five recolour methods, presets, Limit to Library, a colour-wheel Edit tab and Edit Color Group; a local Color Themes panel saves five-colour themes. Fill/Stroke chips open swatch and mixer popovers, panels have their shortcuts, and Eyedropper Options pick up and apply chosen attributes (Alt and Shift+Alt, image pixels). Fills and strokes can overprint (Attributes panel, Overprint Black options), and CMYK documents blend in inks on screen, in PDF and when flattening.
  • Gradients: lossless, validated gradient params; gradients follow rotate, reflect, shear, non-uniform scale and distortions; the Gradient tool edits the fill or stroke of the active proxy, type included; an interactive on-canvas annotator (move, length/angle, rotate, add/move/delete/duplicate stops, midpoints, a stop popover, Delete and arrow keys). The Gradient panel has the Fill/Stroke proxy, a gradient-swatch dropdown with Save to Swatches, midpoint locations, Alt-drag to copy or swap stops, swatch drops on the ramp and a stop eyedropper; copied appearances and graphic styles place gradients on each target's own bounds; gradient handles snap and honour Constrain Angle. Gradient stops stay linked to global and spot swatches. Freeform gradients (points and lines) are edited on the canvas; radial gradients have an extent ellipse, an aspect handle and an off-centre focal point (SVG fx/fy, PDF two-point radials). A stroke's gradient runs within, along or across it. Object ▸ Expand turns gradients into N objects or a gradient mesh.
  • Strokes: one stroke-geometry module shared by the canvas, SVG, PDF and Outline Stroke; dotted lines (zero-length dashes draw dots or squares); arrowheads with hollow outlines, tip-on-end or extend-past-end alignment and one opacity for line and head. SVG and PDF export arrowheads, width profiles, brushes and aligned strokes exactly as the canvas draws them; Outline Stroke and the live Outline Stroke effect outline every stroke item as drawn (dashes, heads, profiles, alignment); dashes can be fitted to corners and path ends; width profiles carry through dashes, and their corners take the join. The Stroke panel edits type's character strokes, follows the stroke units, shows mixed values blank and opens from the Control bar. A width profile library, thirty more arrowheads, and Width Point Edit with multi-select and discontinuous points. Visual bounds and clicks cover the whole painted stroke. Scale Strokes & Effects, Scale Corners and Use Preview Bounds work everywhere, and new art inherits stroke options, a graphic style or the whole last appearance.
  • Appearance: the Appearance panel's selected row drives every paint, stroke, gradient and transparency edit (item on the commands); effects apply to one fill or stroke; per-item Opacity popups; Mixed Appearances, Layers target dots and basic-appearance rules. Effects can be reordered, moved between items and copied by dragging; Show All Hidden Attributes; clicking an effect edits it in place; the object thumbnail drags onto art; effects render on type, images, symbols, blends, envelopes, meshes and repeats, and per-item raster effects export. Groups, layers and type have their own fills, strokes and effects (Contents and Characters rows); the Layers panel's target circles target layers, groups and objects; Expand Appearance turns fills, strokes, effects and brushes into objects.
  • Masks and clipping: opacity-mask controls work while the mask is being edited; transparency commands take ids and work without a selection; clipping sets clip by compound paths, even-odd paths, text and groups on screen and in raster export, matching SVG/PDF. Alt-click shows only the mask; SVG masks keep Clip and Invert; the transparency grid is per-document state; a clipping path's own fill and stroke paint behind and over the clipped art; layers can be clipping masks.
