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Merge pull request #1199 from cjcwwww/i18n/effect-names
# Conflicts: # crates/ui-egui/src/panels/timeline.rs # docs/gaps.md # docs/localization-parity.md
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@@ -72,7 +72,7 @@ are grouped by area; the issue tracker has the rest.
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| 13 | **3D model formats and materials** | After Effects 26 imports FBX, USD/USDZ, STL besides glTF and OBJ (`usd_plugins`), and Substance 3D materials with mesh displacement (26.0–26.2); we read glTF, OBJ, STL (binary and ASCII, with facet colours) and FBX 7.x (binary and ASCII: meshes, hierarchy, Lambert/Phong materials and textures; no FBX animation or skinning yet) | Product shots and 3D scenes come as FBX/USDZ | 25–45 h | — · [file-format-parity.md](file-format-parity.md) |
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| 14 | **Object Matte** (26.2, disk cache in 26.5) | First slice (#783): the Object Matte effect (Effect ▸ Matte) and `objectMatte.apply` turn a point (and optional box) on a reference frame into a matte and follow the object up to 600 frames each way, or segment every frame on its own; Roto Brush's engine, cache and model (MobileSAM from Settings ▸ Roto Brush, classical graph cut without it). Since then: the Object Matte tool in the viewer (click / drag a box, hover crosshair), the box as the model's box prompt, background tracking with progress and cancel, Freeze, and segmentations kept in the disk cache (26.5). Missing: a comparison with After Effects ([plan](fidelity/object-matte.md)) | The new one-click roto | 10–20 h | G7 · [target-app-parity.md](target-app-parity.md) |
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| 15 | **Hardware video decode and encode** | No VideoToolbox, NVENC, Quick Sync or VA-API; #498 asks for it (answered: CUDA / NVENC need Nvidia's proprietary SDK through FFI, which the no-`unsafe` rule forbids); open PR #819 adds hardware decoding via `filmcraft-platform`; FilmCraft has VideoToolbox / NVENC / VA-API paths to borrow | 4K playback and export speed | 25–45 h | G5/G6 · [hardware-parity.md](hardware-parity.md) |
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| 16 | **Localization depth** | Menus in 10 languages (ja, zh-hans, zh-hant, uk, es, pt-br, ru, fr, de, cs: 624 rows each); panels in 6 (ja, zh-hans, zh-hant, uk, pt-br, cs); effect names and ~1,650 effect parameter names untranslated; Korean and Italian (After Effects ships them) absent; Hangul probe added (#599 closed) | After Effects is used heavily in Japan, China, Korea, Brazil, Europe | 60–110 h + native review | G9 · [localization-parity.md](localization-parity.md) |
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| 16 | **Localization depth** | Menus in 10 languages (ja, zh-hans, zh-hant, uk, es, pt-br, ru, fr, de, cs: 624 rows each); panels in 6 (ja, zh-hans, zh-hant, uk, pt-br, cs); effect names translated in Simplified Chinese (306, plus the generated Effect menu), their ~1,650 parameter names untranslated; Korean and Italian (After Effects ships them) absent; Hangul probe added (#599 closed) | After Effects is used heavily in Japan, China, Korea, Brazil, Europe | 60–110 h + native review | G9 · [localization-parity.md](localization-parity.md) |
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| 17 | **Media Browser lists files import refuses** | `media_browser.rs` lists AVI; `media::is_importable` has none of them (Targa and Radiance HDR import since #745; DPX and Cineon since #756, log shown as stored: no Cineon Settings conversion yet; MXF OP1a / OP-Atom since #767; FilmCraft has no AVI demuxer); #431 and #324 closed | Confusing failures on common VFX formats | 15–30 h | G6 · [file-format-parity.md](file-format-parity.md) |
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| 18 | **Relative paths and relinking** | Projects store absolute footage paths; no relink when a project moves | Moving or sharing a project breaks it | 6–12 h | G4 · [file-format-parity.md](file-format-parity.md) |
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| 19 | **Plug-in ecosystem** | No After Effects SDK hosting (#600, #327 OpenFX, #334, #376 plug-in manager); our WebAssembly API has no third-party plug-ins | Many pro projects depend on Trapcode, Element, Saber… | 40–80 h for API growth; SDK hosting needs an owner decision | G8 · [scripting-parity.md](scripting-parity.md) |
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@@ -19,14 +19,28 @@ interface; Arabic and Hebrew text *in layers* is supported through its Middle Ea
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- **Menus:** `crates/ui-egui/src/i18n.rs`, one catalog per language keyed by
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`(command, English label)`. A test (`every_translation_key_exists_in_the_actual_menu_tree`)
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fails if any fixed menu entry is untranslated or a row is stale, so every catalog covers all
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fixed entries (624 catalog rows each at 470ea7a3, counted). The generated Effect menu (effect names) is deliberately left in English.
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fixed entries (624 catalog rows each at 470ea7a3, counted). The generated Effect menu is not part of that fixed tree: its entries
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and category submenus take their labels from the effect catalog below.
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- **Panels, dialogs, buttons, tooltips:** `crates/ui-egui/src/i18n/ui.rs`, keyed by the English
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source string, with English fallback. Catalogs exist for Japanese (410 rows), Simplified and
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Traditional Chinese (506 each), Ukrainian (505), Brazilian Portuguese (400) and Czech (501);
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counted at 470ea7a3.
