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#372: uncompressed QuickTime (raw RGB / ARGB) output module format

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Problem: the Render Queue had no single-file uncompressed output, so
handing a render to an external encoder meant a lossy codec, ProRes,
or an image sequence plus a separate WAV.

Fix: add the "QuickTime (Uncompressed)" Output Module format. Frames
are stored as QuickTime 'raw ' samples: 8-bit RGB (depth 24, rows
padded to even bytes) or ARGB with RGB + Alpha (depth 32), written
through FilmCraft's existing QuickTime muxer with PCM audio
(16/24-bit or float) like ProRes. Format name `uncompressed` on the
control channel; disk-space estimate and Sample Format menu included.

Co-Authored-By: Claude Opus 5.5 <[email protected]>
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vangel76andClaude Opus 5.5 committed 2026-10-11 12:43:33 +02:00
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commit 575642a5ed
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+410 -20
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@@ -78,7 +78,7 @@ are grouped by area; the issue tracker has the rest.
| 19 | **Plug-in ecosystem** | No After Effects SDK hosting (#600, #327 OpenFX, #334, #376 plug-in manager); our WebAssembly API has no third-party plug-ins | Many pro projects depend on Trapcode, Element, Saber… | 40–80 h for API growth; SDK hosting needs an owner decision | G8 · [scripting-parity.md](scripting-parity.md) |
| 20 | **Multi-monitor and video output** | #486 multi-screen, floating panels on other screens, Mercury Transmit to video hardware (we have a second preview window only) | Two-screen setups are standard for professionals | 10–20 h | G2 · [hardware-parity.md](hardware-parity.md) |
| 21 | **Small 26.x features** | Proportional Scrubbing (26.2), copy frame to clipboard and paste SVG/AI as shapes (26.3), variable-font filter (26.3), percentage guides and effect colour labels (26.5), the rebuilt Effect Controls (26.5) | Users of the current version expect them | 15–25 h | — · [ui-parity.md](ui-parity.md) |
| 22 | **Encoder efficiency** | HEVC / AV1 have no B-frames, multi-reference or SAO / CDEF; Opus no FEC / DTX; #372 uncompressed single-file output; #325 render over existing file | Larger files than After Effects + Media Encoder | 20–40 h | G6 · [file-format-parity.md](file-format-parity.md) |
| 22 | **Encoder efficiency** | HEVC / AV1 have no B-frames, multi-reference or SAO / CDEF; Opus no FEC / DTX; single-file intermediates are 8-bit uncompressed QuickTime only (#372: no 16-bpc, AVI or lossless-compressed codec); #325 render over existing file | Larger files than After Effects + Media Encoder | 20–40 h | G6 · [file-format-parity.md](file-format-parity.md) |
| 23 | **Essential Graphics interchange** | Templates are `.ectemplate`, not `.mogrt`; #338 Scale exposes X and Y; #611 FilmCraft rejects exported `.fcgt` | Premiere editors can't use our templates | 15–30 h | — · [file-format-parity.md](file-format-parity.md) |
| 24 | **Timeline depth requests** | #601 expand precomps in place, #602 reorderable render stack, #604 guide-only effects, #355 bulk keyframes, #425 keyframe confusion, #428 more shortcuts | Power-user speed | 15–30 h | G2 · [ui-parity.md](ui-parity.md) |
| 25 | **Accessibility** | AccessKit is enabled in eframe and tests read focus labels, but no screen-reader pass, keyboard navigation audit or contrast check | Excludes users; After Effects supports screen readers poorly too | 15–30 h | G9 · [ui-parity.md](ui-parity.md) |