  • Transparency: three-state Knockout Group (on, neutral, off), Opacity & Mask Define Knockout Shape, Page Isolated Blending and Page Knockout Group, on screen and in SVG/PDF. Blend modes match the standard formulas on screen, in SVG and in PDF, and non-isolated groups blend with the art below. Flatten Transparency with presets, a dialog and a Flattener Preview panel.
  • Graphic styles: styles keep opacity and blend mode, capture groups and type, apply on top with Alt, and link to the objects using them; Redefine, Break Link, Graphic Style Options, Select All Unused, Sort by Name, and Select > Same Graphic Style / Appearance Attribute. The panel has list and thumbnail views with rendered previews, merge, reorder and drag and drop, plus a Control bar Style picker; six generated style libraries save and load as .vcstyles.
  • Neutral wording: labels, MCP tool text, docs and packaging use neutral names, and cargo xtask brands (part of cargo xtask ci) fails on vendor names.
• Colour, type and file workflows: Recolor Artwork (dialog with harmonies), Edit Colors, Find & Replace, Change Case, Smart Punctuation, Guides, Lock/Hide Above, Transform Each, Rasterize.
• Fonts: a font is found by any of its names (family and style in every language of its name table, legacy family/style pairs, PostScript name), so documents from other apps open with the font they name; Find Font and text.fonts say for each font whether it was found exactly, by another name, substituted or missing, and how many glyphs are missing.
• Files (M4):
  • .vectorcraft (lossless JSON, compressed, atomic saves, save down to v1), Save As with a format chooser, Save a Copy, Revert, templates, Data Recovery after a crash, background save and export.
  • SVG/SVGZ in and out with SVG Options, Preserve Editing, symbols, filters, rich text and physical units; PDF and PDF-compatible .ai in and out (layers, masks, editable text with type set along a curve coming back as type on a path, each artboard's art on its own page only, spot colours, presets, security, marks and bleed, ICC output intents, raster effects, subset fonts, PDF/X, PDF layers, overprint, page thumbnails, fast web view, PDF 1.3).
  • EPS and DXF in and out, EMF/WMF in and out; PNG (with PNG-8), JPEG, WebP, GIF, TIFF, BMP, Targa and layered PSD export. EPS import runs Illustrator's AGM/CoolType prologs (resource categories, resourceforall, clipsave/cliprestore, subarrays and substrings that share storage) and falls back to its palette TIFF preview. DXF TEXT justified Fit or Aligned spans its two points (stretched, or scaled as a whole).
  • Place and the Links panel, Package, File Info, Print with print presets, PostScript output and print tiling, slices and Save for Web, Export for Screens and Asset Export, CSS Properties, PNG/PDF/SVG/text clipboard flavours.
• Performance: 20k shapes + 1k texts render in 27 ms per full-retina frame (7.8 ms zoomed), 7× faster than the first version. The UI thread never blocks. The web build is 7.1 MB gzipped.
• Graphics processor: the canvas is rasterized on the CPU and the GPU only composites it, so the desktop app asks for the power-saving GPU by default (the integrated one on hybrid-graphics laptops, where presenting from the discrete GPU made the window flicker, #306). Preferences › Performance › Graphics Processor (gpuPreference) or WGPU_POWER_PREF picks the discrete one; Help › About and ui.inspect name the adapter in use.
• Tests and robustness: ~2,840 automated tests: model-based property tests, a junk-parameter sweep over every command, import fuzzing (SVG, PDF, libraries), golden renders, and MCP end-to-end tests over stdio. Shipped code never panics (workspace lints and a rollback safety net; see docs/development.md).

