The Type tool's clicks, drags and double-clicks on type on a path went to
the character at the same spot of the straightened line, and the caret
and highlight were drawn straight. A click now finds the character where
its nearest point along the path is (compose::PathTextMap, from the line
to the path and back, as path_glyphs places the glyphs); the caret stands
across the path there and the highlight bends with the text. A click on
the letters, above the path, hits the frame.
Depends on #636 (PathWarp::nearest).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Malayalam took the first installed file mapping it: on macOS Arial Unicode MS, which has no Malayalam shaping, so conjuncts like ക്ഷ fell apart. Fonts made for Malayalam are tried first, loaded on demand through the CJK chain lookup.
Route AppKit termination through the existing unsaved-document close transaction using the immutable winit patch. Restore pending prompts from hidden or minimized windows and preserve answers across repeated requests.
Validation: all six local gates, native cancellation/retry/save smoke, and hosted platform checks.
Fixes#544.
PR #623.
Selected type on a path shows its start and end brackets across the path,
as in InDesign, and the Selection and Direct Selection tools drag them
along it (Move Bracket, one undo step): the text starts and ends where
they are, and text past the end bracket is overset.
- doc: PathType.end (None: the path's end)
- geom: PathWarp::nearest, the arc length of the nearest point
- engine: type.pathOptions {end}; brackets stay on the path and can't cross
- compose: the line runs from the start to the end bracket
- idml: EndBracket read and written
- tools: Cursor::PathBracket
Co-Authored-By: Claude Opus 5.5 <[email protected]>
As in InDesign, the Pen over an end point of an open path (selected, or
under the pointer) shows a continue cursor; clicking it carries on drawing
that path, new anchors going on its subpath, and clicking its other end
closes it. Dragging from the end point first reshapes its direction
lines. From the first anchor the subpath is reversed first.
- engine: path.reverse (Object > Paths > Reverse Path), path.setAnchor;
path.appendAnchor and path.close take a subpath, and appendAnchor
refuses a closed subpath
- tools: Cursor::PenContinue
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Force actual failed recovery publication at the reserved destination so privileged runners exercise the intended retention path. Keep the normal writer, publication order and existing assertions; enable these fixtures across platforms.
Validation: all six local gates and the FreeBSD root VM workspace build/tests.
PR #627.
A tab is at most 260 px wide. A longer document name ends in an ellipsis
(cut at a grapheme boundary, RTL names included), the dirty marker and
zoom stay readable, and the full name shows in the tab's tooltip. Tabs
and their close buttons carry accessible labels.
Fixes#603
Checkpoint the latest document state during App::on_exit after honoring current quit approvals. Keep incomplete or stale plans, clear recovery for clean documents and report unavailable or failed storage.
Follow-up to #545; cancelable macOS Dock Quit remains open in #544.
PR #617.
Keep recovered snapshots available through a second crash before autosave. Track checkpoint ownership across folders and restarted IDs; Save, Close and Revert clean only checkpoints owned by that document.
Follow-up to #506 and the retention concern in #380.
PR #616.
Prepare and stage every chapter before a book update writes files. Preserve imported IDML sources, reject open native chapters and report completed paths after a later write failure.
Follow-up to #485.
PR #615.
Route desktop writes and CLI raster exports through the engine atomic writer. Add actual-caller regressions for reader visibility, private modes, symlinks and valid long filenames.
Follow-up to #485.
PR #614.
Preserve document paths, revisions and collection contents when persistence fails. Rebase Save a Copy paths without changing the open document.
Follow-up to #485.
PR #613.
Straight sides were trimmed through inv_arclen at 1e-3 accuracy, so a
rectangle's corner points landed up to about 1e-4 pt off. Lines are now
measured and trimmed along the chord, exactly; curves still use arc length.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Corners were applied only where two straight segments meet, and every
other segment was redrawn as a straight line: a Pathfinder quarter
circle with rounded corners rendered as a triangle with one round
corner. Corner points are now where the path turns; the sides next to a
corner are trimmed along their length, curves included, and stay
curves. Smooth points are left alone; rectangles are unchanged.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
With several objects selected, InDesign's Properties panel shows
Pathfinder: Add, Subtract, Intersect, Exclude Overlap and Minus Back.
DesignCraft had them only in Object › Pathfinder and the Pathfinder
panel. The section sits after Align, with code-drawn icons.
Section titles and icon buttons in Properties now have accessible names
(the title; the button's tooltip), so screen readers can tell them apart.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
View › Screen Mode showed no check mark (checked() had no view.screenMode
arm), so with the Normal/Preview row gone nothing showed the current
mode. ja.rs still translated the old Type/Proof Setup, Type/Rotate Spread
and Type/Separations Preview paths; it now has the View/… paths,
Screen Mode, Extras and Structure included.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Rotate Spread, Proof Setup, Proof Colors, Flattener Preview, Show Tag
Markers, Separations Preview and Show/Hide Tagged Frames were at the end
of the Type menu. They are in View now, which follows InDesign's order:
Overprint Preview and proofing, zoom, Rotate Spread, Screen Mode,
Display Performance, rulers, Extras (frame edges, text threads), Grids &
Guides and Structure (tagged frames, tag markers). Show Hidden
Characters stays in Type, as in InDesign; W still toggles Preview.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
The canvas drew an underline (and a strikethrough) as one rectangle per
glyph; where two anti-aliased edges met at a fractional pixel they left
a lighter seam between the letters. Contiguous bars of the same colour
and position are merged into one, as the PDF export already does.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
InDesign's Properties › Transform shows, under X/Y/W/H, the rotation
and shear angles beside the X and Y scale, then buttons to rotate a
quarter turn either way and to flip horizontally or vertically.
