- release.yml: new `linux-riscv64` job, cross-compiled on ubuntu-24.04 against
ports.ubuntu.com riscv64 libs (ported from GridCraft), tar.gz only, CLI
smoke-tested under QEMU. Installs libasound2-dev:riscv64 for cpal/ALSA; the
VA-API and NVDEC/NVENC paths are loaded with libloading at run time, so they
need no riscv64 libraries. The draft-release job now needs it, so its tarball
is uploaded and covered by SHA256SUMS.txt.
- packaging/linux/package.sh: CROSS_ARCH / CROSS_TARGET / CROSS_COMPILE /
EMULATOR support, as in GridCraft.
- README and docs/releasing.md list the riscv64 tarball.
- cargo xtask version set 0.6.0 (Cargo.toml, Cargo.lock); refresh contributors.
Co-authored-by: Claude Opus 5.5 <[email protected]>
Conflicts:
- contributors/people.toml: keep both new entries (maxm11, ossini)
- timeline.rs: take upstream's Alt-click through timeline.select (it
clears the gap selection), and its empty-space arm (#683); only an
empty stretch of a track selects a gap
When linking a selection containing multiple video clips, create one link
per video clip with its overlapping audio clips rather than a single link
for all clips, matching Premiere Pro behavior.
Add ReReddo's own entry to contributors/people.toml, display name only, as
AGENTS.md asks of contributors. The name is shown once the maintainers'
contributors.py run verifies it.
The engine already keeps one playhead per sequence while a project is open, and the
project file's view already stores each sequence's zoom, scroll and track heights, but
not its playhead: after saving and reopening, every sequence started at zero.
ProjectView gains `playheads` (sequence id -> Tick), written beside the tabs and views
and restored with them when "Restore open sequences when opening projects" is on. Files
written before it have none and open as they did. Values from a file are not trusted:
ids that are not sequences are dropped, playheads are clamped to 0..ProjectView::MAX_PLAYHEAD
and snapped to a frame of their sequence.
Tests: each_sequence_reopens_with_its_playhead_where_it_was_left (fails without the
fix), hostile playheads in a_damaged_view_in_a_project_file_is_cleaned_up_or_ignored,
a deleted sequence's playhead is not written, and the format round trip carries it.
Also adds my contributor credit entry (people.toml).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Claude-Session: https://claude.ai/code/session_01Qq8BK1LmohzE1ga4NgAdWM
Resolve inherited physical key collisions when loading built-in presets,
while preserving established explicit winners and deliberate custom conflicts.
Read every ffprobe display-frame timestamp and register the requested credit.
Verify exact frame-plane reuse without depending on concurrent global metrics.
Co-authored-by: Codex <[email protected]>
* About: contributors compiled in from contributors.json (grab bag + table, sortable, name toggle)
Help ▸ About FilmCraft gets tabs About · Contributors · Models, following the craftrules standard
(standards/contributors.md): contributors/contributors.json is generated by
craftrules/scripts/contributors.py and baked into the binary by crates/ui-egui/build.rs as static
tables (nothing read at run time; the web build has them too). Each contributor line: @username,
opt-in display/real name, PRs, commits, lines +/−/Δ, binary assets +/−, first/last commit.
Sortable by every column; alphabetical ignores case and the leading @. Tabs and credits controls
register automation ids (about.tab.*, about.credits.*).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Contributors docs: craftrules is two levels up (../../craftrules)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Contributors: self-submitted names in contributors/people.toml; AGENTS.md credit-yourself section
build.rs reads contributors/people.toml next to the generated contributors.json and shows a name only
for entries the generator verified as written by that person (craftrules standards/contributors.md).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
* Contributors: regenerate (verified people.toml entries)
Co-Authored-By: Claude Opus 5.5 <[email protected]>
---------
Co-authored-by: Claude Opus 5.5 <[email protected]>