Milestones and estimates

#	Milestone	Status	Est. remaining, one agent (h)
M0	Skeleton + vertical slice	✅ done	—
M1	Selection, transform, layers, MCP	✅ mostly done (transform reference point snaps to anchors/centres; rotated objects keep a rotated bounding box and their angle; Free Transform, Scale and Reflect along a rotated box pending)	4–6
M2	Drawing tools + smart guides	✅ mostly done (Flare, Reshape, Live Corners widget dragging landed; Shaper, the remaining Pen modifier nuances)	15–20
M3	Paint & appearance (swatches, color, gradient, stroke, appearance, transparency, styles)	✅ done (M3.7–M3.98): swatches, groups, libraries, tints, Lab spots and Registration; Color Picker, Color panel, Color Guide, Color Themes, Edit Colors and Recolor Artwork; gradients that follow every transform, the annotator, linked stops, freeform gradients, focal points, gradients on strokes and Expand; stroke geometry, arrowheads, dashes fitted to corners, stroke on type, width profiles and the Width tool, Scale Strokes and preview bounds; Appearance targeting, container appearance, target circles, Expand Appearance; knockout, isolation, blend accuracy, CMYK blending, overprint, Attributes, masks and clipping, Flatten Transparency; graphic styles, links and libraries. Left: freeform and mixed spot/process gradients export as stops or process colours to SVG/PDF; confirm the Scale Strokes & Effects default	4–8
M4	Files (native, SVG, PDF, raster, Export for Screens, clipboard interop)	✅ done (M4.14–M4.98 on 2026-10-05): Save As/Save a Copy/Revert/templates, Data Recovery and background save, SVG import and export fidelity (units, text, symbols, filters, SVGZ, Preserve Editing, SVG Options), PDF import (colours, layers, masks, editable text, security) and export (presets, marks, bleed, ICC and output intent, raster effects, subset fonts, PDF/X-1a, X-3 and X-4, PDF layers, overprint, page thumbnails, fast web view, PDF 1.3), Place and Links, Package, EPS and DXF in and out, EMF/WMF, TIFF/BMP/Targa/PSD/GIF/PNG-8 export, Print and print presets, slices, Save for Web, Asset Export, clipboard flavours, File Info. Left: DWG (use DXF), PSD placement as layers, overprint read back from PDF, polish	3–6
M5	Performance	🟡 background render + caches + MT done; vectorcraft-cli bench and vectorcraft-cli perf (budget suite); file format v2 opens 3× faster (50k paths: 722 → 244 ms); raster effects (glows, shadows, blur, feather) no longer force the whole frame single-threaded (filtered offscreen per effect, verified equal to the single-threaded reference); effect-heavy demos need a clean-machine benchmark; dirty-region rendering, GPU backend spike pending	15–25
M6	Path operations (Pathfinder, Shape Builder, offset…)	✅ mostly done (Boolean precision on almost-horizontal edges fixed and the property tests made deterministic; Shape Builder edge erase, large-offset bug open)	3–6
M7	Type (point/area/path, editing, styles, OpenType, threading, glyphs)	🟡 Character/Paragraph Styles, Area Type Options (with Width/Height), type areas resized by their handles and reshaped with Direct Selection, threaded text, Fit Headline, Glyphs, OpenType panel, Find Font, installed system fonts in every font menu (searchable) and found by name on open/import, variable fonts' named instances as styles, CJK names in the UI, input methods (marked text in place, candidate window at the caret; Japanese IME), Text Wrap (offset, invert, both sides of an object; follows edits), Type on a Path effects, tab stops + Tabs panel done; tab leaders, spell check, vertical type pending	45–60
M8	Transform & distort (Puppet Warp, Liquify tools, Envelopes, Blends, Perspective Grid)	✅ done (M8.1–M8.20 on 2026-10-06, fidelity pass): Liquify Tool Options with one shared brush, pen pressure, hold-to-apply, a safe scope and incremental strokes; tool options that last; Puppet Warp rotation, multi-select, Control bar and a rest-shape session that follows Undo; Width tool on compound paths; Envelope dialogs with preview, Reset with Warp/Mesh, full Envelope Options, type/images/symbols/appearance/gradients/patterns distorted on canvas and in every export, warps that keep their frame, Edit Contents, mesh handles and Control bar; Blend Options, anchor-targeted Blend tool, editable spine, keys picked on the canvas, faithful interpolation and knockout; Perspective Grid with Define Grid, presets, lock/snap/rulers, widgets, the 1–4 plane switch, movable planes, Perspective Selection scale/copy/perpendicular/Transform Again, and type and symbols truly projected with Edit Text. Left: Anti-Alias and Preserve Shape output, warp-envelope point editing, brush interpolation in blends, Free Transform/Scale/Reflect along a rotated box	2–4
M9	Live effects (+ 3D & Materials)	🟡 2D effects done incl. Effect → Pathfinder and Color Adjustments; SVG Filters, Document Raster Effects Settings, 3D pending	86–135
M10	Brushes, symbols, patterns, Repeat	🟡 pattern swatches (5 tile types, Pattern Options, editing mode, SVG <pattern>/PDF export) and live Repeat (radial/grid/mirror) done; brushes/symbols in progress	23–37
M11	Artboards & views (artboard panel/tool, Trim View, middle-button pan, print tiling and the status bar's artboard navigator done; multiple windows, presentation polish)	🟡	15–25
M12	Advanced color & art (CMYK/ICC, separations, Gradient Mesh, Live Paint, Image Trace, Graphs)	🟡 Gradient Mesh, Live Paint, Image Trace (12 presets, 18 ms/1k² image), Recolor Artwork, colour management (ICC, soft proofing, separations preview), Graphs (all 9 tools, Graph Data/Type, regenerate in place) done; graph Design/Column/Marker designs pending	6–10
M13	Automation (Actions ✅ record/playback, persisted; variables, scripting, batch)	🟡	18–27
M14	1.0 polish (preferences, shortcut editor, workspaces, accessibility, packaging for all OSes)	🟡 Preferences, shortcut editor (chords with Shift and a punctuation key fire as typed), workspaces, a custom title bar on Windows/Linux with a Home button, content-sized dialogs and menus that scroll when longer than the window done; accessibility, Windows/Linux packaging pending	18–28
—	Interaction fidelity pass (every tool's modifiers, Properties panel per context, isolation, nuance)	⬜	60–90
—	Hardening at scale (big-file corpus, fuzzing, cross-platform + browser QA)	🟡	50–80
	Total to full parity (one agent; re-derived from the Parity estimate table)		~320–500