DesignCraft's showed only X/Y/W/H; the rest was in the Control bar
and Object › Transform. The fields set totals through transform.set
around the reference point; the buttons run transform.rotate and
transform.flip. Rotate and flip icons are original drawings.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
In InDesign a double-click on the Tools panel's Fill or Stroke box opens
the Color Picker; DesignCraft opened the Swatches panel. It now opens
the Color Picker for that box, with the selection's colour (the selected
text's when text is selected). The Stroke box also reports its name to
screen readers.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Edit > Step and Repeat opened the generic command form (Count 1..1000, Dx, Dy, Rows, Columns, Ids). It now has InDesign's dialog: Repeat (Count, or Rows and Columns when Create as a grid is on), Offset (Vertical, Horizontal, in the document's ruler units or any unit typed) and Preview, which shows the copies on the page while the dialog is open. Cancel, Esc and ui.dialog.cancel take the preview away; OK makes the copies once, as one undo step. A value that isn't a number keeps the dialog open and says so.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
InDesign's Hyphenation Zone ("the white space allowed at the end of a
line of unjustified text before hyphenation begins") applies only with the
Single-line Composer. The Paragraph Composer, the default, weighs every
break of the paragraph instead. DesignCraft applied the default 3p0 zone
to both, so ragged paragraphs under the Paragraph Composer refused
hyphens InDesign makes. In LYH Studio's poster tutorial the placeholder
text breaks "aper-natem" and "mosticsia-tur"; ours ran a line longer.
The breaker now gets the zone only for unjustified Single-line Composer
paragraphs.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
note.edit was the one story-text command still reading `text` without
text_param. The progress-log line held real CR and CRLF characters where
it meant to show the escapes; it reads `\r` and `\r\n` now.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
frame.create and text.insert turned \r and \r\n into paragraph returns,
but story.replaceRange, story.setText, note.new, footnote and endnote
text, type on a path and table cells kept the CR in the text, where it
drew as a missing glyph and joined the paragraphs. They all use
text_param now.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
type.selectionAttrs copied the whole selection to a string before taking
the first 60 characters, so selecting a long story copied all of it on
every query. It now skips leading blanks and stops after 60 characters.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
type.selectionAttrs reports the start of the selected text on one line
(`selectedText`, up to 60 characters), for previews such as the font
menu's Selected Text sample. The preferences keep `recentFonts`, the
fonts last picked in the font menus.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
ScopedFonts::family_kind reads a family's format, class, PANOSE and file
date from its Regular face. A loaded face is asked; an installed family
that isn't loaded is read from its file, which is let go afterwards,
instead of loading every family the font menu's filters look at for the
rest of the session. Files over MAX_DOCUMENT_FONT_BYTES are skipped.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Each face reports what InDesign's font menu shows and filters by, read
once from its tables: its format (TrueType, OpenType/CFF, variable,
colour), its class (serif, slab serif, sans serif, script, monospaced,
decorative, symbol) from PANOSE, else the OS/2 IBM family class, else
the family name, else the shape of its "l" (serifs widen the foot), its
PANOSE numbers (with a distance for similar fonts) and when its file
was added.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Paste Into gives a frame nested content, but it isn't a group: the Effects
panel showed "Group:" and enabled Isolate Blending and Knockout Group for
it. It now asks Item::is_group, so such a frame shows "Object:" with the
group options disabled.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
The Effects panel had the blend mode, opacity and Drop Shadow only. Like InDesign's it now names the level the settings apply to with its blend mode and opacity (Group: Color Dodge 100%, Object: Normal 100%), and has Isolate Blending and Knockout Group, enabled for a selected group, through object.transparencyGroup.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Probe reused connections before writing so an app restart does not lose the next call. Report connection failures as not reachable with nothing sent, while retaining uncertain outcomes and no replay after sending begins.
Add same-port restart and unavailable-app loopback regressions, and retain the lost-reply guard.
A placed PDF, EPS or SVG under the Eyedropper matches attributes again,
as before, instead of failing with "no placed image under the point"
(Asset::is_raster, shared by the tool and color.sample). color.sample
hands its colour to object.color, which now colours selected text, the
text of selected frames ({text: true}), or the typing colour of an empty
story; a caret in existing text is refused before a swatch or undo step.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
The Eyedropper on a placed image now does what InDesign does: with text
selected, clicking the photo colours the text with the image's colour under
the pointer; with objects selected, it fills them. The colour is an unnamed
colour (reused when the same colour is sampled again). Images on locked
layers can be sampled, and unfilled frames over the image let it show through.
