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Valentin KleinandClaude Opus 5.5
c1bd296dcf
* Select and Mask: live preview in Photoshop's view modes (#1754) The Select and Mask dialog had no preview of the refined selection. It now previews live in Photoshop's view modes: Onion Skin (default), Marching Ants, Overlay, On Black, On White, Black & White and On Layers, with a per-view Opacity, Show Edge (J) and Show Original (P). F cycles the views, O/M/V/A/T/K/Y pick one and holding X shows the image without a view. The view state lives in the dialog's fields, so ui.dialog.set drives it. The preview runs select.refineEdge on the proxy with output=selection and builds the view from it (veil fill layers, a layer mask, or the refined selection, whose marching ants the canvas draws scaled back up), through the existing filter-preview worker. Co-Authored-By: Claude Opus 5.5 <[email protected]> * Select and Mask: Refine Edge Brush (#2972) Select and Mask had no Refine Edge Brush. select.refineEdge now takes refineStrokes: [{"points":[[x,y],...],"size":px,"mode":"add|subtract"}], applied in painting order. Added areas become unknown and take a colour estimate: each pixel's colour projected on the line between the mean known foreground and background colours around it (normalised convolution over a box of the brush size, four times as far where none are near), so hair or fur beyond the edge-detection band joins the selection. Subtracted areas keep the original edge. Malformed or oversized strokes are rejected (stroke / point / swept-area limits), never a panic. The dialog gets the brush: Refine Edge Brush (R), Mode (Expand Detection Area / Restore Original Edge, Alt swaps), Size ([ and ]) and Clear Brush Strokes. With it on, dragging on the canvas paints strokes into the dialog's refineStrokes field, so the live preview, Show Edge and OK use them, and ui.dialog.set / agents drive them like any other param. Co-Authored-By: Claude Opus 5.5 <[email protected]> --------- Co-authored-by: Claude Opus 5.5 <[email protected]>