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- **Not translated anywhere yet:** effect names and their ≈ 1,650 parameter names
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(`crates/effects`), engine-generated text (property names, errors, undo labels), the Home
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screen's unwrapped literals (#574), Learn tutorials and documentation.
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- **Effect names:** `crates/ui-egui/src/i18n/effects.rs`, keyed by **effect id**, in Simplified
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Chinese (306 rows, one per effect in the registry, plus its 21 categories). The registry's
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English name stays the effect's identity: `effect.list`, `effect.apply {"effect": …}`, scripts
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and expressions match on it, and the property tree stores it as the effect group's name. Only
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the drawing — the Effect menu, Effect Controls, the Timeline and Effects & Presets — goes
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through the catalog, so a project file is identical whichever interface language opens it.
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A repeat (`Gaussian Blur 2`) keeps the index the engine appends, and a group the user renamed
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in Effect Controls stays verbatim. Adding a language there is two tables and one arm, and no
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panel changes: Traditional Chinese and Japanese have their tables in place and empty, so those
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languages draw English until a translator fills them (the Japanese set for #821 is what that
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slot is for). Each language decides for itself which names stay English — Adobe's Japanese
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interface leaves the `CC`, `VR` and `OCIO` sets in English while its Chinese one translates
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them — so a row repeating the English name is a choice, not a missing row.
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- **Not translated anywhere yet:** effect *parameter* names (≈ 1,650, `crates/effects`),
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engine-generated text (property names, errors, undo labels), the Home screen's unwrapped
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literals (#574), Learn tutorials and documentation.
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- **Language choice:** Settings ▸ General ▸ Language, or Match System
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(`match_system_uses_the_system_language_where_there_is_a_catalog`).
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- **Fonts:** no bundled CJK font; the UI installs system fallbacks probed by script (Kana, Han,
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@@ -50,7 +64,7 @@ the true percentages are slightly lower.
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| Language | Code | UI strings translated | Dialogs / tooltips / help | Script support | Native review | Status | To `full` |
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|---|---|---|---|---|---|---|---|
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| English | `en` | ≈ 3,900 (100%, source) | All; docs in English | — | yes | full | — |
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| Simplified Chinese | `zh-hans` | 1,130 (≈ 29%): menus 624 rows, panels 506 | Panels and dialogs partly; no help, effects untranslated; Home screen literals unwrapped (#574, closed) | System CJK fallback; Han follows the UI language; CJK text in comps renders wrongly (#453); IME in text layers | no | partial | 6–9 h + review |
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| Simplified Chinese | `zh-hans` | 1,130 (≈ 29%): menus 624 rows, panels 506 | Panels and dialogs partly; no help, effect names translated (306) and their parameter names not; Home screen literals unwrapped (#574, closed) | System CJK fallback; Han follows the UI language; CJK text in comps renders wrongly (#453); IME in text layers | no | partial | 6–9 h + review |
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| Spanish | `es` | 624 (≈ 16%) | Menus only (panel catalog in open PR #996) | Latin, fine | no | menus only | 7–10 h + review |
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| Hindi | `hi` | 0 | — | UI: Devanagari fallback font but no shaping; text layers shape Devanagari | no | none (After Effects: none) | 9–13 h + shaping in the UI |
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| Arabic | `ar` | 0 | — | UI: Arabic fallback font but no shaping and no RTL layout; text layers: bidi + shaping | no | none (After Effects: none) | 9–13 h + 15–25 h RTL UI |
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@@ -77,7 +91,7 @@ Russian (`ru`) has a menu catalog (624 rows, ≈ 16%); After Effects also ships
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German and Russian 16%, Korean and Italian 0%; 175 / 10, was ≈ 12% on 10 October). This is the localization row in
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[target-app-parity.md](target-app-parity.md#by-dimension).
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**Effort.** One-time work first: route effect names, parameter names and engine messages through
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**Effort.** One-time work first: route parameter names and engine messages through
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a catalog, wrap the remaining panel literals, and add a Hangul probe (10–20 h). Then each language
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needs ≈ 2,900 more strings (≈ 5–9 h per language at the pace of #398 and #401). Parity with After
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Effects' 10 non-English languages: **≈ 60–110 h**; the four extra languages of the standard list
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@@ -92,3 +106,4 @@ can give; none has had it.
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| 2026-10-12 | minor | Recounted: Russian, French, German and Czech menus (#873, #987), Brazilian Portuguese and Czech panels (#830, #987), Hangul probe (#599); overall ≈ 12% to ≈ 18%; Korean and Italian still absent |
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| 2026-10-10 | major | First localization parity document: catalog rows counted for all six languages, the twelve-language table, After Effects' 11 shipped languages from its bundle |
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| 2026-10-11 | minor | Ukrainian panel catalog brought level with the Chinese ones (495 of 496 rows, counted at this commit); its share rises to ≈ 29%. The other languages' panel counts are the 10 October measurement |
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| 2026-10-13 | minor | Effect names and the generated Effect menu leave English: `i18n/effects.rs` adds 306 rows keyed by effect id (Simplified Chinese, from After Effects 2026's interface and Adobe's Chinese documentation for the `CC` series) and the 21 category names. Parameter names are still English; no other language has rows |
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