- color.sample {at, spread?, target?: fill|stroke, ids?} samples the frontmost
visible raster image at a spread point; one undo step; a caret or a point
with no image is refused without an edit.
- object.color shares its swatch lookup with it.
- The Eyedropper tool sends color.sample over an image, matchAttributes
elsewhere as before.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Prompt for unsaved documents on window close and application/menu quit. Defer discarding documents until all approvals are current, retaining every tab when a later decision cancels quitting.
Refs #544. Cancelable macOS Dock Quit remains separate.
Co-authored-by: aiongg <[email protected]>
Co-authored-by: skylar taylor-barrick <[email protected]>
Keep each app's recovery data in an owned run folder. Validate current folder and lock ownership and disable recovery when isolation fails instead of using the shared root.
Fixes#496.
Co-authored-by: noah1400 <[email protected]>
Co-authored-by: skylar taylor-barrick <[email protected]>
The previous release build failed in craft-common-actions, not in this
repo: riscv64 packaging got --formats deb,rpm,tar (fixed in
craft-common-actions#3), Linux jobs lacked the ALSA headers
(craft-common-actions#5), and Windows signing needed the AZURE_* secrets
listed in the caller.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Since the release workflow moved to storytold/craft-common-actions, it has
passed only the Apple and WINDOWS_CERTIFICATE secrets. The signing job reads
values from the release environment, but only for names the caller lists, so
the AZURE_* names that Trusted Signing uses came through empty and Windows
builds would ship unsigned. Same fix as storytold/craft-launcher#174.
Co-authored-by: Claude Opus 5.5 <[email protected]>
object.swapFillStroke and object.defaultFillStroke change every unlocked
target in one edit, so one undo restores them all. Swap works per object
and keeps each object's tints; a stroke that gets a colour at zero weight
gets the default 1 pt. Objects that are locked, or on a locked layer,
stay as they are. color.swapFillStroke and color.defaultFillStroke run
these commands.
The proxy's tooltips named keys that did nothing. color.defaultFillStroke
(D), color.swapFillStroke (Shift+X), color.toggleFillStroke (X) and
color.applyNone (/) are UI commands; the proxy's buttons run the same
commands. Swap keeps the fill and stroke tints.
Which of fill and stroke is in front lives in UiState, shared by the
Tools panel proxy, the Color panel and the commands. The single-key
shortcuts stay out of text being typed, like the tool shortcuts.
Return ordered item IDs from Move, Duplicate and Step and Repeat while preserving the existing moved and created counts, selection and undo behavior. Scripts can use the IDs to operate on copies.
Validation: eight independent probes covering both swatch validation and returned IDs, plus all six cargo xtask ci gates on main after #520 (1,188 native tests passed, 3 ignored; all 15 applicable crates passed WASM compilation checks). Both ROADMAP entries and command regression modules are retained.
Task: #521
Reject unknown object fill, stroke and gap swatch names before editing the document, and suggest an existing name where possible.
Validation: three independent atomicity and compatibility probes, plus all six cargo xtask ci gates against current main (1,187 native tests passed, 3 ignored; all 15 applicable crates passed WASM compilation checks). ROADMAP progress entries are retained.
Task: #520
Reject unknown character fill swatches before modifying text or undo history. Registered swatch names remain valid, including names that resemble hex colours.
Validation: invalid-name atomicity and save/reopen regressions, plus all six cargo xtask ci gates on main after #514 and #523 (1,186 native tests passed, 3 ignored; 15 crates passed WASM compilation checks).
Task: #403
Parent-page text now uses the absolute page index as its cache key, so repeated page numbers and renumbering do not reuse another page's composition.
Validation: targeted canvas and PDF regressions, plus all six cargo xtask ci gates on main after #514 (1,179 native tests passed, 3 ignored; 15 crates passed WASM compilation checks).
Task: #523
Do not resend a request after a transport failure. Report the uncertain outcome and reconnect on the next explicit request.
Validation: all six cargo xtask ci gates passed on the merge candidate; 1,177 native tests passed and all 15 WASM packages checked. Lost-reply, invalid UTF-8 and timeout probes reproduced duplicate edits before the fix and one edit afterward.
Task: #514
Match IDML part names leniently, report missing parts, and show import warnings when opening a file. Cover the malformed URI crash with a regression test.
Validation: all six cargo xtask ci gates passed on the current main merge candidate; 1,176 native tests passed and all 15 WASM packages checked.
Hosted FreeBSD tests and Windows ARM64 packaging and install/run checks passed.
Task: #356
Co-authored-by: skylartaylor <[email protected]>
Honor the capitalized-word hyphenation setting for uppercase words and retain the current roadmap entries.
Validation: all six cargo xtask ci gates passed on the current main merge candidate; 1,170 native tests passed and all 15 WASM packages checked.
Task: #538
Co-authored-by: skylartaylor <[email protected]>
Marco Arnulfo