Parity estimate

Method (2026-10-02; M3 rows re-derived 2026-10-04, file, export, print, links and UI-chrome rows after M4 on 2026-10-05): Illustrator's feature surface is split into 22 areas, weighted by how much of the app (and of real users' work) each represents. Each area is scored by depth of behaviour, not by presence of a menu item: an area is 100% only when every feature in it behaves like Illustrator. Feature parity = Σ weight × score / Σ weight. Remaining time is counted per area from what is missing, calibrated on measured throughput: in the last session one agent landed about 20 medium features (Text Wrap, Graphs, Effect → Pathfinder, export baking…) in ~16 h wall clock including builds and CI on a heavily loaded machine — about 0.8 h per medium feature; large subsystems (3D, raster filters, vertical type) are counted bottom-up. The M3 rows (colour, strokes, appearance) come from a detailed 92-task M3 plan whose review found more missing depth than the first estimate; all 92 tasks landed on 2026-10-04 and 2026-10-05 with 6–8 agents in parallel; its packages, planned at 5–11 h each, took about 1–1.5 agent-hours each, so the other rows (estimated on the older scale) are likely high.

Area	Weight	Done	Missing (main items)	One agent (h)
Selection, transform & align tools	6	85%	Free Transform/Scale/Reflect along a rotated box, Start Global Edit, transform nuances (the rotated persistent bounding box is done)	4–6
Drawing tools	7	85%	Shaper Groups (merge/punch overlapping shapes), pencil and the remaining pen modifier nuances, Touch Type	10–15
Path operations, Pathfinder, Shape Builder, Live Paint	5	86%	Live Paint gap options, Shape Builder edge cases	3–6
Colour, swatches, gradients, patterns, mesh, recolor	7	96%	freeform and mixed spot/process gradients in SVG/PDF (exported as stops or process colours), pattern fills in Expand	2–4
Strokes, brushes, width profiles	5	88%	brush options depth, brush libraries (generated in code)	6–10
Appearance, transparency, graphic styles, masks	5	98%	raster effect reach in preview bounds (flattener presets apply in PDF, EPS and print)	1–2
Live vector effects	5	85%	Outline Object, Pathfinder Hard/Soft Mix and Trap, SVG Filters	6–10
Raster effects (Effect Gallery, Document Raster Effects Settings)	4	20%	~55 Photoshop-style filters (Artistic, Brush Strokes, Distort, Pixelate, Sketch, Stylize, Texture, Video) and the Effect Gallery; Document Raster Effects Settings and raster effects in PDF are done	28–42
3D and Materials	4	0%	Extrude & Bevel, Revolve, Inflate, Rotate, lighting, materials (software renderer)	50–80
Type core	9	78%	composer/hyphenation options, Optical Margin Alignment, hidden characters, Transform Again after a type-area resize (it scales the type), partial selection of type-area anchors by marquee	15–20
Type advanced	4	48%	CJK composition for vertical type (ruby, mojikumi, vertical metrics, manual tate-chu-yoko), variable font axis sliders (named instances are styles), tab leaders, spell check (open dictionary), Touch Type, Retype; vertical point/area/path type and Type Orientation have initial support	20–28
Symbols, blends, envelopes, Repeat, perspective	5	88%	symbol libraries (original), dynamic symbols, envelope Anti-Alias/Preserve Shape output and warp point editing, brush interpolation in blends (M8 fidelity pass done)	5–8
Image Trace, graphs, image tools	3	70%	graph Design/Column/Marker, Create Object Mosaic, Crop Image polish (Vector Halftone is done)	6–10
Layers, artboards, document setup	5	82%	Layers panel: a confirmation before deleting layers that hold art, Collect for Export, row context menus, the Layer Options dialog for several rows with mixed values, Paste Remembers Layers for sublayers, drag-scrolling a long panel while dragging rows; artboard presets/rearrange polish (Document Setup, New Document and the rest of the Layers panel are done)	4–7
View & navigation	3	70%	New View/Edit Views, multiple windows/arrange, Snap to Pixel/Glyph (print tiling is done)	9–14
Guides, grids, smart guides, snapping, rulers	3	75%	global/video rulers, smart-guide preference depth, ruler-drag modifiers (Shift snaps to ticks, Alt swaps orientation) and dragging existing guides	4–8
File formats	6	85%	DWG (no open spec: DXF instead), PSD placement as layers, Illustrator EPS checked against real files (only reduced repros so far), the remaining fidelity polish; EPS, DXF, EMF/WMF, TIFF, BMP, Targa, PSD export, SVGZ, PDF security, PDF/X, PDF layers and presets are done	6–10
Export for Screens, Asset Export, slices, Save for Web	3	85%	polish only (all four are done)	2–4
Print, colour management, separations, flattener	3	80%	print preview fidelity (flattener presets in PDF and print, overprint in PDF and composite print, Print dialog, presets, PostScript, marks, separations, Print Tiling, print overprint/flattener/bitmap options and printer profile are done)	1–2
Automation	3	60%	Variables (data merge), scripting surface, batch	8–12
UI chrome (panels, contextual Properties, workspaces, prefs)	6	78%	Variables, SVG Interactivity, Properties per context, Consolidate All Windows, context menus beyond the canvas (Links, Asset Export, CSS Properties, Attributes and the canvas context menu are done)	15–25
Libraries, Links, Package	2	50%	a local Libraries panel (no cloud by design); Links and Package are done	5–8
Feature parity	103	~75%		~210–330
Interaction-fidelity pass (side by side with Illustrator: every tool modifier, cursor, dialog, Properties context)				60–90
Hardening (big-file corpus, fuzzing, cross-platform and browser QA, accessibility, packaging)				50–80
Full parity		~56%		~320–500

With 4–6 agents working on disjoint crates (as the layering allows) the wall-clock time divides by roughly 3.5–4 (integration, review and shared files such as menus.rs serialize some work): ~55–95 h to feature parity, ~80–145 h to full parity.

Inventories (2026-10-05): 16 menu items still stubbed (todo(…) in crates/ui-egui/src/menus.rs); every tool implemented except Touch Type; 51 panel modules; Illustrator-style live effects ~44/54, Photoshop-style raster effects ~1/56, 3D 0/5; ~2,840 tests; ~221k lines of Rust.

Where we already beat Illustrator: exact curve booleans, off-thread multithreaded rendering, undo that never runs out, lossless SVG/PDF export of live effects with SVG filters, a documented JSON format, the same app on the web, and every command, gesture and dialog drivable by agents (MCP, CLI, control channel).

Out of scope (by design or by law)

• Native .ai private data: it's undocumented. We read the PDF-compatible part, so Illustrator-only live objects arrive as appearance.
• Adobe cloud services (Libraries sync, Adobe Fonts, Firefly/generative): these are pluggable provider APIs, not built in.
• Adobe's bundled assets (swatch/brush/symbol libraries, presets, icons): ours are original.

Where we aim to be better than Illustrator

• Speed: off-thread multithreaded rendering, instant startup, a responsive UI on huge files.
• Robustness: exact curve booleans (no "cannot perform operation"), property-tested undo/redo and file round trips.
• Openness: a documented native format, first-class SVG, and the same app in the browser.
• Automation: every command, gesture, dialog and widget is drivable by agents (JSON channel + MCP), with headless batch mode.

How to update this file

After each milestone task lands, update the status column and remaining estimates, and move items into "Shipped so far". Keep estimates honest: re-derive them from what remains, never from wishful velocity.